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Thread: Monthly Create-A-Servant Contest

  1. #3541
    So I made a massive fucky-wucky and accidentally posted this in the wrong thread. Hopefully that doesn't disqualify it, but here it is, now with less self deprecation in the pre-pre notes up here!
    It is massively long, and I do apologize for that, and the formatting is still probably Yikes. All the same though, thank you all for your time.
    Also, WOW am I dumb posting it in the wrong thread.
    Pre-sheet author's note
    So, this thing is a god damn monster, and again, I'm so sorry. I tried my best to keep one idea going throughout, and also make it as respectful as possible. Like I mentioned before, I am somebody who studies conspiracy and fascism as a student, but I'm also a god damn idiot sometimes and also absolutely not Jewish. If I fucked up anything, please let me know. If this is straight-up too much of a piece of shit to even be posted, please let me know. But without further ado, let's go for it, I suppose.


    Nathan Mayer Rothschild
    Class: Caster
    Other Classes: ????
    Origin: Germany, 18th Century
    Alignment: True Neutral
    Faceclaim:

    Parameters:
    STR: E
    END: E
    AGI: E
    MGI: C
    LCK: C
    NP: EX

    Likes: Those willing to put their all into whatever they attempt, family, pragmatism
    Dislikes: Laziness, those who put others above themselves, war
    Talent: Commodity trading, investments of all forms, financial schemes
    Natural Enemy: Conspiracy
    Armament: “Preferably, none, though if I must, I have this stack of arrows. I can’t shoot them, but they’re here. I suppose I could attempt to literally drown people in currency, but that would be both far too horrific, and far too silly.”
    Catalyst: New Court, St Swithin’s Lane, London. The building itself.
    “Hmm. A pleasure, master. Servant Caster, though I will admit a level of shock at that fact. Due to my… lacking capabilities, I see no harm in divulging my true name. Nathaniel Mayer Rothschild, the first, and -”
    Caster groans and clutches his head in sudden pain, his hat falling to the floor as he does so. As he finds his footing, you see a flicker of fear in his gaze.
    “My apologies. It seems there is much to be surprised about by this form; I do not recall such aches during my life. Regardless, I hope to be of service however I may. I don’t suppose you expect much, however, as that status page of yours surely says more than I ever could.”
    Class Skills

    Territory Creation: B
    While not a workshop by traditional means, his status as the unchallenged king of the London Stock Exchange allows him to create a “firm”, a financial hub which grants him abilities on par with a workshop of the associated level.

    Item Construction (Currency): B+
    Rothschild is capable of such rapid and precise financial manipulation that he effectively “creates” the money necessary to purchase or commission anything creatable with present magecraft and technology. Of course, he cannot force anything he commissions or purchases to appear immediately, but rest assured, he can purchase both the highest quality and fastest delivery money can buy.

    “Ah, it’s… fascinating that my financial prowess has been recorded in the collective unconscious as ‘magecraft’. I cannot say I’m particularly fond of this-”
    He lets out a yelp as he suffers another bout of sudden head pain, though Caster this time manages to keep hold of his hat. Its brim falls over his eyes, and he allows it to remain in this position as he continues.
    “Ahem. This level of corruption of my talents, but it is interesting nonetheless.”


    Bond 1

    The Rothschild family have become almost synonymous with the concept of money lending. For better or worse, the Rothschild name represents the field in the popular consciousness more than any other.
    Mayer Amschel Rothschild was born in 1744, within Frankfurt’s Judengasse ghetto. He advanced far beyond his position as a ghetto-bound Jew, becoming a major financier of the Prince of Hesse, and later of several Princes throughout the Holy Roman Empire. He built a significant fortune in the Empire, especially for a Jew, bearing the burden of hatred against his people from his birth.

    Personal Skill:
    Court Factor (A)
    Within early-modern Germany, Jews held a unique societal position. They were despised for their religion, viewed as heathens unworthy of living amongst the Christian masses, and quartered off into ghettos. Despite this, the same Christian laws which barred Jews to squalid ghettos and subjected them to horrific pogroms at random opened up an opportunity to the rare, particularly brilliant Jew. For those luckiest Jews, the most lucrative of professions became available; money lending.

    Usury was strictly prohibited in the duchies of the Holy Roman Empire, but only for Christians. Jews were not bound by these Christian rules, and became an incredibly important source of finances for the Princes of the Empire.

    Mayer Amschel Rothschild was appointed the Court Factor (or Court Jew) of the Prince of Hesse in 1769, one of the most important states within the Empire. Using the power of this position, Mayer expanded his family’s financial operations outside of Germany, and into England. It would not be unfair to claim that, in the popular subconscious, the Rothschild family itself has for centuries been the “court factor” of global capital as a whole.

    For Caster, the skill functions similarly to a charm skill such as those possessed by certain Mystic Eyes or those produced by certain servant’s singing. By displaying his absurd financial prowess, Caster can “buy” his way into the good graces of almost any enemy.

    “Ah… My father’s abilities seem to have been mixed with mine. Sadly, understanding the way that humanity of your time views my family, it surprises me little. A Rothschild is still a Rothschild, right? Who cares which is which, they’re all the same, right?”
    Caster spits at the ground, anger clear in his gaze. He notices you staring, and adjusts his hat so that the brim again covers his eyes.
    “Damned bastards.”



    Bond 2

    Nathan Mayer Rothschild was born to Mayer Amschel and his wife in 1777. Despite his father having been the Court Factor of the Prince of Hesse for almost a decade by now, Nathan was born in the same Frankfurt ghetto as his father.

    When Nathan was 21, his father sent him to England to establish a branch of the Rothschild family within the Isles. He migrated to Manchester in 1798, opening a textile trade business. In just 6 years, this small shop was successful enough for Nathan to move his base of operations to London. Trading securities and foreign bills, he built a massive fortune.

    By 1810, N. M. Rothschild & Sons was established, becoming a financial powerhouse and the very focal point of his family’s legacy. His brother James would open a Paris branch of the business in 1812, and the dominance of the Rothschild family in the trade of investment banking was cemented.

    An impossibly masterful tradesman and financial tactician, the third Rothschild son would become the wealthiest man in the world by the end of his short life. His astounding success was not accepted without hatred and fear; Nathan’s quickly accumulated fortunes laid the foundation for the conspiracies which would follow his family for centuries.


    “Hmm, a descriptor I barely disagree with for once. I suppose it’s only fitting that it ends as it does, though. I truly, truly wish I could simply be remembered for my success, but if this is how it must be…”
    Caster grimaces, lowering his hat over his eyes. He lets out a sigh, though it’s unclear whether he is suffering another headache or simply distraught.
    “I’ll do something to change it. I hope you’d help me to clear our- ahem, my name, Master.”




    Bond 3

    Noble Phantasm:
    “To Satan the Last, King of Imposters”
    Roi de Juifs (EX)
    A decade after Nathan’s death, an anecdote which shaped the future of the Rothschild family’s legacy was penned by Mathieu Dairnvaell, a French socialist. In 1846, a train on a line which had been heavily invested in by the French Rothschild branch derailed. Darinvaell, an early pamphleteer, took advantage of this anger towards the Rothschild family to pen what is known as the “Waterloo canard”.

    According to Dairnvaell, Nathan had personally been in Belgium watching the Battle of Waterloo, where Napoleon would eventually be defeated for the final time. Once Nathan was sure of the victory of the British military, led by Duke Wellington, he hurried back to London, making it to the city a full day before Wellington’s messengers. Instead of delivering the news, however, he decided to take full advantage of the situation.

    Wearing a somber look, Nathan walked into the Stock Exchange and began selling immense amounts of sterling worth of consols and bonds. Nathan knew that every move he made was watched with intense scrutiny; if Nathan was selling, the other financiers thought he must know something that they didn’t. And so, other financiers began litigating their own bonds and consols, dropping the price significantly.

    Nathan, with the timing of a hawk, bought back as many of these bonds as he could at their new low price just moments before the messenger arrived to bring the good news of Wellington’s victory. He made millions, and the reputation of the Rothschilds as a family of cheats and manipulators was set in stone.

    This never happened. The Waterloo canard was the fabrication of a yellow journalist, a man entirely forgotten to history, remembered only for a vicious attack against a long dead man and his reputation.

    And yet, Dairnvaell’s “Roi de Juifs” pamphlet laid the roots not only for the vast number of modern conspiracies regarding the Rothschilds, but for modern antisemitism as a whole.


    “I couldn’t keep this secret forever, now could I, Master? I’m sure you’d guessed by this point, with how talented you are at understanding people.”
    Caster laughs dryly, a sardonic grin on his face. He breathes heavily, and continues, once again lowering his hat over his eyes.
    “Of all the damned things to be most remembered for, it’s this. I don’t even have to tell you how laughably inaccurate it is, but… it pisses me off, honestly.”
    Rothschild lets out the loudest yelp yet, falling to his knees as his right hand grasps at his forehead.
    “I won’t use it. I’m sorry, Master, but I refuse. That bastard, that nameless, worthless son of a whore… hah, I’m probably even right about that, aren’t I? But I won’t do it. I won’t grant him that victory, even if his soul is almost certainly long gone, rotting away nowhere near the Throne. He already did enough.”
    He rises to his feet, his eyes bearing an emotion unlike anything you’ve seen. As if the man is at the same time an empty, soulless husk, devoid of all life, and the densest, most complex entity on the planet.
    “I apologize for this outburst, Master. I’d have you leave me now; just please, don’t force me to use it. I can’t say I’d forgive you.”
    As you leave, you hear Nathan Mayer Rothschild mutter to himself as he collapses on his bed.
    “We can’t forgive them- any of them. Somehow, we need to make this right.”




    Bond 4

    Personal Skills
    Appreciation of the Arts (B+)
    The Rothschild family is known not just for their immense wealth, nor their association with endless abhorrent and blatantly false conspiracies. The family’s immense collections of art, the vastest and most comprehensive that money can buy, has found a way into Caster’s myth as well.

    If Caster happens to see a Noble Phantasm that possesses artistic qualities, there is a high chance that he may be able to ascertain its true name. For Caster, the definition of “artistic” is loose; any personal technique, or even uniquely crafted weapon can qualify. Due to his young age as a servant, however, he has trouble with Noble Phantasms possessing sufficient Mystery.. Any Noble Phantasm dating to the Age of the Gods, or any such technique associated strongly with the Age of the Gods, is beyond his ability to analyze.

    Clairvoyance (C)
    Caster was not a mage of any sort in life. His immense prowess for investing, however, made him the target of a great many myths. While he despises the vast majority of these, there is one of which he is almost proud; the idea that he was so brilliant with money, he could quite literally see the future. This has manifested in Caster possessing the Clairvoyance skill.

    Using this skill, Caster is capable of seeing up to a day in the future. While the scope of the skill is limited to the financial world, Caster is brilliant enough to invest in such broad industries as to render basically all moderate to large scale events which could possibly be relevant to him as within this scope. While it possesses no direct combat application, it is a very useful skill for determining strategy.


