
Originally Posted by
ItsaRandomUsername
Ever so steadily does she progress to her goal to the delight of my rabid shipper oh why do this to me, Frozen. What was Lorelei's current objective this time? I thought she and Elsa had interacted in a previous update.
The final line gave me pause until my memory came back. Then I laughed.
Lorelei has a lot of objectives. She tells herself that it is to get this rental agreement for the Association, but well, you'll see.
5.
When Barthomeloi finally enters the castle she is amazed not by the glistening that reflects herself no matter how much she wished it wouldn’t nor how the ceiling only seems to be open to the sky. She is amazed that she is rather disappointed. An ice castle. She saw on her approach, but here it is in all its glory, a mere ice castle. A sad sop of an ice castle. Even so, the moment she steps into the castle Barthomeloi can feel its sanctity. She will admit that much. Making a bounded field, making phantasmal species, and especially her sorcery trait; they mean nothing compared to the intricate geometry that this ice is molded into. The interlocking plates, the exactness of the width and breadth of each sheet is not something that can be built overnight even with magecraft. This queen has a surprising talent for sacred geometry or perhaps numerology in general. To Barthomeloi this is not a palace of ice created on top of a mountain, but one of the finest workshops she has ever seen on top of a fallen leyline.
A twinkling jewel is merely pretty. A fortress ready to be fitted with weapons is a possible threat even if it is in a backward childish fashion.
Barthomeloi continues through the corridors while morphing her magecraft shields into something more suited for the occasion. She wants an element of surprise, but it will do her no good to be melting the very ground she stands on. Still, she would occasionally stop and admire the work. Crystalline in shape and as still as a corpse, yet that stillness pulses with emotion as if the ice itself is alive and worst of all, threaded with fear. An all-powerful, all-rejecting fear that without knowing it and even behind the layers of spells, Barthomeloi shivers.
After what seems to be a labyrinth Barthomeloi arrives at a displacement of ice. Round at the top then plunging into the ground, it seems carved from one solid block. Curious. The entire palace has been made with freedom as its keystone. Other than the door leading outside Barthomeloi has not even seen a handle. Also the palace is entirely made up of open doors or rather openings without doors. Barthomeloi wonders if there is a deeper meaning. A magus’s workshop is meant to keep magical energy from leaking. The queen’s current design expands that. Having open doors throughout the entire palace meant the palace itself, rather than a sectioned-off place, is a workshop. Such an idea makes it close to the temples of yore.
"The throne room," Barthomeleoi misspeaks to no one in particular again but a few drops of water stains the ice-floor. Her breath must have started to melt the door handle.
If this is truly the throne room then wouldn't it be essential that this area be linked to the others as to maximize the flow of magical energy?
But without waiting a moment and with a mere motion of her hand she tears down the entire door and strolls in.
The stench of darkness is overwhelming. The crispness of the icy air only serves to heighten the scent of fear wafting through and saturating the room. Even the chandelier hanging from the arching ceiling has sable veins gliding within what used to be pristine crystalline perfection.
And in the middle of the room...
"Anna, I told you to go away!"
A miserable slumped figure weakly pushes herself off the floor and turns to face Barthomeloi.
"Wait... you're not Anna."
Even if the magenta cape is replaced with sheer ice and the platinum braid finally freed, the heaviness and the pitiful way she carries herself has not changed; after all does it not take more than a song for people to change?
"You. Are you here about that treaty again? No, if you're also here asking me to break this curse. I'm sorry but I can't," she venomously spits out the word “curse.”
Barthomeloi frowns, "It's not a curse. What on earth are you talking about?"
"Not a curse?" The queen repeats, "You must have seen it yourself. My entire kingdom is frozen. Of course it's a curse."
"Then why don't you go back?"
"I already told you," her voice starts to become shrill, "I can't do anything about it. Please Lady Barthomeloi, leave and go back to London."
Barthomeloi shakes her head and withdraws a few sheets of paper to hand to the queen.
The queen's eyes go back and forth while occasionally flipping the page. "This... is about a co-ownership of Arendelle? You're expecting me to sell my kingdom to you?"
