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Thread: Fate/Prototype

  1. #7581
    other side of Red Garden AmADo VII's Avatar
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    Quote Originally Posted by EX-Saber View Post
    Thank you for the clearing information of that then ^^. Makes me wonder if we ever actually did see anywhere of Excalibur's restraints being released; maybe in F/GO if the event ever arrives.
    if you want to see what happens during seal release, you can read latest volume of El-melloi case fiiles. though it's Rhongo.

  2. #7582
    死徒(上級)Greater Dead Apostle PhoenixRising's Avatar
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    Hi, guys.

    I've started a new thread where I'll put all of the completed translations (after I've re-edited them) for all of the volumes of the light novels.
    It's located in the translations section under Fate/Prototype Blue Silver Fragments Complete Version, and it'll start from the first chapter of the first novel.

  3. #7583
    Hero of Charity GundamFSN's Avatar
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    You're awesome, Phoenix.


    Something
    Quote Originally Posted by Altima of the Gates View Post
    I see how it is Nasu, changing waifus like underwear, right?

    There is no forgiveness for you. Time to reclaim your honour.
    Quote Originally Posted by Koto is living a hard life
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    2017 is the year i watch shinji die in 2 different animes
    Quote Originally Posted by GabrieliosP View Post
    Spoiler:
    Don't forget Prillya 3rei Herz!
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    FUCK
    Quote Originally Posted by Bloble View Post
    Writing porn also helps.

  4. #7584
    O Beast of CaerbannogAAAAARRGH!!? castor212's Avatar
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    thanks phoenix

    - - - Updated - - -

    does that mean the summaries will digivolve into translations too?
    I haz a patreon please support onegai
    Currently (like, actually) finishing Apocrypha 3

  5. #7585
    死徒(上級)Greater Dead Apostle PhoenixRising's Avatar
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    Quote Originally Posted by castor212 View Post
    thanks phoenix

    - - - Updated - - -

    does that mean the summaries will digivolve into translations too?
    Yep, and the entire first chapter is now up in that thread.

  6. #7586
    Korewa Korewa Aozaki-desu's Avatar
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    holy shit Phoenix da MVP
    thank you very much!

  7. #7587
    不死 Undead EX-Saber's Avatar
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    Waaah! Thank you for everything Phoenix! I'm looking forward to rereading the chapters while we all wait for the final volume and more to come.

  8. #7588
    夜魔 Nightmare Rygah's Avatar
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    Woah, awesome! Thanks Phoenix!
    Spoiler:
    (All credit on Aron Headbutt on Youtube)

  9. #7589
    https://twitter.com/comptiq
    【お知らせ】「Fate/Prototype 蒼銀のフラグメンツ」第5巻につきまして、発売日を4月26日(水)とさせて頂く事となりました。お待ち頂 いている読者の皆様、ご注文頂いているお客様には、ご迷惑をお掛けします事をお詫び申し上げます。今暫くお 待ち頂けますようご理解のほど宜しくお願い致します。(コンプティーク編集部)

  10. #7590
    鬼 Ogre-like You's Avatar
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    wow
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    i'll get as a late christmas present
    Quote Originally Posted by FSF 5, Chapter 14: Gold and Lions I
    Dumas flashed a fearless grin at Flat and Jack as he rattled off odd turns of phrase.
    "And most importantly, it's me who'll be doing the cooking."
    Though abandoned, forgotten, and scorned as out-of-date dolls, they continue to carry out their mission, unchanged from the time they were designed.
    Machines do not lose their worth when a newer model appears.
    Their worth (life) ends when humans can no longer bear that purity.


  11. #7591
    🌸~spring song~🌸 Nobody's Avatar
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    Quote Originally Posted by bbb252 View Post
    https://twitter.com/comptiq
    【お知らせ】「Fate/Prototype 蒼銀のフラグメンツ」第5巻につきまして、発売日を4月26日(水)とさせて頂く事となりました。お待ち頂 いている読者の皆様、ご注文頂いているお客様には、ご迷惑をお掛けします事をお詫び申し上げます。今暫くお 待ち頂けますようご理解のほど宜しくお願い致します。(コンプティーク編集部)
    April, huh. Was the reason for delay ever stated?

  12. #7592
    死徒(上級)Greater Dead Apostle PhoenixRising's Avatar
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    Hi guys,

    Part One of Act 2 of the Little Lady Arc is now up in the translation section.

    Edit: Okay, Part 2 is now up!
    Last edited by PhoenixRising; February 12th, 2017 at 11:19 PM.