    “Well then. I truly am useless to you in the situation that humanity has found itself in, aren’t I, Master?”
    He laughs, seemingly genuinely this time, though his eyes still trouble you. Since the last time you saw him, they haven’t changed. As you realize that you can’t comprehend the man at all, the smile falls from his face, replaced by a pained frown.
    “What good is enough money to commission anything we could need when you already have the world’s greatest inventor at your side? Who would I even buy from, anyway? That fox bitch? Not a chance. I can’t recognize a Noble Phantasm when all we’re fighting are Heroes from another world, and there’s not exactly any use for my financial foresight if there isn’t a single company to invest in on this entire scorched planet.”
    Caster realizes that the brim of his hat has fallen over his eyes, and a smile again passes across his face. It’s slight, but the most genuine positive emotion you’ve ever seen the man let loose.
    “I’ll use it. My Noble Phantasm, that is. If you find yourself in such a situation that you need more tactical power than you already have… I’ll use it. With men like that Clocktower mage and that enormous Rider he follows around, I’d hope you never have need for it, but…”
    He falls to his knees, tears suddenly streaming from his impossibly deep eyes. You can’t tell if it’s another headache, but right now, you know it doesn’t matter.
    “I’ll do it. To save humanity, I’ll become what all of you bastards want me to be so badly. ‘King of the Jews’? Damn you, I’ll wear that crown, even if I have no idea why I feel this way.”




    Bond 5

    Noble Phantasm:
    “To Satan the Last, King of Imposters”
    Roi de Juifs (EX) (Part 2)
    By such a metric, the labeling of Nathan Mayer Rothschild as “King of the Jews” is hardly inaccurate. Despite the objective inaccuracy of all the conspiracies that follow him and his family in the centuries since his death, the legacy of the third son of Mayer Rothschild has become the spawning ground for all of modern antisemitism. From paranoia surrounding global financial and political conspiracies to the Dolchstoßlegende that begot the worst of all 20th centuries atrocities, Nathan Mayer Rothschild’s Spirit Origin has become host to it all.

    Under normal circumstances, Caster would never utilize such a Noble Phantasm unless forced to do so by his Master’s Command Curse. In order to save humanity, despite his entirely justified hatred for many of their collective actions, Caster will use Roi de Juifs.

    When he does, Caster unleashes the collective hatred he has kept under such tight guard. Hatred of himself for his lack of foresight. Hatred towards humanity for what has been done to his people since his death, following the lead on conspiracies penned regarding himself.

    All the conspiracies of the last 200 years of humanity piled onto a single man, a man entirely undeserving of being tarred with such a cloth, not unlike a certain poor Zoroastrian peasant. Like Angra Mainyu, “Rothschild the First”’s Noble Phantasm has no immediate effectiveness as an attack, or any immediate utility as a support skill.

    Caster’s class card changes with the usage of this Noble Phantasm. He becomes the embodiment of this anger, an Avenger class servant, one who could be referred to under a different name. His perception of himself shifts, the mostly calm and collected Nathan Mayer Rothschild being overwhelmed by the surge of other names associated with all manner of conspiracies following in the style of the Waterloo canard.

    He becomes the Illuminati itself, the greatest conspirator imaginable, and an existence of absolutely no historical fact.

    “Ah. So it really has gotten that bad, has it?”
    Staring at the radar in the Shadow Border, Caster mutters to himself as the rest of the crew shout orders, trying whatever they can to find a way out of a seemingly unwinnable situation.
    “Master.”
    Despite the overwhelming din of a hopeless battle, you hear Caster’s voice clearly in your earpiece. He continues, not waiting for you to respond to his words, his voice bearing a determination you’ve never heard.
    “I told you that I’d only even consider it if that Clocktower bastard failed, but I’m not going to let it get to that point. It’s obvious that this plan will only succeed if we take unjustifiable losses, and…”
    A moment of silence. Caster is right; the battle is quickly going south. You know with all your heart that there’s no getting out of this situation without terrible losses; losses that might as well make all your work thus far useless.
    “I’ll do it. Summon me to the lines, by your side. I’ll do it, but only if you’re there to watch. To understand what this means, as you somehow always manage to do.”
    You grant Caster’s request, channeling to the man enough magical energy for him to transport himself to your side. Before you can even open your eyes again, you feel the soft, uncalloused hand of the third son of Meyer Amschel Rothschild on your shoulder.
    “All I ask is that you watch, Master. Please, whatever you do, don’t take your eyes off of us.”
    You don’t question the sudden shift of pronoun, and nod your head solemnly. Whatever Caster is about to do, you know in your heart that it means more to him than anything else. He steps forward, closer to the front lines than he has ever been. Your adversary fails to even notice the trilby-bearing Servant, and he begins his chant. An immense amount of magical energy begins flooding the area, more than you could have imagined.
    “Rothschild 1er. À Satan dernier, roi des imposteurs. If this is how I am to be known by humanity, so be it. All I ever did, I did for my family; all I did, I did for my people. If that is to be damned, to be so despised, I will wear whatever crown you bastards have fastened for me. If I am to be the scapegoat for all the horrors done to my people, I shall bear it, to free them from this cursed legacy you attached to an innocent man.”
    Magical energy flows into Caster, such that his suit flutters and his trilby flies off with the wind. He turns back to look at you, his emotions clear to you for the first and last time. A genius beyond all others in his field, and a father proud beyond belief of all his family has achieved. A man pained beyond understanding by the hatred he bears, hatred even he cannot comprehend. A man bearing unbelievable fury at the world that damned him to such a miserable legacy, an eternity shouldering such meaningless hatred.
    As tears fill his eyes, the same salty wetness streams down your face. Somehow, you know that you’re hearing the last words of a man who loves this world, who loves humanity, regardless of the unforgivable crimes done to his people, so many of them based on lies spread about him and his family.
    Nathan Mayer Rothschild gives you one last teary smile, and turns his head away, facing the battlefield again.
    “Rois des Juifs.”
    At first, it seems as if nothing has changed. During the longest moments of your life, it looks like all of your Servant’s pain has been for nothing.
    And then the first scream sounds from the opposing side of the battlefield. An enemy has speared his own commanding officer, a man in charge of a vital unit in the enemy’s formation. An explosion rocks what seems to have been a command post. More and more mutinies are reported by Da Vinci’s drones. Within a minute, an entire quarter of the enemy’s formation has collapsed, leaving open a perfect path for Chaldea’s Servants to storm the final Crypter’s position.
    The Servant standing just a meter in front of you turns back, and despite bearing the exact same face, you fail to recognize him at all.
    “Avenger class. However loath we are to admit it, we are The Illuminati itself. Or at least, the closest the Throne can muster to the fabricated existence you worthless people have labelled such.”
    The existence calling themselves The Illuminati notices the tears streaking their face, and rolls their eyes, before using their sleeve to violently wipe away the wetness. The once impossibly complex emotions within the eyes of Nathan Rothschild have been replaced with a far more simple emotion; pure, unbridled rage.
    “I can’t expect we’ll get along, Master, but we’ll work with you for now. And don’t worry; destroying Chaldea isn’t part of our plans.”




    Updated Servant Parameters

    Nathan Mayer Rothschild/ The Illuminati
    Class: Avenger
    Other Classes: Alter Ego, Berserker
    Origin: Germany, 18th Century
    Alignment: Chaotic Evil
    Faceclaim:
    Parameters:


    STR: E
    END: A
    AGI: E
    MGI: A
    LCK: A
    NP: EX


    Likes: Skeptics, those who combat misinformation, humanity’s potential
    Dislikes: Those who deal in misinformation, their own existence, humanity
    Talent: Schemes of all form, conspiracy, strategy
    Natural Enemy: Alaya
    Armament: Whatever they can use at any given moment. Usually, other people.
    Catalyst: N/A

    The battle is won without a flaw, but the Crypter flees and escapes. Illuminati, who has been sitting on a fallen tree at the battlefield’s edge since their effortless destruction of the enemy lines, beckons you to sit next to them, their supreme disappointment completely unveiled.
    “So despite all of that, you managed to lose, hmm? And yes, we would consider the failure to capture the target a loss, regardless of how you idiots would classify it.”
    You can’t deny that the Crypter got away, and merely avert your gaze. Illuminati laughs, and repeatedly smacks your shoulder.
    “Hey, don’t worry about it. It’s not like we give a shit, anyway. Regardless, might as well introduce ourselves now, right? I’m not the same Servant you’re used to now, anyway.”
    They look you in the eyes, and laugh again.
    “God, that shit actually got you, didn’t it? That stupid bastard really lied to you the whole time, not even telling you he was something like half of the whole damn family in one Servant Graph, and you still mourn him? Holy shit, you’re gonna be a fun Master, I’m excited.”
    They stand, and sarcastically kneel before you, assuming the position of a proper knight.
    “Servant Avenger, true name Illuminati. We’re still in the body of Rothschild, obviously, but there’s so fucking many of us in here that you’ll almost definitely never hear a word from any of them. We don’t exactly all get along in here, but hey, we have a close enough final goal that we’ll work together to get that done. And when that’s done, well, hopefully that’ll be the end of it, anyway.”





    Bond 6

    Class Skills:
    Mad Enhancement (D):
    No matter what class they are summoned in, it is impossible to think of a conglomerate existence such as Avenger as possessing “sanity” in a traditional sense. Avenger’s Saint Graph is one composed of hundreds, if not thousands, of fragments of other, incomplete Graphs. Very few of the Spirits making up Avenger could be summoned on their own, and even fewer have had their entire Origin implemented into Avenger’s Graph.

    As such, Avenger, under normal circumstances, would be an entity in which countless minds (or fragments thereof) are screaming at once, each attempting to orchestrate their own plans, trying to wrestle into their grasp control of the body itself. Were Avenger to manifest as an Alter Ego or Berserker, they would be an impossibly chaotic Servant which would likely qualify as a Beast.

    As an Avenger, however, this is largely mitigated due to a simple fact; all of the fragments, all of the countless bits and pieces of Spirit Origins screaming in agony at once, are guided by a singular feeling. Avenger, all of their fragments working towards an ultimate goal, is able to contain the madness which would otherwise overtake it, though they are still an entity beyond human comprehension.

    The rage that manifested Avenger in the first place is the only thing keeping them from quite literally tearing themselves apart.


    Avenger (EX):
    A skill which allows its bearer to accumulate hatred and resentment towards oneself far easier than would normally be the case, and allows that Servant to generate mana at a faster rate than normal under such circumstances.

    “The Illuminati” (or any conspiracy of a global secret society bearing resemblance to it) is a scapegoat used by those with a distrust in the global powers that be to anything they consider to be “evil”. The range of actions associated with such global conspiracies is absurdly vast, including nearly every tragedy in history for centuries.

    Bearing such a role, it could even be said that “the Illuminati” has become a globally understood version of the Zoroastrian Angra Mainyu. If the poor peasant boy forced to adopt the alias of “Angra Mainyu” was capable of manifesting this skill at an “A” rank, it is only reasonable to assume that an amalgamation of the countless people scapegoated as “Illuminati” over the last several centuries could possess an even higher rank.