Barthomeloi takes a breath and stifles herself her before answering. "We are asking for a partnership. The Crown would still have the sovereign rights to the kingdom. We want an understanding with the Crown allowing our organization exclusive use of the kingdom and particular resources. We believe that the amount written is sufficient enough compensation. Rather than selling, we prefer to think of it as renting."
The queen runs the numbers in her mind, "Yes, it's more than enough. With this amount whatever debt Arendelle has would be wiped away. We could start globalizing as well, but you've come to the wrong person. I'm not the queen anymore." She hands the papers back to Barthomeloi.
"Not the queen?" Barthomeloi slaps the papers out of the bare hand. "That's fine, that's completely fine to say, but if you say that you're not the queen why do you keep referring to it as ‘my kingdom?’”
"I..." The former queen's form crumbles again. "I never wanted to be queen in the first place!"
Peals of silvery laughter ring through the room reverberating and resonating with the ice, and in the center Barthomeloi is laughing, clawing at her her knees for support in a dismally unladylike display.
"What's so funny?" Taken aback from the laughter Elsa can only ask. “Aren't you the one who told me I should let it go? I should be myself, no?”
“Yes, I was wasn’t I?” Barthomeloi wipes back a tear. “But I don’t understand why I would tell you something like that back then, but seeing all this, being here right now I can see why I did.”
“What on earth are you talking about?”
“You say you don’t want to be queen. It was something thrust upon you, a curse just like that ability.”
“Yes, it is.” The queen put her hands together in front of her chest as if clasping something so close yet long gone. “I want to be free. ‘Conceal. Don’t feel. Don’t let it show.’ I was taught. But here, up here I can be me. For the first time… For the first time in forever, I’m no longer paralyzed, frozen.”
Barthomeloi says nothing at the caricature and merely looks around as the veins throb and pulse, rippling through the ice, through the queen’s words.
“You ran away from your life, your people.”
“They called me a monster, they don’t want me. They’ll be happier without me. And to be honest, I’m relieved. Ha,” the queen smiles, “Can you actually believe it? I’m relieved.”
“But your kingdom, it’s buried in snow.”
The queen’s expression freezes. She has already referred to it so Barthomeloi is sure she already knows about it. It seems that she has been avoiding the topic then.
“I can’t do anything about it,” the queen says while turning away from Barthomeloi. “They don’t want me. My people don’t want me because I can’t do anything to help them. So the best I can do is stay away to stop it from getting worse.”
“But you’re the queen,” it is almost a whisper, “Shouldn’t you be with your people?”
“I told you didn’t I?” The cape shimmers as the queen turns. “I didn’t want to be a queen.” Her posture is crumpled up as if she is still trying to hold something in. If she is that’s appluadable especially in this situation.
The edges of Barthomeloi’s mouth twist into some sort of cruel mockery of a smile. “If you don’t want to be a queen why did you build a palace?”
The bare clasped hands release themselves as a breeze that Barthomeloi can feel from behind her shields brushes the room.
“Why did I…”
“You threw away your gloves, you threw away your cape, and you threw away your tiara. You supposedly let it all go, so why, why are you still acting like you’re a queen?”
“I-I…”
But Barthomeloi won’t stop. Rather she has no idea how to do so, as restraint against self-righteousness has never been in her curriculum. “If you really are free, if your past is truly in the past, if that’s what you truly believe in, why is your role in this world exactly the same as it was then? Why, if you never wanted to be queen in the first place, is it that the moment that you are allowed to be whatever you want to be, you still indulge yourself into being a queen? Why is it that you built a palace?”
“So what?” The queen’s voice crackles in places, stammering in others. It is quiet, not the soothing kind but that of a cornered animal, “Yes, I’ll admit it, I want to be queen, rather, it’s not something I want to be so much as something that I am. All my life I’ve been raised as the next queen, the heir to the throne and it is the only life I know. So then, do you think that I am going to stop? Lady Barthomeloi, do you think that I can even stop?”