  13. #7593
    死徒(上級)Greater Dead Apostle PhoenixRising's Avatar
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    Roxas asked me recently to translate some interviews that Hikaru Sakurai had done.
    So I've been translating the interview from the January issue of Comptiq about Blue Silver Fragments.

    So, here is Part One of that interview which covers the plot and the illustraions.
    Spoiler:


    The story of the “Beautiful Fragments” that was spun with much cooperation.

    Interviewer: ――――Please tell us your current impressions now that you’ve finished your writing

    Sakurai: “Blue Silver Fragments” was a work where the last scene had been decided. The Holy Blade – Excalibur would release its 13 restraints, and defeat the Beast which Manaka Sajyou was trying to give birth to. How we proceeded to that scene, I mean, was what I was constantly thinking about since way before the start of this serialisation. To be able to draw the work that was taken from Kinoko Nasu’s original work throughout these 3 years, it is an indescribable feeling. Immediately after the end of the serialisation, I received a “Thank you” from Nasu. To receive such wonderful words, made me so happy that I was speechless.

    Interviewer: ――――In writing, do you have any lingering impressions?

    Sakurai: One is the level of all of the fan’s passion. During serialisation I’ve often noticed people doing cosplay / fan-art, as well as pilgrimages to the various parts of the metropolitan area. I knew that my work was being enjoyed, so it made me really happy. In this piece I put in a complicated gimmick, that allows you to connect with the story by continuously reading each volume, however a person is able to follow it as well. All of the fans’ voices, became a stimulus for me on top of writing this piece. The other is, the words from Yuuichirou Higashide who has been writing “Fate Apocrypha” etc.

    Interviewer: ――――What this about Higashide?

    Sakurai: “Blue Silver Fragments has many tragic developments, but regarding developments like this, I’ve received words like “You brutal demon!” (Laughs). It was also in the commentary for volume 1. Since I’ve been socialising with Mr. Higashide since before “Blue Silver Fragments” was serialised, we’ve had talks about various stuff from normal stuff to non-reserved stuff. In particular, Brunhilde who appeared in “Blue Silver Fragments,” and at the same time regarding Sigurd as well, since it was a Servant that I thought about creating together with Mr. Higashide. We’ve had many opportunities to talk about this piece.

    Interviewer:
    ――――Do you mean that Mr. Higashide was also deeply involved, in the setting and creation of “Blue Silver Fragments?”

    Sakurai: It’s not just Mr. Higashide, including Nasu who is the creator of it, I’ve received collaboration from various people involved in “Fate.” I’ve had countless scrupulous briefing sessions with Nasu, and consulted with him about the developments and the setting side of it, I’ve also had a talk where I’ve been bouncing off ideas with Makoto Sanda who’s been writing the “Lord El-Melloi II Case Files” about the magic side of it. I’ve also had several talks with Ryohgo Narita who is the author of “Fate/Strange Fake.” In my investigation of historical archives, Mr. Ryou Morise lent me the power of Mr. Takashi Takeuchi regarding the existence of Valkyries. It feels like, I was writing a world view that was constructed through collaborating with these people. In addition, the most indispensable one to this work no matter how times I say it is the wonderful designs of Nakahara, and his numerous illustrations. To receive 3 full coloured illustrations with each episode being serialised, is a very luxurious thing. By saying that it surpasses 100 sheets along with the cover illustrations, shouldn’t this be at a level where we could send out another art book?

    In particular, when “Blue Silver Fragments” was given as a detailed lined plot to Nakahara, I adopted a writing method, that’d allow for him to draw and expand on the image while looking at the rough that he’s received. Since it was a project that operated together with illustrations, I think I wouldn’t have completed it if not for Nakahara’s assistance. Since looking at the roughs, I’ve rewritten lines that I had initially finished writing more than enough times, and it’s because of the strong influence I’ve received from Nakahara’s illustrations.

    Interviewer: ――――Specifically what lines of which scenes have you’ve changed?

    Sakurai: For example in the 3rd volume, in the scene where Tatsumi Kitano appears having become a living dead by Paracelsus’ hands (Volume 3, Page 289). In the scene the Hassan of Serenity is shown with a shocked expression, as she looks on at Tatsumi who has been given a temporary life, and I decided to rewrite the monologue when I saw the expression that Nakahara had drawn. “If I’ve been given such an amazing drawing, then I must respond in kind” is what I thought. As I finished writing, the amount of it had increased by 3 times as much (Laughs). The monologue description of the relevant scene, was originally much sparser. The Hassan of Serenity’s dumbfounded expression, leaves a strong impression on me even now.

