Monthly Create-A-Servant Contest

[DesReploid]

just make a sheet on https://www.youtube.com/watch?v=a0fTVnhg7S0

a summer variant of the Unknown Soldiers sheet from that one time

I don't know if you're talking about the Unknown Soldiers I made, but I'll just arrogantly assume you are. If someone more creative than me can rewrite that concept to fit with this contest I'll give them my 1-, 2- and 3-point vote by default.

[asterism42]

Also a reminder that anthropomorphic personifications of cities and countries now canonically qualify as Servants, if you think you can find a way to shoehorn them into this prompt.

[NMR-3]

brb planning mourning disco achilles

EDIT: Also, this is like the one of the few times I think it's encouraged to post links to the music?

[Kabalisto Koga]

Well i might have found one or two possible candidates !

[Spammin Spiff]

Time for one of the Brazilians to turn Rio into a servant with a heavy focus around the Carnaval.

[Gl4re]

Now I know we can't do martial arts that evolve from dance, but what about dance that has roots in martial arts?

[DracoScribe]

Why is everyone saying fyuck? You do realize we have a great Daedalus sheet years back who's basically the Disco king because he canonically made the first dancefloor. If Daedalus of all people would probably qualify for this prompt, surely the creative minds here can come up with candidates.
Meanwhile, I have at least one person who actually works for this, but I don't see him winning any grand awards.

Oh! I just found another one. This one might be interesting.

Oh hey that is cool.

But, well, if you can make it focus on his ability to dance and/or focus on his creation of the dancefloor than his capabilities as an inventor and his inventions in general, sure, otherwise I wouldn't really count that sheet for this contest.

Though that won't be a problem for you it seems.

EDIT: Also, this is like the one of the few times I think it's encouraged to post links to the music?

It would be a bonus for sure! But I won't ask everyone to link stuff.

Now I know we can't do martial arts that evolve from dance, but what about dance that has roots in martial arts?

I think it should be fine, like the sword dances that evolved from, well, sword fighting, like jian wu and paika dances. As long as the end product is "used to perform" and not "used for combat". As I said in the prompt, "I want more dancers, okay!"

[Spammin Spiff]

What about someone who traditionally focuses on both dancing and singing? Or would that not be in the spirit of the prompt?

[NINE-lives]

There's also the Sufi dervishes and their practice of Sama founded by mevlana rumi if you want to be more spiritual.

[DelRey]

sure, there might be some significant people in that field, but like Bn said, man are recent or obscure.
The obvious choices will be taken by others in the contest, so I personally can hardly imagine a very "diverse" cast of characters.
But I am open for surprise. Its the initial reaction after all.

[Vididii]

Fuuuuuck, I gotta get my SS reactions done fast so I can get cracking on this, I’m actually really excited for this one

[Anju Addams]

I actually have a really good idea for this. Not sure if I can actually complete a full proper FGO Sheet like I normally do but I'll work on it and post what I have.

[Legendary Hero of the Chain]

...I don't know if I should hate or love you for this one, Draco. Definitely out of my ballpark, but fuck it if this isn't going to at least be fun to look into and read through. I'm a fail, but may as well toss my hat in the ring and hope work doesn't inevitably drag me into the lovely world of 'no time, deadlines' again.

[pinetree]

Oh wait I actually have something perfect for this. Del saved me.

[DracoScribe]

What about someone who traditionally focuses on both dancing and singing? Or would that not be in the spirit of the prompt?

That's totally fine! That's why I mentioned Fred Astaire as an example in the prompt.

sure, there might be some significant people in that field, but like Bn said, man are recent or obscure.
The obvious choices will be taken by others in the contest, so I personally can hardly imagine a very "diverse" cast of characters.
But I am open for surprise. Its the initial reaction after all.

...I don't know if I should hate or love you for this one, Draco. Definitely out of my ballpark, but fuck it if this isn't going to at least be fun to look into and read through. I'm a fail, but may as well toss my hat in the ring and hope work doesn't inevitably drag me into the lovely world of 'no time, deadlines' again.

The amount of chaos(? curses? lamentations?) I'm causing with my prompt, I swear...

I legit thought it'd be fine! You guys are so creative with composers (shout-out to delrey's musician sheets) and their skills and NPs! So I thought shining a spotlight on dancing would be fine! Really!

But hmm...the obvious choices?

I don't know if these are what you meant but this is what I think when I see you say "obvious choices" Del. I'll list them here in case it's more helpful than the dance style suggestions I did.

William Henry Lane, better known as Master Juba ("father of tap dance")
Fred Astaire (need I say anything? Ah, whatever I will: famous actor, singer and dancer; tap dance style infused with ballet and ballroom and had incredible rhythm)
Bill "Bojangles" Robinson (famous tap dancer, singer and actor; famous for stair dance routine, dancing with Shirley Temple, advocating for more equal treatment of black people)

Isadora Duncan (one of the pioneers of modern dance; developed a "philosophy" of dance, focused more on the actual dance movements than the costumes, amomg other things, )
Ruth St. Dennis (one of the pioneers of modern dance; her style heavily influenced by Asian dance styles)
Loie Fuller (one of the pioneers of modern dance as well as a pioneer of lighting for stage and film, made many patents for inventions for that; creator of "Serpentine Dance")