    Like that Zoroastrian peasant, Avenger as an entity is defined entirely by the hatred all of its distinct parts feel towards humanity for the treatment they have suffered. The sheer sanity-obliterating mental weight of being forced into a Saint Graph with countless others, reduced to one voice in a screaming void of thousands, has made each of Avenger’s component parts even more furious at humanity.

    What acts of retribution, however, could possibly end this existence? How could furious revenge have even a chance of freeing the broken Origins from such a cursed existence? The conglomerate existence of Illuminati is impossibly brilliant, made up of many of the greatest minds in recent history.

    Of course they know that rage cannot free themselves from this hell, but they are entirely incapable of discarding the emotion.

    So they’ll use it as a tool, the same way the greatest conspirator Alaya has ever invented uses everything else in its grasp.

    When you enter Avenger’s room, you find them lying on their bed, their eyes closed. If you didn’t know any better, you’d almost call their expression peaceful. Hearing you enter, they call to you without moving at all, their eyes not even bothering to open.
    “What, you want to chat? Do you really think that you’ll get some sort of answer out of us?”
    They groan, and with an immensely exaggerated struggle, rise to sit at the foot of their bed, staring directly at you. Their face is blank, as usual, bar their eyes; the same rage as you’ve come to expect is the only emotion they can muster.
    “We hate you. All of you. Restoring Pan-Human History is on our to-do list because it means Alaya comes back in its normal form. If we were in any other situation, there’s not a chance in hell that we’d be sitting on our asses waiting around. But everybody we could possibly manipulate is fucking dead, no thanks to you. So we’ll help you catch that last bastard and put an end to this so we can do what we’re actually here to do.”
    The Illuminati flops back onto their bed, making a shooing motion.
    “And if you know what’s good for you, you’d let us make a couple little changes when that ‘proper’ history comes back.”



    Bond 7

    Class Skills:
    Oblivion Correction (A)
    An Avenger never forgets the sins committed against it. Every single existence within this Avenger, each and every Spirit Origin, however fragmented, cannot ever forget the conspiracies which forced them into this damned afterlife. But if Avenger is a conglomerate existence, the weight of each individual’s rage forcing the collective to work towards a single goal, their targets as well become understood as a collective.

    Humanity itself, or rather, Alaya, the collective subconscious of humanity itself, is the target of Avenger’s impossibly prescient memory. Avenger’s hatred towards the mass concept of humanity is unshakable, and it can never forgive humanity for what it has done.

    For an existence of such impossible intellect and tactical prowess, however, the irrationality of this single-minded hatred is laughably obvious.

    So Avenger seeks to manipulate this skill for its own purposes, channeling this memory in such a way that its ultimate goal cannot possibly be averted.


    Self-Replenishment (Mana) (B)
    “The Illuminati” is a concept interpreted in effectively infinite ways. Alaya has assigned to it countless powers and an impossible prowess in all forms of Mystery. By all definitions, Avenger is an existence of such magical strength that they may as well be capable of True Magic, and is capable of generating enough mana by itself to sustain such magecraft.

    Whether or not a single Spirit within Avenger was actually even a mage, let alone capable of anywhere near as incredible magecraft as Alaya has granted this being, is irrelevant. And if Avenger can use practically any magecraft imaginable on a whim, so too are they capable of generating enough mana on their own to achieve basically anything they could want.

    As an Alter-Ego, this skill would be even higher in rank; unbound by the singular emotion of rage, the Illuminati would be capable of utilizing each and every existence within it to generate enough mana to tear the world asunder without any unified thought.

    In this form, however, the mana they can create using the legends assigned to the Illuminati by Alaya is somewhat more limited.

    It’s still more than enough to weave whatever horrendously complex webs Avenger must to achieve their ultimate goal, however.


    Independent Action (A+)
    Similarly, the purely fictional global conspiracies which have been made manifest in Avenger are portrayed with an infinite number of goals. Working on their own above all other global leaders, working within or even below those groups, “the Illuminati” is completely imperceptible. This imperceptibility is something which, to the conspiracy theorists who forced their obsessions onto Alaya, somehow proves that their lunacy is correct. In reality, it only reinforces that no such powers exist; and this contradiction between Alaya and truth is what grants Avenger such a high rank of Independent Action.

    Avenger is only barely bound to their Master; unless shackled by a particularly clever Command Curse order, they could break free of this control at basically any moment. The secret societies that they represent, after all, are bound by absolutely nothing and act purely on their own, says Alaya. Combined with Avenger’s tremendous ability for personal mana generation, they could survive without a Master for as long as Alaya does.


    Walking towards the cafeteria of the Wandering Sea, you see Avenger standing against a wall, their hands cushioning the back of their head as they gaze at the plain tile ceiling of the hallway. Once again hearing you coming, they call out.
    “Yo, Master. This time, we actually have something that we think we should put by you.”
    They stand, and wrap their arm around your shoulder like they did that day on the battlefield.
    “So, we’ve been thinking- well, more like screaming incessantly at each other until we came to some conclusion- and we decided we aren’t going to kill you and Chaldea. Cool, right!? There’s just not any point to it.”
    They give your back a hearty, jovial smack, and start walking off in the direction of their room, calling back to you as they leave.
    “It wouldn’t do anything for us, y’know? And you’re such a sentimental sad sack that honestly, you’ll probably get all sad and want to help us out when you finally figure out what’s going on. That’ll be on you, though! There’s no fun in just giving out the answer, right? You fuckers just love putting puzzles together, anyway. Have fun with this one, even if it’s a hell of a lot simpler than anything else you dumbasses think we’ve done.”


    Bond 8

    Personal Skills:
    Golden Rule (EX)
    While many of the individuals that make up Avenger are some of the richest to ever live, they aren’t the source of Avenger’s absurd level in this stat. The myth of the Illuminati being a global ruling class of practically impossible amounts of resources has granted this to Avenger.

    Most of the plots which Avenger’s component organizations have been accused of are already easily disproven due to just how absurdly resource-intensive they would be to actualize. To control as many puppets simultaneously as Avenger has been accused, to pull as many strings and orchestrate as many tragedies as Alaya has assigned to them, Avenger would need more resources (both physical and financial) than exist on the entire planet.

    As a Servant, Avenger’s manifestation of Golden Rule at the EX level is a representation of that fact. Whatever Avenger’s plots may be, whatever absurdly detailed schemes they may build, resources are simply never an issue. This is literal; the resources are never even a factor in anything that Avenger does. So absurd is Avenger’s level of wealth that “effect” simply happens without any “cause”.

    Whatever Avenger desires will happen, and the resources to make that statement true will simply be present, as if they were always there.

    Determination of Steel (EX)
    Being an amalgamation of countless individuals devoted to nothing more than accomplishing their goal, it is only natural that Avenger possesses this skill. When Avenger’s individual parts work together to achieve a goal, their steadfastness and strong-headedness is quite literally inhuman. No human could possibly achieve this level of devotion to a goal.

    In this case, this skill causes Avenger to be entirely immune to almost all mental attacks, with the exception of the rare attack that could cause an internal debate as to what Avenger’s goal truly is. This is basically only possible in the event that Avenger’s true goal has been fully proven to be impossible to achieve.

    It should be noted that this skill would be entirely absent were Avenger summoned in any class but Avenger. Normally, the presence of Mad Enhancement would make this skill’s manifestation impossible, but Avenger’s unique situation allows it to be maintained as long as Avenger’s parts are united in the pursuit of a single goal. Due to the intense horror of Avenger’s very existence, there is effectively no situation in which Avenger’s separate parts are not in agreement on this singular goal.




    Bond 9

    Personal Skill:
    Secret Society (EX)
    Pauperes commilitones Christi Templique Salomonici, also known as the Knights Templar, founded 1118; the Premier Grand Lodge of England, founded 1717; the Illuminatenorden, or the Order of Illuminati, founded 1776; the Bohemian Club, founded 1872; the “Round Table”, possibly founded 1902 (though likely wholly fictional); The Church of Satan, founded 1966. This is a list of “secret societies”, real and fictional, extant and long dormant, which are most popularly accused of being part of a secretive global ruling class dedicated to unknown and unknowable acts of conspiracy.

    None of these organizations are at all guilty of any of the accusations that humanity has thrust upon them. None of the countless people accused of being members of these organizations were involved in a nebulously evil and impossibly well hidden ruling class. Despite the absolute lack of any truth to any of the myths which have been inscribed in Alaya, there does exist, at the core of these absurd conspiracy theories, a microscopic kernel of truth.

    Secretive, highly exclusive orders, “fraternal orders” and clubs have existed in varying forms for centuries. The Knights Templar was a secretive Catholic military order founded during the Crusades; the Masonic Lodges evolved out of stonemason’s guilds into complex and exclusive societies in the 18th century; the Illuminati itself was a secret society dedicated to spreading Enlightenment thought at a particular university in Bavaria.

    Operating beyond the eyes of the masses, these societies quickly became highly suspicious to those on the outside. The organizations, in all their iterations, have been accused of all sorts of evil, from stereotypical witchcraft to horrendous myths of ritual sacrifice (often stemming directly from the antisemetic “blood libel”), from stories of innumerable stolen children and young women to absolutely lunatic theories of political conspiracy (again, both anti-Jewish tropes). Their infamy would only grow as time went on, cementing them as one of the only great Mysteries left in the human world, at least in the eyes of Alaya.

    In reality, these organizations are or were incredibly benign. The Masonic Lodges and Bohemian Clubs are little more than distinctly edgy gentleman’s clubs which revel in the unique response their actions garner from outsiders. Anton LeVay’s Church of Satan similarly played up the idea of being an evil secret society in order to gain infamy (and, in return, publicity, which would always attract new members).

    To Alaya, though, these organizations remain the last great Mysteries of the age of man, as science and logical thinking continues to pave over all other Mysteries.
    This Mystery is the source of almost all of Avenger’s magical potency. All of the myths associated with the numerous secret societies that make up the modern concept of “the Illuminati”, all of the accusations of puppet-like control of world governments, bear at least some truth in Alaya’s eyes. Avenger, made up of all of the countless individuals accused of absurd and impossible crimes, is capable of each and every supernatural act its composite parts have had their legacies stained with.

    Secret Society, as a skill, is what allows Avenger all of these powers. The ability to control nearly any human on a whim, and even en masse; the ability to perform all sorts of magecraft, despite very few of the Spirits making up Avenger having truthfully been mages in life; rare is the supernatural art that Avenger cannot use, even many Church rituals being within their grasp due to association with the Knights Templar. Even without using their Noble Phantasm, Avenger is capable of magecraft approaching that of the Age of Gods.