Barthomeloi understands the sentiment too well. To be a queen is to be a queen is to be a queen even if only a Barthomeloi can truly be a queen. One can separate the girl from the Barthomeloi, but one cannot separate the Barthomeloi from the girl. But for Barthomeloi this is the-
No, it doesn’t matter. It is just that right now Barthomeloi can’t accept this queen.
“So then why are you here?”
“Why am I what?”
“Shouldn’t you be with your people?”
“No… What are you talking about? It’s my fault in the first place that the weather is like this. Why would I be with them? No, as a queen this is what is best. I have to stay away from them, after all being there would make everything worse.”
“Ridiculous.”
“You think that I like being unable to do anything? That I enjoy not helping my sister or my subjects? That’s why I’m here. I might not be able to save my people but I can make sure nothing else happens to them. I already caused Arendelle this much suffering. I can’t go back and make it worse. As queen this is what I can do. This is my duty.”
“Wind-“
“Wha-?”
A blade of air erupts from the frozen lumps that Bartomeloi’s breath makes, hurtling at the queen without a second for her to cast a counter-spell.
The area around the queen explodes sending shards of glistening into walls of shimmering, mostly cracking but sometimes also shattering. A portion of the castle is cleanly cut and a crevice can be seen; however just a week ago Barthomeloi sliced off a piece of castle, so that meant…
“What was that?!”
Erecting a wall of ice in the last moment that shouldn’t have been a moment the queen somehow negates most of the damage. All that is left of the defense is now shredded and then cubed ice.
“What are you?” The queen says as she brushes ice fragments out of her hair and off her dress.
“A Queen must lead her people,” is her only reply. “Running away to save them, that’s not the same as leading your people. In fact from your coronation until now you have never once led your people.”
“So then you’re saying that I should go back down this mountain and further wreak havoc on a people who hate me, a people who want me dead and worse? I should go down and cause them pain, cause them despair? Go down and have them cause me pain, cause me despair?”
“A Queen who does not lead is not a Queen at all! Just a sad little girl playing queen in a pretend castle made of ice that may shatter at any moment. The Queen must take all the responsibility, all the hatred, all the grief, for she is the Queen. For that the Queen will always be alone; however, that is okay because she is the Queen.” She pauses a while before continuing. “The queen does not wish to be free for the bonds that tie her down are also the chains that bind her to the throne. And most of all, a Queen is never someone who saves. She will never save her people, neither will she ever hope to. All she can hope to do is to lead them so that they might one day save themselves.” That is the difference between you and me, Barthomeloi almost adds.
“What sort of reasoning is that?” The queen’s voice is shrill now. “Letting my people die just for the sake of being able to lead them? Above all, a queen cares about her people. How can a queen who invites the destruction of her own country be a queen?”
“How can you claim to know the hearts of your people if you have never led them? How are your subjects supposed to act when their queen has abandoned them, refused to lead them in fact?”
“Anna, my sister. She will lead them.”
“So then who will you be? You, the one who was born and raised as a queen, not knowing any other life. The queen who ran away in her kingdom’s hour of need for a pathetic reason like saving that kingdom. Many will demonize you; however through that process you’ll become a martyr, someone who needed to leave to save the kingdom, something like the Anti-Heroes of old. But let me ask you this, do you really want to be a queen who takes on all the responsibility, or a queen who has martyred herself for the sake of self-satisfaction?”
“You-“ The queen starts but Barthomeloi cut her off.
“I’ve seen the painting of Jeanne D’Arc in your castle. You ran away from your kingdom, from your duty because you don’t want to make things worse. You say that you are doing this to save your sister and those you care about. But I can’t help but think; isn’t that some kind of self-indulgence?” The temperature of the room plummets as the rivers of black in the walls start to flow. Barthomeloi momentarily considers adding more layers to her shields but instead, “To run away from the world and at the same time calling it salvation, calling that ‘keeping the people close to you safe.’ In reality, isn’t it just not taking responsibility? It was you who created that snowstorm, it was you who was crowned queen. Right now you’ve just run away to a mountain top in hopes that no one else can reach you to tell you things you don't want to hear but know are happening, deluding yourself that what you are doing is the right thing.”
“Shut up-“ it is barely a whisper in the wind that fails to separate and reach Barthomeloi.