    Interviewer: ――――If you were given any of Nakahara’s illustrations who left you with additional impressions, which one would it be?

    Sakurai: This is also the picture where the Hassan of Serenity appears, but it’s the scene in the 3rd volume where Tatsumi has been killed by her. While Tatsumi understands that the Hassan of Serenity is a Servant, he also seems to be worried about her. In contrast to the powerful beings called Servants, and although he feels fear towards her, he suppresses that fear and screams “Leave before my Servant kills you!” It is a picture that wonderfully expresses a conflict that says, that although he’s scared he must protect his girl. Again, the scene where Ayaka is watering Garden in the first novel, I remember the one that he carefully drew in order to show her reality. As a composition, it becomes a visage that’s like we’re secretly peeking in on Ayaka who is watering. When I looked at that rough illustration, I thought ‘I will also enter the world of 1991, in order to properly draw it.’ It was similar to as if I was also there in the Sajyou residence, so I was writing in the sense similar to recording Ayaka with a camera.

    Image Description 1: By meeting the boy called Tatsumi, and falling in love with him, the girl called the Hassan of Serenity’s heart changes. By following her illustrations, one can understand the emotional changes she goes through.

    Images are of the Hassan of Serenity that Sakurai had described.
    Last edited by PhoenixRising; February 14th, 2017 at 12:02 AM.

  14. #7594
    🌸~spring song~🌸 Nobody's Avatar
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    Quote Originally Posted by PhoenixRising View Post
    shouldn’t this be at a level where we could send out another art book?
    Yes. Preferably one where everyone is in civilian clothes.

    Thanks, Phoenix (and Roxas).

  15. #7595
    Gorgeous~! Happy~! Elegant~! Bobin's Avatar
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    Thanks, you two.

    Sakurai: It’s not just Mr. Higashide, including Nasu who is the creator of it, I’ve received collaboration from various people involved in “Fate.” I’ve had countless scrupulous briefing sessions with Nasu, and consulted with him about the developments and the setting side of it, I’ve also had a talk where I’ve been bouncing off ideas with Makoto Sanda who’s been writing the “Lord El-Melloi II Case Files” about the magic side of it. I’ve also had several talks with Ryohgo Narita who is the author of “Fate/Strange Fake.” In my investigation of historical archives, Mr. Ryou Morise lent me the power of Mr. Takashi Takeuchi regarding the existence of Valkyries. It feels like, I was writing a world view that was constructed through collaborating with these people. In addition, the most indispensable one to this work no matter how times I say it is the wonderful designs of Nakahara, and his numerous illustrations.
    What an impressive collaboration of authors nerding together.
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  16. #7596
    死徒(上級)Greater Dead Apostle PhoenixRising's Avatar
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    Yeah, I'm just going through the rest of the interview and Sakurai talks a lot about the Hassan of Serenity and Tatsumi.

    Edit: Here is part 2 of the interview. Enjoy

    Hikaru Sakurai Interview Part 2
    Spoiler:

    All of the characters and fragments come together in “Prototype.”

    Interviewer: ――――From here on, please talk about all of the characters. First, please start with the protagonist Manaka Sajyou.

    Sakurai: Through volumes 1 to 5, I have described a lot of Manaka’s secret manoeuvring. But, from volumes 1 to 4, I haven’t mostly depicted Manaka’s inner workings. Her love towards Saber, even if I described Manaka as an evil being, there are mostly no episodes where I’ve depicted it from Manaka’s perspective. By actually making this intentional, we avoided making the ominousness disappear from the being called Manaka Sajyou by depicting her inner workings. Except for her love towards Saber, by hiding the parts of her that say, what she was thinking, what she was feeling, I intended to depict Manaka as a monster who couldn’t be understood by people. And then, in the 5th volume we deeply delved into Manaka inner workings for the first time. When I finished drawing the final chapter which has been compiled in this volume, I thought that finally I could give an answer to the homework that Nasu had submitted to me.

    Interviewer: ――――By homework what do you specifically mean?

    Sakurai: To clarify what sort of being Manaka Sajyou is, yeah. What kind of person should she be to win her way through the Holy Grail War? What she was thinking, what she obtained, what kind of things that she was seemingly going to carry out, it was my homework from Nasu to convey that to the readers. Manaka Sajyou is the one who stands in the way as the last boss in “Fate/Prototype.” By depicting the true character of the being called her in the last chapter of “Blue Silver Fragments,” I thought I could respond to Nasu who had finally passed the baton to me.

    Interviewer: ――――Okay next, please tell us about Ayaka Sajyou who serves as the protagonist in that “Prototype.”