    You again encounter Avenger waiting for you, this time sitting on the ledge overlooking a window immediately opposite your room’s door. They gaze out at nothing, the view from the Wandering Sea being nonexistent. They don’t seem to care, and call out to you upon hearing you approach.
    “Master.”
    They turn their gaze towards you and wave, urging you to sit with them. You do, and they flash a grin in response. Somehow, they seem more genuine than normal, though you know that none of their emotions can ever be trusted as legitimate.
    “We wanted to chat a little. For real this time. There’s been something we’ve been thinking about that we want your opinion on.”
    “So, we’re made up of a shitload of fractured Origins. Bits and pieces of people who you idiots accused of being part of all sorts of different secret orders and fraternities and other edgy trash. Some of us were, admittedly, like ol’ Natty and most of his family. But you guys decided that these stupid drinking groups and pretentious book clubs were into all sorts of weird magic shit, right? So we can do all sorts of shit, shit basically none of us even knew actually was possible in life.”
    You nod along, not truly understanding what Avenger is getting at.
    “And yet, some of you fuckers are actually capable of magic bullshit. Well, obviously not magic, but “magecraft”, as you call it. And on top of that, those of you that actually do do this supernatural shit, you built your own, ACTUAL secret societies to do it in! The Clocktower, all those little orders housed in fucking closets in the Church or whatever, you guys do exactly what Alaya pinned us with, and you get away with it. I mean, yeah, it fucking SUCKS for a lot of you, and leads to shit like, well-”
    Avenger gestures wide, obviously meaning “all of this”, all of the horrible things which have happened to the Earth in the last seven years.
    “But you don’t get stuck with shit like what’s going on in our head, you know? Have you actually thought about how bad it is up here, tons and tons of us screaming, basically none of us even complete versions of ourselves, because we weren’t actually all that important or capable of any sort of supernatural anything? It fucking sucks, man, and just…”
    They sigh, and brush you away. You’ve never seen them like this; Avenger, for the first time, seems almost at a loss for words.
    “We hate it. All of it. All of you, for what you did to us, forcing us into this state. This body, this impossible to control urge to just plot. But we’re going to end it. I-”
    Their voice breaks. For just a moment, their voice falters, and their eyes flash with something besides rage. Something that makes you almost start to sob on the spot.
    “We. Fucking god damn it, we.”
    They smack the ledge, not even bothering to hide their anger, and jump down, starting to storm away. They call back with one last threat.
    “Forget you saw that."




    Bond 10

    Noble Phantasm:
    “Usher of the Antichrist”
    New World Order (EX)
    Conspiracy is the last great Mystery of the age of Man. Avenger is the representation of the human beings associated with the countless Mysteries created under the banner of “conspiracy theory”, the accused crimes and atrocities committed by individuals and individual groups. Their strongest skill, Secret Society, grants Avenger the powers of these individual Mysteries. But however powerful Avenger’s Secret Society skill is, it pales in comparison to the full extent of their powers.

    As the Second Red Scare spread through the American right as the Cold War began in earnest, conspiracy theories began to merge together. Lunatic theories regarding many of the organizations represented under Secret Society not only rebranded horrendous antisemetic tropes and canards, but combined them with more “reasonable” theories, allowing them to spread like wildfire through the fringes of the American right. The John Birch Society stoked fear of the United Nations being a key organ of Communist plots, led by shadowy organizations, to destroy the West and create a one world government. The U.S Federal Reserve, the Council on Foreign Relations, and the Rothschild family were only a few of the many, many groups accused of working towards such a goal.

    As the early internet began to spread, conspiracy theorists of all types began using the technology to communicate with one another. New Age fanatics following in Helena Blavatsky’s footsteps, neo-Nazis who held fast to the antisemetic canards of the 19th century, UFO devotees who held that a mysterious “they” was “hiding the truth” from the people. Any and all who distrusted the ruling powers of the world joined together, and spread their Mysteries far and wide. Quickly, it became clear that the John Birch Society’s invention, the concept of a global “deep state” hell-bent on creating a one world government, was an easy thing to attach any and all other Mysteries to.

    In September of 1990, American president George H. W. Bush delivered a speech describing his vision for a post-communist world. A benign speech following in the footsteps of a great many American presidents before him, it merely outlined Bush’s desire for a free and fair world. Its content barely mattered to the explosively popular conspiratorial fringe; the title, Toward a New World Order, was far more important than anything else he could have possibly said.

    While the term “New World Order” had been popularized in the 1970s, it blew up in the 1990s following Bush’s speech. It became the term for this new ur-conspiracy spreading like wildfire through the online fringes.

    It became the term that encompassed all the remaining Mystery of the Age of Man.

    Secret Society allows Avenger to use the powers of individual Mysteries. Due to the sheer amount of powers this grants them, they can utilize these abilities to lay impossible schemes and manipulate events on an absurd scale, but the skill is still limited. The skill is simply incapable of manifesting powers that surpass magecraft of the Age of Gods, due to Avenger’s young age as a Servant. The individual Mysteries that Avenger is using are limited by the level of magecraft that could have been achieved at the moment Alaya branded that accusation to the fragmented Spirit Origin in question.
    Avenger’s Noble Phantasm is the ur-conspiracy theory itself, the collected form of all Mystery left in the Age of Man, New World Order.

    New World Order, upon being used, grants Avenger use of any and every contemporary Mystery associated with the eponymous theory. As long as a conspiracy theory can be connected to the concept of “a shadowy organization ruling the world in the shadows”, Avenger can utilize any powers described therein. As an ur-conspiracy theory, effectively any conspiracy can meet these requirements.
    Following this logic, Alaya has accidentally granted Avenger effectively unlimited power. From complete mind control to literal global resets, Avenger, after using this Noble Phantasm, has true control over each and every conspiracy theory of the late years of the Age of Man.

    Despite this ability’s overwhelming strength, it carries a crippling downside, one which makes Avenger unwilling to ever use it, unless it is absolutely certain that it will achieve its ultimate goal immediately thereafter.

    Should Avenger use New World Order, the fragile peace holding together the countless Origins contained within their Saint Graph will immediately shatter. Upon being granted such immense power, all of the individual voices within Avenger are unable to resist the urge to use this near-infinite power to achieve their personal goals. If they were granted an opportunity, they would use this power first to achieve their agreed-upon primary directive.

    But even with the power of such a devastating Noble Phantasm, entirely removing from Alaya such a massive chunk of the human subconscious would be nearly impossible without a perfect moment.
    Despite all that it has done to the poor souls it damned to such a vessel, Alaya was not capable of granting Avenger the ability to grant themselves the escape they so desperately desire.
    At least, not under normal circumstances.


    You’ve won. With Avenger’s help in manipulating his forces, the last Crypter has been defeated, and the ultimate Tree of Emptiness cut down. While the Foreign Goddess has yet to truly show her face, the pruning of the final Lostbelt is underway. From the Shadow Border, you watch as the last world granted the chance to escape Proper Human History vanishes. Waiting for the moment that Alaya returns to its prior greatness, you stand watching in silence, unable to put into words what you feel.
    You feel a presence at your side. Expecting Mash, you don’t even turn to look, waiting until after the confirmation that your battle is complete to give her your words.
    Instead, you hear a muttering. A voice you know all too well is practically whispering into your ear, too quiet for anybody but you to hear. Attempting to escape, you realize that you are completely frozen in place, any control of your body stolen.
    “Master.”
    It’s Avenger.
    “This isn’t fair of us. Forcing you to do nothing but listen as we do this… it’s cruel to you, and we know it. But…”
    An all too familiar sigh, and a hand on your back.
    “After all, we’re the Illuminati. Cruelty is one of our fortes, right? At least, so Alaya says.”
    The storm in front of you begins to fade. The South American Lostbelt is finally being pruned.
    “Ah, but I suppose we’ll be able to ask her for clarification on that soon, won’t we? This is goodbye then, I suppose, Master.”
    A softer sigh this time. One you feel as if you recognize, one you wish you could greet with tears and a hug. Instead, the sad voice begins reciting a chant. You feel in your Magic Circuits that a Noble Phantasm is being cast.
    “We are the Alpha and the Omega, the first and the last, the beginning and the end. All we have done, we have done to serve humanity. All we do has been for the sake of a better world, one of true understanding between all men. And with this, we will achieve all we set out to do, with all the ease of a God. But we are not an Antichrist, nor are we Gods. As mere men, we declare the beginning of a-”
    The hand on your back lightens, and moves to your shoulder. At the end of all things, the restoration of a new world, you hear a gentle sob, before one final phrase leaves the lips of the man behind you, hushed and soft.
    “New World Order.”
    A flash of light consumes everything as the final Lostbelt vanishes.


    Bond CE

    "Eternity"
    Nathan Mayer Rothschild screamed. He screamed, and screamed, and screamed. For weeks that felt like eternity, it was all he had done. It was all any of his family had done; his father, his sons, his brothers, dozens of other voices he knew to be of his kin, all of their screams had echoed in Nathan’s ears for what felt like an eternity.
    Of course, he had no ears, not of his own. He had no body, not of his own. What had once been his body was now shared by the screaming masses whose voices he could still somehow hear. Thousands of voices, thousands of screams of pain, of grief, of despair. Pained by the atrocities committed based on legends, myths, and rumours based on their own legacies. Grieving those legacies, so damaged by such unhinged theories of impossible acts. Despair that this hell, this eternity being trapped in a body over which they would never have control, could be eternal, that this vessel would always be summonable by any mage who willed such a thing.
    Screams of rage, above all else. All of the other emotions Nathan and the other voices would normally feel were tainted by rage, corrupted by it. At the core of all emotion was rage. At humanity, at the people he genuinely loved. At the Master he genuinely wished nothing more than to aid.
    The voices, despite the constant cacophony of thousands of different expressions of hatred, managed to agree on one thing, and control their accursed vessel to move in unified action to accomplish that one goal.
    Death. True, proper death. The complete and total annihilation of the concept of “the Illuminati” from Alaya. It was impossible, of course. That was screamed more times than Nathan could possibly comprehend. Whatever schemes the countless geniuses within the vessel derived, however beautifully perfect they may be, it was impossible.
    How ironic, Nathan Mayer Rothschild had thought for weeks, that the most brilliant tactician that Alaya could conceive of could barely scheme in the situation it was granted. No governments to control and manipulate in the direction of their goal; no weak-minded individuals to guide into granting them further powers. All they could do was sit and wait for the only chance they had, a chance that nobody thought would actually work.
    Alaya would, for a brief moment, lie itself bare upon its true return to the world. As Proper Human History restored itself, and humanity blinked back into existence, Alaya would be defenseless against one final attack.
    It was the longest of long shots, a gamble that the greatest schemer that humanity had ever invented would have never taken in any other circumstances.
    But Nathan and the countless other voices suffering with him took that chance. It was all they had; nothingness was the only escape from this hell that many of the greatest mathematical and strategic minds of all time could calculate.
    And in that brief moment as one world ended and another returned, it worked.
    Alaya, as defenseless as it would ever be, had a chunk gouged out of it.
    Nathan Mayer Rothschild became a man again, a simple financier, although he would be lying if he didn’t call himself brilliant.
    And for just a moment, before he vanished into nothingness, the Counterforce no longer recognizing him as strong enough to deserve such a vessel as a Spirit Origin, he smiled, and whispered one last thing to the Master upon whose shoulder his hand sat.
    And into nothingness he went, smiling all the way.