“Conceal? Don’t feel? Don’t let it show? You sacrificed your life to keep your sister safe, but never once have you accepted yourself, taken responsibility of your own ability, your own station in life. You wanted to be free, but here you are faced with all this suffering, all this pain. To you though that’s fine, you’ll let it go, you’ll let it go and say it’s for the sake of those close to you, after all, all you are is a little girl playing qu-“
“Shut up-!” Elsa yells, not to deny Barthomeloi but to stop her from going further.
The single piercing note rings through the ice palace, wafting here, frittering there, and for a second it might have even gone outside where a giant snowman is guarding the palace waiting for the subjugation company to rid the world of the monster that froze a kingdom.
But all that means nothing to Barthomeloi. Her speech is dispassionate as it is distant, a fitting glacier that only decreases the already sub-zero atmosphere in the room. Just like the glacier that pierces her side.
The red drips. First trailing, staining her dress as well as smearing onto her leg before blooming in crimson flowers spread across the icy floor, for breaking through an impossible amount of magecraft shields is a block of ice, uncut and unremarkable. It is not infused with any sort of magical energy; however, to have pierced Barthomeloi’s shields, at least according to her, magical energy must have formed its basis somehow.
Barthomeloi stares at her hand, orange from the smeared blood under a frostbitten sun. It doesn’t matter that the wound is already healed without leaving a scar, for the iron-clad defense that Barthomeloi had always believed in, her pride, has just been penetrated by a person she just called a self-indulgent girl.
“Wind, scatter-!”
The shame itself sends her magic circuits howling as she retaliates with a furious barrage of demonic winds, all powerful enough to uproot the picturesque clearing that she had created earlier that day. And as if each has mind of its own, the winds leap and bound across the room as if guided by the cold spot in the area before plunging into the Snow Queen.
Any magus would gasp then become white with horror at the scene. After all, even magi have their rules. One of which the low, jarring sound grinded against until that single rule eroded away. Worthless like the centuries that carried it.
Blue Blood
Noble Magic Circuits
, the Sorcery Trait and the greatest treasure of the Barthomeloi family that allows them to continue to reign supreme in the Clock Tower. The family closely guards the true extent of their power; however, it is one thing for sound to be created from the activation of magecraft, but for noise to be created from someone simply activating their magic circuits? In the entire history of the Association there has only been two whose magic circuits have sung. The first, a human rocket launcher known as the Magician of the Fifth, Miss Blue. The second is no other than The Queen
The Supreme Magus of the Current Era
herself.
With only the allowed one count to reply, Elsa can do nothing but allow herself to be shredded.
“What?”
But again, the bewilderment comes from Barthomeloi.
Having never fought before and seemingly unable to kill, Elsa is still able to erect three pillars that serve as her defense, all of which are ripped apart when the winds graze them.
Barthomeloi incorrectly cares not that Elsa creates these three pillars in an instant and with no incantation at all, but rather that they are able to block her spell. Each of the winds that Barthomeloi spread is able to turn a castle wall into powder. To defend against such a furious flurry one would need to imbued their defense with enough magical energy or cast a mystery greater than Barthomeloi’s. What Elsa did is neither. It is possible for twelve inches of clear blue ice to carry almost ten tons of weight. Each pillar was created with that in mind furthermore each contained intricate patterns that further reinforced the structure itself.
“If that is the case then…”
A fountain and a waterfall burble into Barthomeloi’s mind.
The instant Barthomeloi taps her left foot onto the glass-like floor a wave of magical energy shoots out towards Elsa, but rather than an engulfing wave it is shaped like the bottom half of a jaw, an exponential graph so to speak. Created not to wash away, it is a magical wave that serves to launch the opponent into the air where Barthomeloi’s alignment, wind, shows its true power.
Elsa quickly side-steps. The telegraph and the effect itself are too obvious even with an amateur as an opponent. A spell that should be applied during the middle of others if it has any hope of succeeding, it seems Barthomeloi miscalculated. However, Barthomeloi predicted that as well, so while Elsa is still in the process of dodging, a magical energy filled finger carves a cross in the icy air leaving a blue afterimage that begins to wisp away. Before it completely fades it erupts into a pure stream of magical energy that hurtles to Elsa.