    Sakurai: The young Ayaka who appeared in “Blue Silver Fragments is a being who gives us a chance to decide the confrontation between Manaka and Saber. Saber’s meeting with Ayaka in Garden, gives him an important answer through her words. That’s why Saber, abandons his wish which is to save his homeland from destruction, he is a being who guides the destruction that Manaka is trying to create, and faces the Beast. Of course Ayaka wasn’t aware of such a thing, they were gentle words which appeared because she is young, but that’s exactly why it reached Saber’s heart as pure words.

    Interviewer: ――――Do you mean that it was decided from the start, that Ayaka and Saber’s first meeting would be in Garden, in the 5th volume?

    Sakurai: Yes. This was also the same as Saber’s 13 constraints release, it’s an episode that had been planned from the start. However, since “Blue Silver Fragments” was initially planned for one novel, at one point it was planned to write more quickly, but in the middle of serialisation it became 3, and then 5 novels. We fell behind schedule quite a bit to show this to everyone. But, since it was strongly implied in this episode through the accumulation of these 3 and a half years, I think that it was good results-wise.

    Interviewer: ――――As I hear that story, the words that say “What do you wish for from the Holy Grail?” that Arash left for Saber in the 4th volume, I feel has something deeper in it.

    Sakurai: If you’ve read volume 5, I think you’d be able to know that there was a meaning to the words that Arash left behind. If volume 5 has been released, I’d like you to read it straight through from volume 1. As it’s been arranged in chronological order, if the entire flow of the 1991 Holy Grail War is divided into 10 levels, then the first volume depicts the fragments from 1 to 9. So since each of them has been depicted like the 2nd volume is from 1 to 5, the 3rd volume is from 1 to 6, the 4th volume is from 2 to 7, and the 5th volume is from fragments 7 to 10, by all means please try to check them if you can. I think you’ll be able to understand just Arash’s resolve.

    Interviewer: ――――Other than Manaka and the others, if you were to give a character who should be particularly noticed in this story who would it be?

    Sakurai: It’s Tatsumi. If he had met with Saber, then I think that surely the story called “Blue Silver Fragments would’ve greatly changed. They actually haven’t met, but Tatsumi accomplished many encounters in exploring the town together with Jekyll. Since by bouncing around those encounters it gave an effect to Saber’s resolve, please follow Tatsumi’s movements by all means.

    Interviewer: ――――Jekyll who is Tatsumi’s Servant also encountered, and fought with many Heroic Spirits, but would you say that there were Masters and Servants who were similar to them?

    Sakurai: For Tatsumi, we made as a picture of a character who interacts with Jekyll. I think it’s inevitable that there will be similar Master/Servant pairings. Even within the story, I wrote it in a form where its Tatsumi towards Jekyll, or Jekyll towards Tatsumi. Jekyll who couldn’t achieve justice in his lifetime, meets Tatsumi who is overflowing with a pure sense of justice, and cooperates him under Tatsumi’s idea of “I want to stop the Holy Grail War!” Jekyll understands that to fight to their advantage means that they have do assassin like movements, but he prefers how Tatsumi wants to do things, so he chose a battle where its intentionally persuasive and straight on.

    Interviewer: ――――Arash and Elsa Saijou is another Master/Servant pair who have built a good relationship.
    Sakurai: If there’s a scene where I’ve depicted those two, then the point where the two of them are having meal together in the 4th novel still leaves an impression on me. While drinking alcohol at the pub, they are having a meal like friendly university students, but 8 days later Arash will be having his decisive fight with Ozymandias, right? Looking at Nakahara’s wonderful designs, an image of their meal before the decisive fight floated into my mind. It’s exactly because it’s a harmonious scene, that one could say that it overlaps with their later separation.

    Image Description 2: Having been bequeathed to Ayaka by her mother, Garden is a place for studying magic. Coming together into the story, I had one impression similar to watching over her from the shade of a tree.
    Image Description 3: Manaka who has persisted in her love for Saber unwaveringly until the end. Contrasts with the Hassan of Serenity who changes mentally with each advancement of the story.

    Interviewer: ――――Brunhilde and Nigel Sayward, are a Master/Servant pair with contrastive personalities, isn’t that right?

    Sakurai: It was a development following the initialisation, of Brunhilde becoming convinced that Saber was Sigurd, by drinking Nigel’s miracle drug. However, as I actually tried writing it, Brunhilde became a Servant with deep sentiments that are surprisingly more than what I had initially thought. Nigel too, at first he was created to be a standard cold-hearted magus, but he showed some emotions in part 4. I think that emotions becoming stronger than first planned by involving other main characters, is a common feature of these Master/Servant pairings.