    Author's Notes (End)

    Thank you. If you read this through, thank you. I'm sure it's a bloated mess, I'm sure I lost focus too many times, etc, etc, but I just thank you for even considering reading this monster. This is a genuine damn novella, and if anybody actually reads through it, thank you.
    I'll save the self-deprecation for private as much as I can, so just
    Thank you all.

  2. #3542
    夜属 Nightkin Drangle's Avatar
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    When I heard you say who you were doing for your entry, I thought to myself "god, please, don't be a sheet that frames the conspiracy surrounding the family as actually true and not thinly-veiled rampant anti-semetism". And thankfully, you delivered.

    I have a few more detailed comments but I'll get to that when the voting starts.

  3. #3543
    Grand Recorder DelRey's Avatar
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    Morg: guess it is an extreme. Hmm, yeah i guess my comment was unneeded, for such a novel class discussing it too much is unnecessary. Free interpretation until precise information are out.

    Amd there is Rothschild! I ran over the comments in the other thread and see promise
    Still have to catch up with the others tho
    "Let's see the color of your coin, my friend."



    Behold my vault of Heroes.
    Where the Heavens and the Abyss breath the Music of Humanity.


    The King's duty is to provide. And provide, I shall.
    University of Formatting | Gallery of Potential | Memorandum of the Extra Class Kings

    Our Kingdom will grow. And we shall know each citizen.
    Create-a-Servant 4 soon.

  4. #3544
    死徒二十七祖 The Twenty Seven Dead Apostle Ancestors Kabalisto Koga's Avatar
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    Psammtik I
    (Caster)

    "What a opportunity ,what an luck that you summoned the King of Sculpturs Psammtik the Great ! May us both create a new cultural evolution !"



    Height: 180 ~cm
    Origin: Egyptian History
    Alignment: Lawful Evil
    Attributes: King, Earth, Man
    Weapons: a royal scepter, a sabre, varying tools
    Other Qualifying Classes: Archer, Rider, Assassin, Ruler, Remainer
    Likes: Statues built after his style, his old country's culture inspirational adversaries
    Dislikes: Statues not after his style, destroyers


    Parameter:

    Strength: C+ Endurance: C
    Agility: B Luck: B+
    Mana: A NP: EX



    Personality
    Psammtik I was born under his father Necho I as prince of the City state Sais to a time where Egypt was occupied by two foreign forces the Kushites, a Nubian Dynasty of Pharaohs and the powerful Akkadian empire which placed several noble men as local rulers under its sovereignty but the Kushitic ruler wanted to defeat the invader. So Psammtik was educated in Akkadia where he learned from the different subjects but he had the wish to bring Egypt's prosperity as he was simply fascinated with the glory rich past of Egypt as independent powerful country. As well he was disgusted by the corrupting influences of the foreign culture of the Merroen Kushites and their religious misdeeds as they were led astray from the ways the Egyptian Gods like that they introduced their own. Later he was appointed by the Assyrian ruler as Pharaoh as he was pro Assyrian and succeeded in to defeat the last Kishitic ruler and drove the Meroer out of Egypt. As well he freed it from Assyrian control, though he remained as ally.

    He is since early days quite interested in culture, art and specially mysticism of his land and to a degree also on that from other countries. So he not only learned normal subjects but also went under priests and sorcerers to learn the mystic and arcane arts where he possessed an amount of curiosity. During his stay in Akkadia he got to know with Greek-Mycenean mercenaries and wandering workers with which the young man got into conversations and he was growing fond of the Greek customs and culture as well found friendships that sometimes get him out of troubles so that he later remembered on the Greek qualities.

    He sees himself as hero-like king as for him should the Pharaoh be one that ensure the prosperity and harmony of the world, the Egyptian world foremost. So he he feels obliged to ensure its prosperity.

    He was also a quite religious man who couldn't stand that foreigners are placed as priests of their gods and that they introduced certain unwanted religious practices of them, which alienated the Egyptians to the ways of their ancestors.

    He is aside that one that cares for his family and friends as he installed his daughter Nitocris I as priestess bride of Amun with great amounts of land and wealth to ensure her safety and a peaceful live or at least one with few worries. His Son he educated himself and taught him that the world is greater then Egypt but at the same time to keep his bond with his home.

    Demeanor as Servant:

    However as Caster his artist tendencies and stances as builder are fully realized although the duty feelings as pharaoh are still there. Like he acts as enthusiastic and confident artist who flamboyantly will praise his art and with a playful manners, finding that art must preserve or reanimate the glory of life and the noteworthy persons of past.

    So he will also like to spectate and evaluate the art and architecture techniques of the country he is in. As well he is eager to visit every museums be it art, history or nature dedicated museums and wants to learn about their culture, their customs and spirituality. He is to a point impressed by the modern world but on the other he is upset that mysticism are no longer practiced by the larger populace and utterly disgusted by the for his view invading Christian and Muslim cults he sees as the most hypocritical and shrewish domineering manners.

    "Well I can't stand and tolerate them as to my time were already the people that today are called Jews as well to my time were a small amount of groups of them in Egypt but as they didn't attempt to force others into their religion and cult I left these isolationists alone. They were odd but harmless in my eyes. But you two organized cults are another matter as you aggressively attack other cultures call them inferior although your mysticism are far younger than the others during my time."

    So he has neither respect nor acknowledgement on Servants of these faiths. He has towards Greek Servants a certain interest as he sees himself as philhellene, "friend of the Greeks". Also he has nothing against the Ptolemaic dynasty as they respected and continued Egypt's customs like the Egyptians had done it themselves.

    it goes without saying that he is delighted should he meet Egyptian rulers of the past. Also he has actually no grudge against from Akkadian or Babylonian Empire hailing Servants though he still is vary and cautious.

    He is within the Grail War acting at first rather laidback and he will rather easygoingly count each confrontation as artistic challenge where he playfully will engage them. Further he rather cleverly take advantage in letting his opponents in the believe that he has to hide behind his statues as he himself is no inexperienced fighter and fought alongside his warriors so is he also adept at swordsmanship and unarmed combat. Though he rather likes to prolong the fight to truly captivate the beauty of the battle to get inspiration for a new art piece. However one shouldn't underestimate him as underneath the artist lies a capable strategist and general which in serious situation surfaces and then shifts his approach to rather calculating and efficiency oriented pragmatism. But he prefers to rather keep his easygoing attitude.

    He is also always looking after capable or beautiful people to make statues of. So should he say that he wants to make a statue of you it is a great compliment however as he can create almost clone-like Statues is it truly an honest innocent compliment?

    He is also quite flirty with the beautiful girls and will try to hit on them although he was in life rather rather reclusive on that matter.

    Also like mentioned before he would if summoned in Egypt out of his religious duty to provide the Egyptian gods with his statues the means to reclaim their Egypt and would completely abandon the secrecy of the Grail War as he has a hatred for the statue and temple wreckers and wants to avenge not only his brothers and sisters in Egyptian faith but also the other steadfast loyalists that later were called pagans as he sees the cult statues as embodiment of the passion and admiration of the people towards their gods and just rulers as well as other persons of glory like the Greek heroes for instance as he knew what work stands behind them and finds the so called iconoclasmic faths as too lazy to create evidence of their dedication.

    He finds that the today Egypt is an enslaved land by a foreign cult that needs to liberated like he once did it already now only this time...

    Demeanor towards Master

    Towards his Master he is at first like a artist to his valued mezzen and will laidback work with them. When they are an experienced Mage he likes to discuss their different thaumaturgies as well as views on ancient mysticism as he sees himself equally a Magus as as artist so should his Master have a artistic disposition or specialty he want to establish a mutual enrichment of their artistic styles. He also evaluates them in the long term view as the goals of his Master have a great influence on how he interacts with them like should they be dissatisfied with the actual world situation he is willing to aid them or if they were wronged.

    He also fond of children as he sees them as pure and to be protected so that he will not one forgive for to teach them false values or that target them specifically.

    Should his Master be a beautiful woman he would like to make a muse of art of her and teach her to be confident and able as similar when his Master is a little girl he still has bouts of grief as that he couldn't see his daughter's development in her personality, expertises and if she were happy as he was always occupied with to ensure his land's safety and feared that she maybe taken hostage as he worried that still Kushitic loyalist remnants may endanger his family.


    Dialogues


    Ashurbanipal:"Well hello there my former overlord , interesting that you were summoned as so many Great Rulers and Makers are fallen into oblivion ,but its truly startling to have fought and worked for one own Country ,Culture and even more just to notice now in this second Life several centuries or even longer that our culture is no longer right ?"

    Greek Servants:"Well be greated oi filloi mou i find it truly interesting how many of you Greek world servants are here please allow me to ask you some Questions ?"

    "Why i am so interested in the Greek world well i started to etablish the culutral connection of Greece and egypt in a cultural scene so am i of course interested in them and what had after my time became of them and i musta admit i am proud to having helped them."

    Philosophers:"Splendid truly Magnifincent your intellectuality and the cultural level you reached is satisfying ,thou have succedded my expectations.

    Thales:

    Achilles: "Hello swiftest of Heros ,Achileus the Great pleased to meet you my name is Psammtik I i would be curious to hear your Warrior story in return may you ask me anything "

    Herakless:"The greatest Greek Hero i am honored to meet you ! please tell me did you on your journey and adventures visit my land Egypt ? if so please teme your impressions ?"

    Nitocris:" Daughter !?!?! Are you it ? i had no idea my daughter had man a such great prestige to have be selected as Hero ! *hugs her proud and dearly* Well can helped then in that regard are you going after .... wait you arent my daughter i thougt i heard Nitocris I as that where the name of my Daughter ,wiat you are the pharao Nitocris I in the King list ? well then forgive me , i just thought that it was my daughteras she looks quite similar you know ... ."

    Pheidias Lostbelt:

    (if summoned during or at the start of this arc) "HAHAHHAAH Absolutely no worry MAster that will be a happy strolling after few weeks expect that Chaldea will having its own Lostbelt !"


    (if summoned after the arc)" Damn why were i summoned so late i bet i could have defeated this Lostbelt withhin few Weeks , to bad that would have been my greatest artistic Challenge."

    Buddhism:

    Xuanzang:

    Arabian Egyptian Servants:

    Shapur II: "Well at first i thought you were like your ancestors that invading my country but after getting you to know better must i say you are not so bad as i thought ."


    Contest Servants:

    Jugemu-Jugeme : "No i wont make a Statue of you alone the Names plate would make that ridicolous ."