With too little time to dodge once more, Elsa puts up her arm in defense attempting to do something against the stream of magical energy, but at the last second she, with brow furrowed, drops to the ground.
“Why didn’t it freeze?”
Elsa stands back up now holding a singed shoulder. The only thing surprising is that her wounds aren’t more severe. However, when she removes her hand, the healing becomes visible. The interlocking scales of her dress regrow and refreeze the bare area, not to mention the shimmering gauze of a cape is one once more.
“Even if the fjord is frozen in winter the fish are not affected. In the same way, if you try to freeze a stream of magical energy, as long as it is moving, at best only the surface will be affected,” Barthomeloi’s voice drops. She doesn’t even know why she is talking, let alone lecturing, “just like the magic circuits we use to let our magical energy, water, flow.”
She attacked Elsa out of spite, out of being sick at looking at someone like that. Someone who wanted to be queen but with none of the responsibilities. Barthomeloi even forgot about the supposed deal with the Association, but that line can’t help throbbing against the walls of her mind. What is that damned line? All she wanted-
“What are you?” Elsa’s voice peaks ruining Barthomeloi’s rumination. “Are you a witch? Did you make a contract with the devil?”
“A witch? There are many among us who would called themselves witches. But no, even if it’s a noble pursuit, I don’t dabble in Black Magic.”
“A noble pursuit, what… what are you even trying to achieve here?”
The words resound through Barthomeloi’s mind again. She has no idea what she is doing here. Along her path of failures she merely arrived here. She has never failed before, so then was this what it meant to be tossed around like a leaf on the wind? Barthomeloi shakes her head. No, it is nothing like that. It is clear enough, the queen’s words, her attitude, Barthomeloi merely can’t stand the ramblings of a self-indulgent girl. Twin shattered mirrors, perhaps Barthomeloi merely can’t stand looking into the one that opposes hers. Ridiculous, foolish, all words she uses to describe this queen, but more than that, she abhors the fact this so-called queen did not take responsibility. For Barthomeloi who is alone because she took responsibility, someone who was alone because they avoided it is something she cannot allow to continue to exist. As of then that will be her reason for following Elsa up here to this mountain top. To transgress on a fairy tale she has no right in cohabiting, for now that is reason enough. At least that is what she allows herself to believe.
“Wind- Erupt.”
And the battle starts once again.
***********
Wind brushes ice, creating snow. Sometimes fire melts that snow and then earth would pound the snow back into ice. A hunt of hunts, that is something Barthomeloi neither expects nor receives. In fact, all she can do is throw spells, waiting for that pathetic little queen to receive one of them.
The moment her second attack failed, she could not win. She should have known but she was blinded by failure and frozen in loss. In fact the longer they fought the more the ice grew in confidence sheering off more of the wind, enveloping more of the flames, and freezing the earth in its place. Yet never did Barthomeloi use anything more than a two count spell, in-fact; after that initial barrage Barthomeloi stopped using two count spells entirely, switching to one-counts before settling for double actions, and now rested on single action defenses that Elsa pelted at.
Genii in the world of magecraft are currently separated into two categories: those who have mastery of many magecrafts and those who are astoundingly knowledgeable in one or two. Barthomeloi is the former as her family carries the attribute “Almighty.” Simple is the best is the Barthomeloi philosophy, and perhaps that is the reason why she loses so much sleep over White Wing. He is both the most similar to her and the furthest away. Both at the peak of their species because of their shared doctrine they have never strayed from. Therefore Barthomeloi’s arsenal consists of nothing but the most basic of spells. She is an orthodox magus, a dime in a dozen who will never ascend
. Yet she stands as the The Queen
Supreme Magus of the Current Era
. If all the fat is cut off then what is left is the useful. Train the useful, perfect the useful, make the useful your weapon. That is the thinking behind this style of magecraft.