    Interviewer: ――――The unexpected development of Nigel showing his emotions and facing Manaka, became a topic among fans.

    Sakurai: By Nigel contracting with Brunhilde, he might’ve begun climbing the stairway as a hero. Or as a result of meeting Manaka, he had awoken to his heroic qualities so as to guide his fate. If I think about this in that manner, then I wonder if Nigel would’ve again, been a suitable Master to contract with the Valkyrie called Brunhilde.

    Interviewer: ――――What kind of impressions do you hold, for Ozymandias who flaunted his overwhelming power within the story?

    Sakurai: The picture of him where he is together with Nefertari and Moses in the 3rd novel, is fantastic. If one can read that peripheral scene, then I think you can understand that Ozymandias is not a mere arrogant tyrant. Additionally, I can explain that there’s a small joke material in Nakahara’s design concerning Ozymandias. Ozymandias’ hair, had a risen design and a lowered design, but it would rise when the tension was running high. Conversely it lowered when her was in a calm state or a displeased state. As I tried to notice that point, I think one can understand that his anger towards the head of those Isemi’s was fierce indeed (Laughs).

    Interviewer: ――――Please about the Hassan of Serenity and Paracelsus, you depicted and delved into their inner workings in volume 5, right?

    Sakurai: I wonder if Paracelsus, is truly the perfect fit for the words “I think that’s all for the best.” Having turned the dead Tatsumi into a Living Dead, in a Paracelsus way was a type of good will towards the Hassan of Serenity. Again, the Hassan of Serenity is a being who has grown the most out of all of the characters within the story. She swears her loyalty to Manaka in volume 1, she meets Tatsumi in a later development, she is attracted to him, and becomes conscious of her love for him. “Blue Silver Fragments, is also a story about the Hassan of Serenity. If you follow Nakahara’s illustrations from volume, then I think you will know very well the changes in her expressions.

    Interviewer: ――――It seems a newly written episode has been similarly compiled in this current volume as well as volume 5. Please by all means tell us, what kind of contents do they contain?

    Sakurai: The “Fate/Prototype” short animation, with one act to connect to a scene that was drawn in the creative document collection “Prototype Material, as well as the later original characters of “Blue Silver Fragments.” These two have been compiled in it. So please by all means ascertain it the conclusion of this story of “Blue Silver Fragments” with your own eyes.

    Interviewer: ――――In “Blue Silver Fragments” there are fragments that still haven’t been drawn yet. Will a day come when you’ll speak of these?

    Sakurai: For now I can’t answer that yet. But, there are still episodes in the 1991 Holy Grail War. I think, that I want to deliver those fragments of the further stories of 1991 in some form someday.

    Interviewer: ――――Well then, finally can you please give a message to our Comptiq readers.

    Sakurai: Thanks to you, I became able to finish this story which spans over 3 and ½ years. With my feelings of gratitude towards all of its readers, I’ll deliver volume 5 as well as including all of my other newly written texts. I’m happy, if you’re able to enjoy it.

    Image Description 4: Drawn in volume 4, Brunhilde who has been pierced by Saber. While her spiritual core has been destroyed, she expresses her emotions which have all been entrusted to the “Hero” called Saber.
    Image Description 5: Ayaka and Saber’s meeting. The words which Ayaka spoke to him in Garden, became a chance for Saber to turn his eyes towards the future. The pair finally reunite 8 years later.
    Last edited by PhoenixRising; February 14th, 2017 at 06:32 AM.

  17. #7597
    夜魔 Nightmare Rygah's Avatar
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    Thank you Pheonix and Roxas! Pretty interesting interview, can't wait for the new scenes in volume 5.
    Spoiler:
    (All credit on Aron Headbutt on Youtube)

  18. #7598
    🌸~spring song~🌸 Nobody's Avatar
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    Quote Originally Posted by PhoenixRising View Post
    Ozymandias’ hair, had a risen design and a lowered design, but it would rise when the tension was running high. Conversely it lowered when he was in a calm state or a displeased state. As I tried to notice that point, I think one can understand that his anger towards the head of those Isemi’s was fierce indeed (Laughs).
    Lol

    Thanks again Phoenix and Roxas.

  19. #7599
    The Long-Forgotten Sight Rafflesiac's Avatar
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    Wow, Sakurai really likes Tatsumi and Serenity.
    Quote Originally Posted by Arashi_Leonhart View Post
    canon finish apo vol 3

  20. #7600
    It's Magikewl~ Magikewl's Avatar
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    Rip Jekyll x Tatsumi

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