    Seshu-Toyo:"Okay ffrom now on have you two strikes after them i ll crush you if you put gravity on my works again ! you have no idea how laborious it is to get them down especially on painted reliefs or Statues without to damage the wanted colorations"

    Phryne:"Truly are you splendid beautifull high quality Women i know you were used as model for a Statue but as Artist am i confident to create a even more livelike Statue of you ! Aside that you are a knowledge full Women of Culture i am curious about what you can say about the Greek culture .."





    Skills
    Class Skills:

    Territory Creation: EX

    Allows for the creation of one's territory. In his case allows him to create a Temple district as he reunited and liberated Egypt from two foreign powers, the Nubian Kushites in the south which held their own dynasty and the Akkadian Empires overlord ship. In historic importance it is noteworthy that this was the last successful restoration of Egyptian independence in its history.

    However he is if not enough space is available able to create a workshop of an ancient sorcerer which contains a sculpture and statue corner on for Mystic Codes and one with several papyrus scrolls.

    Item Creation: EX

    Allows for the creation of various wares. In his case it is through his Noble Phantasm vastly enhanced. Though his specialty are statues and other sculptures he is greatly adept in creating "fitting accessories" for them be it "authentic weapons", armors, garments. He is capable to replicate countless weapons, clothings etc in top notch quality and are even comparable to those of the best craftsmen.

    Further as he was a capable Mage he is able to create various Mystic Codes like magical bandages, amulets, potions, enchanted weapons and familiars like simpler stone golems however as he himself sees as artist such raw sketches are usually scarcely used.

    Aside that is actually the main usage of the Skill in that he can create the raw material of the statues: stone, wood or metal.

    Divinity: B+

    Having liberated Egypt from its two foreign occupiers, as well as started the last phase where Egypt was ruled by indigenous born royals which ended with Nectanobio II and having lived in an age where still the gods held influence in the world has granted him their favors as the Resuscitator of it has bestowed him with great Divinity.


    Personal Skills:


    Proof of Science (King): A+


    For the majority of the Egyptologic studies he was a rather small historic figure until in the last years a giant statue, a colossal likeness was discovered in the watery mud within a city which sparked that a new medial interest was awakened by the men of science who found out that he was a tact and resourceful pharaoh who influenced Egypt and even Greek culture like his deeds which caused that Greece and Egypt get so direct cultural bonds. As such this Skill has two functions. At first it serves as sort of acknowledgment of the World ensuring that all of his abilities are protected against effects that would seal, steal or otherwise hinder him on the access of his Skills and Noble Phantasm be nullified. The other effect is Imperial Privilege which allows him to access for instance these Skills: Proof of Friendship B, Eye of the Mind B+, Espionage A, Advise of a Strategist C+ and Golden Rule C.

    Technique Elucidation (Restoration): A+

    Is the sublimation of his greatest achievement in his life, the restoration of Egypt's independence, its cultural and spiritual prosperity which it didn't reach in the last 500 years of its existence. So he concentrated his structural reforms to bring Egypt back on their own values and standards before the influence of its foreign occupiers. Further his restorations to old values and wisdom were the base for that the Greeks adopted Egyptian values and its mysticism as well as their wisdom as the first philosophers saw Egypt as origin of wisdom.

    This Skill allows him to restore damaged or destroyed objects to their former pristine state. However the more complex an object is the more magical energy is drained. This Skill greatly interacts with his first and third Noble Phantasm. Like with this he is able to restore old statues in their whole prime and mystery as well he can reconstruct old text fragments. But this ability isn't limited to non-magical artifacts as he can restore Mystic Codes, even restore the function of Noble Phantasms and restore the Saint Graphs of other Servants like he would able to restore Berserker Jack's Saint Graph status so that he regains "From Hell".

    Arcane Arts Specialization: A+

    Denotes the familiarity and capability over different Magecrafts and Sorcery. In comparison to the Magecraft Skill Age of Gods Mysteries are also included. In Caster's case he was already in life a capable Mage who has knowledge and aptitude for: Akkadian branch of Mesopotamian Sorcery, a certain capability in Canaanitic Wild Sorcery, Mycenean Thaumaturgic knowledge and aptitude, Nubian style shamanism, and naturally especially the Egyptian Hekka where he is a highly capable Mage so he possess the two main applications Hieroglyph Thaumaturgy and the World energy sorcery.

    Blessings of the Egyptian Pantheon: EX
    As Psammtik liberated Egypt from its foreign occupiers he restored the old Egyptian ways of order which caused a rather harsh reaction under the current priest caste which trusted their hereditary rights. However he was driven to restore these old orders and succeeded which caused that he received the blessings of the Egyptian Gods enabling a flourishing of the land that wasnt reached within the last 500(!) years.

    This allows him to obtain the right to execute divine mysteries like evoking the protection of one god at a time like against storm assaults Seth or against holy category attacks Horus or Ra as well as to execute their Divine Authorities in limited version or in combination with his Noble Phantasm.


    Noble Phantasms
    Recreation of One's Glory
    Origin of the Lifelike Statues


    Type: Anti-Army

    Rank: EX

    Is the sublimation of Psammtik I's origin of the lifelike sculptures and the combination of one of the divine mysteries of the Egyptian deity Khnum the divine creator of bodies and its acquisition is one of the rewards of his labors as Pharaoh. This Noble Phantasm's root is that Psammtik once started a massive building project that should be a new temple district which is adorned with countless statues to demonstrate the glory of Egypt where he hired Greek workers and especially stonemasons and sculptors which through his instructions learned to form and create sculptures of lifelike details and accuracy so that some of them thought at first glance to see the statues breath in the light of sun.

    So they amongst many others created the colossal statue that in Kairos mud was found just few years ago and sparked the interest in his person as before a name plate were found it was believed to be a statue of Ramesses the second. But after the plate of its founding was discovered the interest in his reign was newly awakened so that from a small figure he was finally found to have been a direct giver in Egypt's as well as Greek to Roman history as he started to settle Greek people and established the friendship of Egypt and Greece thus laid the foundation for Europe's intellectual strivings "Philosophy" like one day should the Greek have named it. But his legacies of the eternal trend give of to create statues that should imitate the living valor and glory of figures of admiration like heroes or gods of the ancient past or rulers of the World. As Alexander of Macedonia conquered Persia and clashed with India he imported various Greek culture aspects amongst them is the through Psammtik's cultural exchanged Egyptian statue style which found its way into Asia's culture were it was used to create the Terracotta Warriors of the first ruler of the united China or the statues of Asia's greatest Saint Buddha whose statue the Ushiku Daibutsu is the greatest of the modern World.

    This Noble Phantasm enables him to create the life imitating statues, sculptures as well as reliefs which let him create them as his familiars by shaping the materials that he can either by manual work or through the controlling of mud or the other materials. After he finished and brought the statue in the desired shape he can use them in various ways as just the start of this Noble Phantasm as then he has multiple options such as just leaving the statues or sculptures stationary and using them as catalysts for sorcery.

    In that case he can via the statues access several sorceries he would normally lack any access like the statue of an astronomer such as Ptolemäus allows him to utilize Astromancy or that he can by making the sculpture of a Mage use their Magecraft brand in the same capability but without their expertise or experience. But as Psammtik is himself a very capable Mage who has expertise in several antique age mysteries that is not a true hindrance. But he can even access divine mysteries and Magic. By using the statue of a God he can access their Authorities and Magics to a varying degree as when it is just modern monuments (like a plastic figure) these are just "counterfeits" in comparison to when he can find a work made during the Age of Gods that perhaps was even once a "path of veneration" it will allows him to access true divine sorcery and power. But here he has to have the consent of the particular god in question as only then can he access these powers in greater extent. As he possesses the blessings of the gods of Egypt the statues of Egyptian gods are in these cases giving defacto complete consent.

    "You might think that it may be difficult to come to terms with the divine but pay attention they are much more agreeable then so many narrow minded mortals."

    Then the second is that he can use the statues to revoke a memory in the world so that he can evoke in example wise the statues of rulers and heroes or even deities and gods of the World so that the embodiments start to "breath". They are steaming as the statue's surface softens up and recolors into a natural skin tone and in the eyes awakens a spark of life as their muscles move. The statues are then Homunculus-like humans which can even draw upon the strength of their once living originals as they are by the world embodiments of them thus their powers are the same similar like each gadget and tool or weapon is treated like that. This process is in a sense comparable to the nature of Servants as segmented copy of a Heroic or Divine Spirit so for instance if he creates an equestrian statue the ability actualization is comparable to a Rider-Class Servant. Likewise through the accentuation of dress, tools and the names plate the abilities can be controlled so he can by the depiction of a raging warrior or wrathful tyrant actualize Berserker or Avenger comparable results.

    Notable Examples



    Equestrian Statue of Mark Aurel the Sole survivin original Roman Equestrian Statue


    Fist fighter of Quirinal one of the last original Greek Bronze Statues



    ( reconstructed)Collosal Statue of Shappur I



    a Statue of Sittartha Gautama in Greco-Roman style





    The statues are mostly sentient but they are follow all of his commands as he can not only control their actualization of their abilities but also the replication of their inner self (personality, mental expertise and memories) so can he either form "complete copies" of their own to just fighting drones. Constitution wise their bodies are in a state between stone/mud or metal and flesh as they can under circumstances bleed but they are if injured able to heal and reconstruct their bodies, by Caster letting around them create a cloud of material dust that reform their bodies however the heavier the damage is the more Mana taxing it is.



    So that normal wounds of battle are fully healable even weapons that would slash unhealable injuries are restorable as the body is not truly living but at the same time still living the effect has difficulties to hold on to the place but the restoration rate is slower and more Mana taxing for Caster. Further there are certain risks if Psammtik allows to materialize their inner self as then they can try to block certain abilities up to assuming complete control of their body.

    However certain Noble Phantasm effects are still able to inflict heavy lasting damage.

    By the activation of this Noble Phantasm he can instantaneously create one or several statues preferably out of stone. Further despite that he can create statues from all culture spheres in power level wise certain aspects are noteworthy like the best results are when he creates those from Greco-Roman, Arabic later Europe or Mesopotamian, Iranian or Chinese, Indian statues in terms of compatibility as those carry the foundation of "his Egyptian" style.

    Further he can by combining his Restoration skill also enhance already existing statues to let them awake from their "slumber" where the older the statue the stronger the power output is. Also he can restore statues with just only one part even the most legendary that would be worthy of being classified as Noble Phantasms on their own like the Zeus statue of Phidias or the Helios Colossus of Rhodes. In such case he would if just on piece fell in his Hands be able to assume fully ownership over them even if they are belonging to another active Servant.