The room rumbles. The noise from the giant snowman warning Elsa the company is a few hours march away leaks into the ice insulated room but the combatants aren’t troubled. Instead Elsa litters the ground with icicles. She looks like she is having fun. She can’t control her powers properly and she can die at any moment, however from what Barthomeloi can see, she is finally letting herself go. For the first time in forever she is able to release whatever pent-up emotion she has inside against someone she believes deserves to bear the brunt of it. And because of that Barthomeloi cannot not stand this woman, yet at the same time she can’t help but marvel at how Elsa is keeping up with her.
The ice rages and the wind pushes back. The magical energy being expelled is no longer explosive, rather, it turns into a precision scapel, waiting for the right time to shave and cleave. Shards of the castle splinter and crash down coating the floor in diamond dust and then later on powder snow; however one cannot be sure which of the two elements is causing such a phenomenon, after all a battle between magi is not merely a battle of ice and wind, it is also a battle between concepts. It is not the one with the greater rules, but the one with the system with the lesser flaws that will win, and in this case-
An icy blast meets a tempest and a block of ice forms in between the queens. Barthomeloi immediately kicks up white powder as she dashes in while surrounding her fist in a ball of air that is smashed into the block. The block starts to slide towards Elsa. Facing her own creation, her only option is to tether it to the ground with more ice. Barthomeloi must have used the ball of air to induce a vector onto the block, but Elsa doesn’t understand what type of person can do that in the first place. Rather, she doesn’t care. Lost in the ecstasy of battle she does not see the shadow over the top of the block, pelting her with more magic missiles.
Barthomeloi’s power comes from the fact that her simple magecraft has the same effect as higher ranking spells. Even without the need or use of aria shorteners like Notarikon, her one count spells can slice off castle walls and her two count spells can even uproot a small house. As even a magus skilled in High Speed Incantation would take five seconds to produce such a miracle, Barthomeloi is the fastest because she is the strongest.
Gravity rather than magical energy carries a comet, a crystalline beach ball haphazardly created to reinforce function rather than ascetics, into Barthomeloi who promptly swats it away with a wave of her hand and her wind. But the distraction from above serves its purpose as the floor shakes and a fang of ice comes from below.
The same tactic and without any time to retaliate, Barthomeloi also steps to the side…
Yet if Barthomeloi is the fastest because she can produce the greatest result in the least amount of time; how is Elsa able to meet her and seemingly trump her? So then if this is the case Barthomeloi is wrong again because it isn’t “how is Elsa keeping up with Barthomeloi?” but rather “can Barthomeloi continue to keep up with Elsa?”
A spear of ice. Slender, thin, there are no edges and only two points. It is an impossible work of art and the lighting that will strike Barthomeloi. But she can break it. Something that thin, that sharp shouldn’t be strong; however, Barthomeloi doesn’t even have a second, so she’ll just use unprocessed magical energy to-
She dodges, her arm is gashed; whatever she tried has failed.
Barthomeloi doesn’t understand, but she knows that Elsa is different. Rather than producing the best from the weakest, Elsa skips the incantation process and produces the best in the shortest amount of time. That is, put it in the clumsiest way possible, while Barthomeloi is the fastest because she is the strongest, Elsa is the strongest because she is the fastest. She can produce miracles equivalent to a ten count in a single action. A arrogantly troublesome magus who can perform a single action equivalent to a five count spell against a self-indulgent girl who can actualize the equivalent of a ten count spell in the time it takes for a single action. It is obvious who would win, who has the system with the fewer flaws.
Furthermore, it doesn’t even feel like Elsa is using magecraft at all, but if it wasn’t magecraft what else could it be?
But even that doesn’t matter anymore because this is the final exchange.
Both opponent have not taken a true wound and by now, they both have forgotten why they are fighting. It is a pathetic, paltry excuse of a cliche but a truth that still rings. Each is now truly the apple of the other’s eye.
Barthomeloi seethes. Every one of her attacks has failed: all her battle experience, all her education, it has been no use. She ridiculed the queen, attacked her way of living, and called her a self-indulgent girl, but from the current situation could it be that Barthomeloi is the self-indulgent girl?
Once again she shakes the thought from her mind instead of grinding her teeth. She has been doing that a lot lately, but never mind for she going to end it with one more series of attacks.
