Correct, I experience much more than I produce, in order to produce good things. I understand art. I am constantly absorbing aesthetic experiences through reading, listening, watching, and attempting to understand a multitude of different phenomena. What I understand as "bad" does not denote that I do not understand that "everything is good". What I understand as "bad" denotes my understanding of good things and bad things, as it would for anyone else. But what is "Good" is not what is subjective. "what is good" is "what is true", or "what works" and "truth serves life". To understand something is not to understand what is good about it or what is bad about it. To understand something is to understand why it works, or why it doesn't, and there are more things that don't work than things that do.
If I "didn't experience anything" I wouldn't know this. My mind is broad, and I am open to ideas, just ones that are valid, not "validated".
The prince says that the world will be saved by beauty! And I maintain that the reason he has such playful ideas is that he is in love.
....like can you make a post without either patting yourself on the back or looking down your nose at someone else?
Come visit Mobius Space whereand post Type-Moon stuffquite rarelytranslators gather
No man is an island, but some like to believe they are continents.
The reason I have asked you these things is that in this day of instagram tag aesthetics two people can no longer expect to be starting from the same playing field with concepts as, well, dodgy as brutalism is. The word definitions don't capture the problematic adequately. If by LeC's definition (which is not actually his definition LeC was many things but he wasn't stupid), everything with exposed concrete is brutalism, and you cram under one roof such a huge swath of contradictory architectural approaches you're basically defining nothing but material expression, one that has literally existed for hundreds of years and came into being literally with the advent of the modern architectural canon in the west.
The Smithsons draw attention to a concept of art brut - outsider art. Outsider art is something akin to naive art, for all extents and purposes the same thing. The brut here, you will note, is not used to denote something lacking in nuance, intelligence and emotional depth, but in a sense somewhat similar to the concept of the noble savage. It looks outside the canon, outside the academia and established norms, for answers to a very old but in the context of modern human living very new problem -life in a community.
Concrete is a fundamental building material. It is practically inescapable, and its characteristics are so convenient to humans one would almost think it was meant to be discovered and used in such a way by us. Exposed concrete was for the longest time a logical and natural answer to the challenges of large-scale building, and that's how the job works - if something is good for the job, it's good. You embrace it. At least until you know better.
What you'd call examples of brutalism in the UK have aged terribly, and they're the card people pull in most cases when aesthetics of exposed concrete are being discussed. Why is that? Two major interconnected reasons: the climate, and the hard fact that the people these buildings were built for simply couldn't afford the intense upkeep and stuff like extra insulation work that these buildings would require to look good in the longrun in shitty moist weather. Look at the examples in, say, India, or Brazil, or the Mediterranean regions of Europe, Africa and the Middle East. They aged much better. Look at Montreal's Habitat 67, a giant, it looks good because it's posh af and also a monument and is being painstakingly renovated and kept in mint condition. Context.
In short, we don't really like the term brutalism. It misguides more than it explains, it's unfair to many great works of architecture, it's too generalizing and imprecise. And in this job, imprecision...is death!
Last edited by Snow; July 12th, 2018 at 05:00 PM.
For real though people, this isn't going to end. Just ignore the guy because he's not going to learn anything and I think everyone else could use the time in a more valuable way.
<NEW FIC!> Revolution #9: Somewhere out there, there's a universe in which your mistakes and failures never happened, and all you wished for is true. How hard would you fight to make that real?
[11:20:46 AM] GlowStiks: lucina is supes attractive
[12:40] Lace: lucina is amazing
[12:40] Neir: lucina is pretty much flawless
Please, no erections in public, this is a mod order
<NEW FIC!> Revolution #9: Somewhere out there, there's a universe in which your mistakes and failures never happened, and all you wished for is true. How hard would you fight to make that real?
[11:20:46 AM] GlowStiks: lucina is supes attractive
[12:40] Lace: lucina is amazing
[12:40] Neir: lucina is pretty much flawless
Examples of "you think you're better than everyone else" like this are really attempts to express the notion that "not thinking you're better than everyone else makes you better than everyone else" it's a hypocrisy. The fact that you have to make the statement is an attempt to highlight your own moral judgement, and therefore exalts you, making you superior. I have bothered none to make myself seem exalted.
The prince says that the world will be saved by beauty! And I maintain that the reason he has such playful ideas is that he is in love.
Snow is now professionally qualified to see to it that her erections last forever.
Imagine that the world is made out of love. Now imagine that it isn’t.
Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die.
Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.
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I've been enjoying reading about architectural aesthetics. I forgot how much study of art there was interwoven into it.
He never sleeps. He never dies.
Battle doesn't need a purpose; the battle is its own purpose. You don't ask why a plague spreads or a field burns. Don't ask why I fight.
shitpost mods leave and you guys fuck up the thirst thread with pagelong discussion this is vandalism
[04:55] Lianru: i3uster is actuallly quite cute
i am the counter force
[04:55] Lianru: i3uster is actuallly quite cute