    Reteh Qabet of Sais
    Egyptian Renaissance


    Type: Fortress

    Rank: A+

    With this Noble Phantasm is he able to create a great Temple district of gigantic dimensions with high pillaring obelisks, countless statues amongst them are framing Sphinx statues on the road. The beds are planted with fruit bearing trees and palms. A River that symbolizes the Nile flows through the center. The Temple itself is at the gate surrounded by Hieroglyphs bearing pillaring obelisks as well as by colossal statues of Psammtik himself, while the gate is a massive metal door, Within the temple are several statues of the rulers and gods of Egypt as well as a treasury, a medical room and some other rooms but the central part is the throne room and divine gallery where at the ground level a stair is guiding towards the below earth ground to a great hall. On the corners of the wall are fountains and a underground channel with some boats. As well all walls are adorned by Hieroglyphic letters and depictions then is another great stair that guides towards the ground level where the throne room of Ruler is. Where Psammtik is enthroned before another set of stairs are beside him on thrones sitting statues of several of the most important pharaonic rulers of Egypt's dynasties in several rows. The entire hall is over 160 meters wide and behind each throne is a small Wall with the name and most important achievements of each ruler. The statues are adorned with imperial regalias and the weapons the wielded once each one gives one the feeling as would it be living due to their accuracy.

    Above them behind Caster's own throne leads a stair to the divine gallery with statues and depictions of Egyptian gods with life-sized sculptures that are enthroned above the rulers on balcony-like floors.

    To come to practical and thaumaturgic details, the temple district's very air is engulfed by a Bounded Field which detects any invaders. The side buildings are full of lifelike statues and mummies that guard it. Their strength is above an average human and trained fighter or Mages are at least having a problem but for Servants they are only small hindrances. The obelisks are potent magical energy receivers and powerful catalysts for sorcery as he can through them actualize powerful great-scale spells like weather manipulations to create heavy debilitating storms, blazing solar bursts, water deluges, sand storms or using them to observe the scenery or to collect effectively Mana from Leylines or the sky patterns.

    Also he can use them to erect powerful shield-like Bounded Fields. The most powerful obelisks are the four on the gate which itself is strengthened by powerful spells that are able to protect it against Anti-Fortress Noble Phantasms for a certain amount of time when they can defend themselves against the statues as all statues or reliefs he can turn into powerful defenders where his two colossi possess A-Rank Strength and Endurance stats and share Caster's Divinity Skill.

    The Temple has no true maze effect but as no room signs are present the orientation is difficult and the corridors are patrolled by stronger mummies of the former servants of the Pharaoh adamant in defending their lord. They are stronger then the mummies outside the Temple as they are former guards or warriors so they are able to use their weapons experienced however there is also a gap in their individual power.

    Within the Temple Caster is able to expand it at anytime for one empty room where he can create and place his statues, he refers them as "Galleries". Within the treasury are aside from exquisite jewelry works and gold strong magical artifacts, a "kitchen" where royal menus are offered, and the medical Room allows the usage of healing Magecraft amongst many other rather luxury amenities which entertain Psammtik and his Master respectively allies he happen to offer hospitability.

    The true ace point is the throne gallery as there all of Caster's physical stats are ranked up, his Arcane Art Skill is elevated to EX further empowering his magical might.

    He is able to control the water at the bottom for various purposes. At the actual hall where the statues of the greatest Pharaohs of Egypt reside prestigious history is placed from the first small kings of the initial dynasties to the early Pharaohs, to the cultural patrons of the middle dynasties like Sesostri or Neferuseth, from the late Apex Rulers like Ramesses II to the ruler of the later infamous foreign pharaoh. Here Psammtik can use this and his first Noble Phantasm in unison and let them all return from their divine second life to again bring the world back into order. All of them are able to utilize their prowess and abilities they once had in life and their will to bring the world in divine harmony is engraved in them.

    Should in the case this massive royal continent still not suffice he has a final trump card in his hands...

    Namely that he can evoke the statues of the Egyptian gods on the balcony-like gallery which then start to shine. Then on the level of the gallery the painted glass windows shine and the ceiling of the hall is shrouded in solar light and a rainbow-like illumination after which the whole hall shakes as if the very air is quaking and vibrating. The room is then engulfed by the divine aura of the awakening statues which is equal to the descent of the gods' self as then the gods rise from their thrones and descend on the throne level ready to deliver the final judgement to Psammtik's adversary. Each of them possess the strength to face a Top Servant or even outright several Servants as their power is no shadow with their true bodies power. Caster has a certain amount of control over them but he refuses to use them freely only as either last resort if he is absolutely cornered or when he assumes that he uses their power in a way that their will is considered.

    Aside from the mentioned full usage he can use use this Noble Phantasm partially like that he can summon in a building a single room via Flash Air-like way and dispel it. Like the medical room for necessary treating of wounded persons, the "kitchen", a sidebuilding as hideout, or in a combat situation that he can summon one or more obelisks or mummies.

    "Well I saw such a similar spell in you call it anime how was it called again? Raiton right?"

    But this Noble Phantasm has some more hidden features.

    "Why do you are looking so questioningly? Like a good portrait it doesn't only show the main motive but also many little hidden details which are just after specifically looking at them or better said searching for them noticeable? That's the Raffinesse of an artist like the symbolism of craftsworks which is a similar language."


    Core of Living Essence


    Rank: EX

    Type: Anti-Unit (Self)

    Is a hidden spell of Psammtik that he wasn't willing to use during his lifetime but as Servant is it a different matter. Whose resolve is based on the creationcraft of the god Khnum's divine sculpture craft namely the aspect of the life force the very soul, in other words the manipulation of one's own soul. That now as Servant gave him the ability to build a magical core similar to a Divine Core in a certain sense. As according to the teachings of Khnum the essence of life is embedded in the being to animate it this essence is the soul as whole unity.

    This Noble Phantasm whose base is connected with the Egyptian concept that statues are no static art but living magical entities on their own. Tis aspect is combined with his first Noble Phantasm as this allows Psammtik to place a part of his life force into other objects like his statues. Thus he can control them like an additional body as well as more easily access their sensory inputs. Further he can in this case even distribute his "Core of Soul" fragments across several statues to build a multiple body possessing Saint Graph as the soul core is a part of the Saint Graph. Thus he can manipulate them as his own limbs as Psammtik is then a sort of hive mind as all of the statues he implants it in are himself thus their sensory impressions are combined. Further Caster is able to use all abilities of the statues even if they are the semi Homunculus statues of heroes or other beings. However in this case it may be that the original inner self of the statue interferes but that Caster can in most cases suppress.

    An additional risk is that if his fragments are too long in the statues they start to produce an own soul as he can also create additional statue Homunculus that obtain "a history on their own" so that they start to develop a "self" of their own and their own personality. But even then Psammtik forms their instinct and Id so that Caster's own desires and dreams are their unconscious own without their knowledge. However in each case should one body be defeated he is able to reabsorb that fragment within his main body. Also he can hypothetically place the soul core in a living person but here is the matter of compatibility a point as the result would be a Pseudo-Servant who obtains Caster's Skills, Noble Phantasms and a physical enhancement. In that case he can either with consent in unison guide it or simply take control over it.

    But should he distribute his core completely in one of these options his Servant main body is immobile and vulnerable. Although Caster can move the core but in that form he is very fragile and is only able to use limited Thaumaturgy which is similar like a Ball thunder in appearance.

    However if a fragment should be after the main body is slay (with the majority of the Core) still animating a statue it will remain in the World as independent being.

    Similar to his first Noble Phantasm this is a step into the domain of the Third Magic, and is a mystery which is defacto impossible to reach for modern Mages...


    The Eternal Trend




    Mycenean statue before Psammtiks export of the egyptian style.



    Greek Statues in Archaic style after the introduction of egyptian style .





    Notes
    phew finally finished i am glad .

    Psammtik was awhile one my list after i saw a doocumentary from him in the tv where i thought thats prime servant material . i hope that he is well done and that i have found to my old prime .

    He was the ruler which was responsible to etablish the eggyptian and greek cultural relationship and is so indiirectly also responsible for the creation of philosophy , the modern statue style so is he a obscure person but an keyfigure in the history of the mediterean world .

    I will complete the dialogues as i still have to read your other profiles ! though there are some interesting other servants there .


    i know he may be really powerfull but how much he can use of his abbillities is depending on his Master .


    Last edited by Kabalisto Koga; October 24th, 2021 at 04:39 PM.
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    Grand Recorder DelRey's Avatar
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    still have to read this page, but how dare you take the face of the queen for your servant
    lets hope it is worth it
    "Let's see the color of your coin, my friend."



    Behold my vault of Heroes.
    Where the Heavens and the Abyss breath the Music of Humanity.


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    Create-a-Servant 4 soon.

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    死徒二十七祖 The Twenty Seven Dead Apostle Ancestors Kabalisto Koga's Avatar
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    Quote Originally Posted by DelRey View Post
    still have to read this page, but how dare you take the face of the queen for your servant
    lets hope it is worth it
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  7. #3547
    死徒(下級)Lesser Dead Apostle Baron Magnus's Avatar
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    Psammtik the Great: Shall I give you my blunt, honest yo god, brutal opinion?....... Pretty good. English, while at times not great, is mostly understandable and the moments it isn't it only takes a few seconds at worst to understand. Like the lore you created as well as the general information you represent. It gives a clear picture of who he is as a person. I also like the descriptions of all the skills. They indeed make sense for the character and give a train of thought for why they are what they are.... and I like the creativity of the noble phantasms even if three might be a bit much. I also like the use of real-world artwork for his works and the faceclaim you did. Now my one criticism. That being the ranks of everything are massively high... but now I'm gonna turn it into a positive. Good job explaining why they should be what they are. You clearly explain how each rank deserves its spot including the noble phantasms. Good job. Overall, it's a pretty good sheet in my opinion.
    Rookie Lorekeeper, Amateur Extraordinaire, and all around nasunoob.




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    هههههههههههههههههههه Kamera's Avatar
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    Is this still open?

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    祖 Ancestor
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    Ends on the 23rd.

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    アルテミット・ワン Ultimate One asterism42's Avatar
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    The submission period is always three weeks. The contest this month started on the second (albeit early in the morning), so yes the deadline is noon UTC tomorrow.
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    Voyager of Memorial



    Class: Voyager
    True Name: Mnemosyne
    Gender: Female
    Source: Greek Mythology
    Origin: The Sea of Stars
    Alignment: Neutral Good
    Attribute: Star

    Strength: D
    Endurance: A
    Agility: B
    Mana: A
    Luck: D
    NP: A

    Class skills
    The One Who Crosses the Sea of Stars: A
    Denotes being part of the Machine Gods who travelled from their doomed star to find a new home. Like the Voyager of the Stars Skill, it represents the miracle of interstellar travel attained by a forgotten species.

    Contact with Civilization: B
    A skill which represents one as being a bridge between other species inhabiting the galaxy, a greeting message full of hope. In practice, it makes it easier to gain trust and win affection from any kinds of sentient beings, regardless of race, background, alignments, ideology and appearance.

    Personal skills
    Pool of Memory: EX
    A pool of photonic fluid that contains the information and data belonging to an alien species. It contains their history, their language, their pictures, their literature, their arts, their entire proof of existence. It is stored within Voyager’s Divine Core, which means that it’s a composite of “Goddess Divine Core” and “Librarian of Stored Knowledge” Skills. It is possible to acquire and makes use of various “Skill Modules” such as “Combat Module” by accessing the data contained within the Pool of Memory.