Tearing a slit from her dress that goes up to her thigh, she raises one leg and shifts her weight back. Her arm is behind her head like whip about to crack. Her circuits roar, spinning faster and faster as she winds her arm. Her fingers, three prongs, tightly grasp what not yet exists. Her form is perfect for someone who has never pitched before. It is not a spell that Barthomeloi would use, it is not even a spell but rather the preparation for one.
In reply, Elsa sends a boring wave of ice at Barthomeloi. The white crystalline front exposed to the air can be mistaken as foam while the pale blue shimmering of the bulk of the wave glides through the room as if a shark seeking its prey.
Barthomeloi slows her breathing and listens to her circuits, waiting for the moment they reach maximum speed.
Violently lifting her arm up, Elsa extends the wave vertically. The maw of the shark finally reveals its multitude of icicle teeth preparing to rip its prey apart, but before that-
The cracking of a whip thunders through the ice palace. The magical energy is created in the arms then moves to the fist in one fluid motion. Nothing more than a knockoff of that human missile launcher's technique. Yet that is not the end as the demonic bullet is pitched with all the power that Barthomeloi’s reinforced frame offers.
A highly pressurized ball of air, it easily pierces through the wave of ice.
This is Barthomeloi’s greatest work. Rather, it is a pathetic magecraft that has no value, but with one single action Barthomeloi creates something that would take most magi more than five or six lines of incantation. The self-propelling ball of air will split into a barrage to which all Elsa can do is erect more defenses to block and in that moment when the smell of freshly ground ice and diamond dust stinks up the air, Barthomeloi will rush in with wind surrounding her fist prepared to pummel Elsa through her iced ballroom floor. Inelegant, it is a final resort, but for Barthomeloi her pride was-
She doesn’t think about that though, instead, Barthomeloi merely dashes in the moment she pitches the ball and red.
A sharp intake and then a gasp. Without her permission her head droops down. Swallowing some saliva that tastes like iron, she turns her attention to the room, and then finally to her attack.
“Impossible.” The blood garbles her breath but it is still audible.
Frozen.
Her ball of air is just in front her. She can reach it if she just reaches out her arm; however it is not moving. It just stands there in mid-air, in the middle of the room, frozen and Barthomeloi cannot not understand why.
“Are you ok-a..?” Elsa’s eyes widen as she sees the scene she wrought for there, crucified in the middle of the room, is Barthomeloi.
Her heartbreaking dress torn and punctured The Queen
The Supreme Magus of the Current Era
is held up by spikes of ice originating from the room itself as if she is a puppet. Barthomeloi’s blood colours the spears adding a red glow to the ice already marbled with black.
“No… I never meant…No…” But the image was in Elsa’s mind the moment Barthomeloi dashed forward. Since I made this room, Elsa thought, then shouldn’t the room do as I command?
But now as if they could feel Elsa’s anguish the spikes retract, dropping a still blossoming Barthomeloi like a ragdoll onto the ground.
“What have I…?” Elsa looks at her pale uncovered hands. Foolish girl, she can’t help but think that a mere night after she took off her gloves those hands have already been stained red more than once and soon when the curse envelopes the whole of Arendelle…
So she cringes, she withdraws in herself and the palace of ice is no longer an open door. Perhaps from the beginning this is all it was meant to be, a self-indulgent, self-imposed prison. The grandeur and the features how sinister they now looked. Once upon a time, Elsa was shown a vision of what may be if she let her curse control her. Ribbon-ed with red and threaded with black, a mirror image of what she saw thirteen years ago now comes to claim her.
The usual fatigue that sweeps her after using her abilities is now coupled with a squelching in her stomach settling like an acid that eats her away from inside-out. For Elsa though that is not merely an image for the walls, already stained with her curse and now with her sin, started to spike even further, like thorns entrapping, chaining her to her frozen throne, just like the one she killed said so.
So when she notices that Barthomeloi’s body is gone it is already too late. The curled up body is nothing more than a red stretch on the floor. It must have pulled itself out the door that was blown open during the fighting. But for Elsa it is no longer something that matters as she slowly becomes the monster that her people fear her to be.
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