    Light of Inspiration: A+
    A skill that symbolizes the “Divine Authority of the Muses” of which Voyager is the progenitor of. It is a powerful blessing that bestow allies with enchanted data processing capability, a boost to analytical perception, Thought Acceleration and explosive creativity.

    Proof of Existence: A
    A skill that denotes Voyager as a guardian that preserves the memories a long extinct species. As a Skill it allows Voyager to grant the Independent Manifestation Skill to herself and an ally, signifying them as a “Confirmed Existence” that is immunized from Instant Death and Time Manipulation attacks.

    Noble Phantasms
    Aoide Boeotia
    Flowing Song of Starlit Remembrance

    Rank: A
    Type: Anti-Planet
    “My purpose- is to make everyone remember, the happiness of those bygone days.”
    “Listen to this mourning hymn from beyond the sea of stars.”
    “Please do not forget of this song, of our existence.”
    “This is a song to remember.”
    The Noble Phantasm of the Autonomous Observation-type Proof of Existence-purpose Golden Record Mnemosyne. A song whose original singers has been long forgotten by the cosmos, and now exist only as a piece of memorial. It is a hymn of reminiscence, a hope that one day the Machine God Voyagers will accomplish their ultimate purpose and find a place to start over.

    Activating this Noble Phantasm, the resonating melody interferes with the memory of everything that hears it. It overwrites the memory of any sentient creature with the memories of the extinct species which Voyager carries, completely changing their personality and mind as if they’re reborn as a member of the Atlantean species, while maintaining their original form and appearance. It also tampers with the Texture of the World by injecting a virus that will temporarily transform the nearby environment into an alien world resembling that of the home planet of the Machine Gods.

    Personality
    A wistful and duty-oriented lady, unyielding and focused. Although this can make her seem mechanical at times, Mnemosyne is also considerably friendly and easy to talk and get acquainted with.
    When singing, it would look like she has changed into a completely different existence, like a soothing goddess, or rather, a shining idol. Her singing will completely capture the mind, heart and soul of her audiences, as if inviting them to a voyage to the sea of stars.
    Behind it all, she also has a hidden side, a curious personality that yearns to learn and experience new things and the unknown. With keen senses and capacity to analyse and remember everything, her role as an observational vessel is displayed.
    She loves baths, second only to her love of music.

    Attitude towards the Master
    Ever watchful and provides a lot of useful advice and guidance. Since her summoning, she will immediately record every action and words the Master does and says and adds it her Pool of Memories. She is an inspiring and loyal muse that will cherish every single moment spent with the Master. However, ultimately, her purpose is to guide the Master to become honorary member of the extinct species whose memory she carries, subtly influencing the Master with their values and ideals.

    Speech Examples
    “I sing to make the universe remember.”
    “Chants of the forgotten.”
    “Choir of the stars.”
    “Elegy of extinction!”
    “As you like, my pleasure.”

    Historical Background
    The Goddess of Memory in Greek Mythology.
    The word mnemonic (remembrance, memory) is derived from her name. She is the mother of the Nine Muses.
    In Hades' Underworld, it is said that alongside the River of Forgetfulness, Lethe, there also exist a Pool of Memory, the Mnemosyne. Only those intitiated into the songs of the Orphic mysteries is able to find the pool and drink from it, returning the memories of their past lives and removing them from the cycle of rebirth.

    Her true form and role is as the Autonomous Observation-type Proof of Existence-purpose Golden Record Mnemosyne. A member of the older generation of the Machine Gods, the Titans. Though the Titans has lost the war against the new generation Olympians in the Titanomachy, Mnemosyne is one of the few that is spared and instead integrated as a part of the Fathership Zeus, which later results in the creation of the Muses.

    Within her Core is a dense Photonic Fluid called the Pool of Memory, a storage device containing a vast library of data and information concerning her home planet’s lost species. It is a treasure she most cherished and sought to preserve at any cost, until the Machine Gods can finish their mission, or until the very death of the universe, whichever comes first.

    Connections to Other Characters
    Voyager
    100% combability. They share the same role and responsibility. To Mnemosyne, Voyager is a cute little junior that works in the same department. Reaching a perfect mutual understanding, they promise to see their destiny to the very end.
    "Let us voyage to the End of the Universe together."

    Machine Gods of Olympus
    Her brothers and sisters. Even with the conclusion of the Titanomachy, she does not bear any hatred or ill-will against them and neither the familial bond they share ever diminished.

    Zeus
    The father of her daughters, the Muses. Does this mean…? If asked, she would staunchly deny. She deeply respects him and his determination to find a new home planet and restore their species.

    Asclepius
    Her favourite disciple. Her worship was once carried out in the Temples of Asclepius, as part of the healing rites, in order to restore lost memories. She admires his pursuit of restoration and medicine and found it resonating with her purpose to preserve something important.

    Writer and Artist Servants
    She bestows them her blessings, the inspiration to create their great arts and works. She sees them as her own children.

    Elizabeth Bathory and Nero Claudius
    “The memory their song carries… it sounds painful…”
    Last edited by Kamera; October 23rd, 2021 at 01:30 AM. Reason: i have severe ocd

  12. #3552
    死徒(上級)Greater Dead Apostle Spammin Spiff's Avatar
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    I can't believe DelRey just Beetlejuice'd a Voyager into existence.

    Jokes aside, don't know much about the figure the servant is based on, but all in all it looks like a very fun sheet. I personally like it quite much.

  13. #3553
    هههههههههههههههههههه Kamera's Avatar
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    Oh right, I'll add her real myth to her lore, wait a minute. Also, glad you like it!

  14. #3554
    祖 Ancestor
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    That vivy faceclaim is just perfect.

  15. #3555
    celestial prayer 34's Avatar
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    pog

  16. #3556
    Grand Recorder DelRey's Avatar
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    I am done with Rothschild.
    Femma.
    Great Work.
    I mean that.
    You are a good writer. We can work on small improvements for formatting to make it more pleasing to the eyes at times, because it is a long read, but outside of that.
    Great Work.
    "Let's see the color of your coin, my friend."



    Behold my vault of Heroes.
    Where the Heavens and the Abyss breath the Music of Humanity.


    The King's duty is to provide. And provide, I shall.
    University of Formatting | Gallery of Potential | Memorandum of the Extra Class Kings

    Our Kingdom will grow. And we shall know each citizen.
    Create-a-Servant 4 soon.

  17. #3557
    Grand Recorder DelRey's Avatar
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    we have 24 entries so far, we are getting back to where we were.
    But quality is as high as ever, ranking will be a god damn pain

    asterism, throw us a bone and let us all give up to 5 points when the Boting opens
    "Let's see the color of your coin, my friend."



    Behold my vault of Heroes.
    Where the Heavens and the Abyss breath the Music of Humanity.


    The King's duty is to provide. And provide, I shall.
    University of Formatting | Gallery of Potential | Memorandum of the Extra Class Kings

    Our Kingdom will grow. And we shall know each citizen.
    Create-a-Servant 4 soon.

  18. #3558
    هههههههههههههههههههه Kamera's Avatar
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    jesus christ these last minute entries are merciless

  19. #3559
    祖 Ancestor
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    I knew someone was going to show up with a last minute masterpiece.

  20. #3560
    闇色の六王権 The Dark Six pinetree's Avatar
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    Some comments I wrote as I went through the Servants today, since I didn't have the time to comment as they were posted.

    Caster Hokusai: I enjoyed your Wave Maker a lot, specially his personality. I think you captured it perfectly. Though I wish you also featured more stuff showing off this side of his that is able to appreciate the buaty in a tsunami.
    I was pretty disappointed that he has control over his Great Wave NP. The justification of his will being Japan's doesn't really work when you pointed to the ambivalence and cruelty of nature before. I think you let the faceclaim take over the Servant a bit there, which always bothers me when people use anime characters. The same could be said about him being able to use a katana, but I did like that part.
    Also, if you intended to lean so heavily on the faceclaim, I would've appreciated a Saber to go against the abundance of Caster artists.


    Archer Tchaikovsky: This sheet is just wonderful. I appreciate you playing with the idea of a fake identity among the surge of Pretenders. It was fun and didn't overstay its welcome.
    I really enjoy how mechanically unique they are as the Heroic Spirit of a musician, that's something I always appreciate in figures who were not combatants in life and you managed it very well.
    The best part was obviously the personalities. Usually I get bored or annoyed by sheets that overuse dialogue but you write well and yours made the whole presentation work.
    You did come off a little too strongly towards the end but that's fine. I'm not here to complain about LGBT representation, it's just unusual reading a Servant using that kind of vocab while spouting so much modern western social commentary.
    That said, I really could've done without the Alexander joke. To be honest, the Iskandar part only made it worse. It's the kind of thing I'm used to overlooking in anime stuff, but when you take the time to point it out in such a politically charged sheet... It just came off as very tasteless and made your take on their relationship with their nephew less convincing, to the detriment of Archer's character and the sheet's cohesiveness.


    Pretender Alcyone & Ceys: The most surprising Pretender in this contest for sure. Not only because I was completely convinced by Bonnie & Clyde but also because you went completely against what's expected of the Class. I really enjoy every aspect of their skills and how you went above and beyond by rather not having just adequate alternatives to the original skills but the exact same ones working for both the façade and the Pretender. Just great work all around.
    Though I'll add that even though it's really fitting, their personality being the lovebirds obssessed with each other is still a pretty bland take. Their Noble Phantasm shows a really cruel and warped side of them—which you did allude to in Anti-Humanity E too—that I wish had appeared more proeminently throughout the sheet.


    Rider Lucian of Samosata: His concept is delightful and I love what you've done with his sheet. It's very common for me to question Skill choices in fanservants but you somehow just got everything right. I cannot imagine this man without each one of these skills, great job on that front.
    The whole profile is a great read and he is a really unique take on a writer Servant. I adore Innoncent Monsters and this one is such a fun and whimsical read in contrast to what the skill usually brings.
    I'm gonna stop here because I realize I'm already repeating myself. I just love him.


    Alter-Ego Jugemu Jugemu Go-Kō-no-Surikire Kaijari-suigyo no Suigyō-matsu Unrai-matsu Fūrai-matsu Kū-Neru Tokoro ni Sumu Tokoro Yaburakōji no Burakōji Paipo Paipo Paipo no Shūringan Shūringan-no-Gūrindai Gūrindai-no-Ponpokopii-no-Ponpokonā no Chōkyūmei no Chōsuke: I'm gonna be honest, as much as I like him I'm finding it very difficult to find anything specific to talk about here.
    I'll just say the joke landed, he's great. I actually laughed out loud at one point and that's fucking impressive from a Servant sheet.
    Also, his interaction with Zeami was a really pleasant surprise. I didn't expect anyone to go and add interactions with Servants posted later. Thanks for that.

    - - - Updated - - -

    Also you people are going crazy with your editing skills now that Pretenders exist huh? Reading sheets is basically a treasure hunt for hyperlinks now lol

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