Grete Wiesanthal (Austrian dancer who her own modern dance style associated with waltz music, a "solo waltz" to say, more involved with spinning than vertical movement compared to contemporaries Ruth and Isadora)

Irene and Vernon Castle (reinvigorated interest in modern dance and popularized the foxtrot, ragtime and others)

Ovidio José Bianquet, better known as El Cachafaz (earliest known and popular tango dancer)
Casimiro Ain (another prominent tango dancer; one of, if not the, first tango dancers to perform in Teatro Colon in Bueanos Airas)

Pierre Beauchamp (creator of thr five positions of ballet)
De Lafontaine ("queen of the dance"; first female ballerina, before female parts were played by men like in plays; contributed to opera ballet in France during Loius XIV)
Jean-Baptiste Lully (composer and dancer; master of French baroque style; contributed to opera ballet in France during Louis XIV and worked in his court)
George Balanchine (father of American ballet, mainly a choreographer but he did dance for a while)
Jean-Georges Noverre (creator of ballet d'action; birthday is International Dance Day)
Marie Sallé (carnival performer turned ballet dancer; style was dramatic and had simpler costumes; influenced Noverre/helped in the creation of ballet d'action)
Anna Pavlova (Russian prima ballerina; first to do world tours; associated with Camille Saint-Seans Le Cygne with her routine The Dying Swan, which influenced Swan Lake)
Enrico Cecchetti (ballet virtuoso and creator of Ceccheti method; teacher of Anna Pavlova, among others)

I'm tempted to add Balthasar de Beaujoyeulx (creator of the first ballet) also counts because of him being a choreographer/dance master, but I'm one the fence since I did say "dancer" and he more created the dance rather than being a dancer... At the moment I'm leaning towards "yes" because choreography is a part of dance and you can't choreograph if you don't know how to dance but still undecided.

One that's less obvious but "obvious" for "me" as a Filipino is Hara Humamay/Queen Juana, aka the supposed originator of the Sinulog festival and dance.

Fuuuuuck, I gotta get my SS reactions done fast so I can get cracking on this, I’m actually really excited for this one

Well I'm glad one other person is. I didn't think it'd be this bad...

[DelRey]

Bn, i see a name. Its time.

I may have found my entry. Now i shall see what i can cook up.

[Anju Addams]

I also wanna point out that literally any character from a ballet like Odette or Drosselmeyer probably counts.

[Nuclear]

Appearance

Aloha! Servant Voyager, David La'amea Kalākaua, at your service!

Hm... I wonder what sort of songs and dances have been invented while I've been out? Come and join me, Master! I want to experience them all!

Class: Voyager
True Name: Kalakaua
Aliases: David La'amea Kalākaua
Gender: Male
Height and Weight: 186 cm, 92 kg

Source: Historical fact
Region: Hawai'i
Alignment: Neutral Good
Attribute: Man

Parameters
Strength: C
Constitution: D
Agility: D
Magical Energy: B++
Luck: D
Noble Phantasm: B

Overview

Background
Kalākaua, sometimes called "The Merrie Monarch", was the last king and penultimate monarch of the Kingdom of Hawai'i, reigning from February 12, 1874, until his death in 1891. Succeeding Lunalilo, he was elected to the vacant throne of Hawai'i against Queen Emma. Kalākaua had a convivial personality and enjoyed entertaining guests with his singing and ukulele playing. At his coronation and his birthday jubilee, the hula, which had hitherto been banned in public in the kingdom, became a celebration of Hawaiian culture.

During Kalākaua's reign, the Reciprocity Treaty of 1875 brought great prosperity to the kingdom. Its renewal continued the prosperity but allowed the United States to have exclusive use of Pearl Harbor. In 1881, Kalākaua took a trip around the world to encourage the immigration of contract sugar plantation workers. He wanted Hawaiians to broaden their education beyond their nation. He instituted a government-financed program to sponsor qualified students to be sent abroad to further their education. Two of his projects, the statue of Kamehameha I and the rebuilding of 'Iolani Palace, were expensive endeavors but are popular tourist attractions today.

Extravagant expenditures and Kalākaua's plans for a Polynesian confederation played into the hands of annexationists who were already working towards a United States takeover of Hawai'i. In 1887, Kalākaua was pressured to sign a new constitution that made the monarchy little more than a figurehead position. After his brother William Pitt Leleiohoku II died in 1877, the king named their sister Lili'uokalani as heir-apparent. She acted as regent during his absences from the country. After Kalākaua's death, she became the last monarch of Hawai'i.

Personality
Likes: Surfing, luaus
Dislikes: Violence, bad kava juice
Talent: Surfing, musical performance

Extraverted and passive. A lively and convivial young man who seems to live to bring joy to others. Kalakaua very rarely conducts himself as a king, instead choosing to behave as a wandering performer of sorts. He wholeheartedly embraces both his strengths and his weaknesses, a trait that colored his view of "the ideal Hawai'i"; namely, "a Hawai'i unafraid of being itself".

Even as he's the free-wheeling sort of person, Kalakaua still chose to put his name forward as a king candidate, because he saw that what his royal rival Queen Emma offered-- namely, a "strong, independent Hawai'i"-- failed to take into consideration the Hawai'ians' character as a hospitable, loving, and passionate people.

However, upon ascending the throne, Kalakaua was blinded to the opportunists eager to exploit those traits he so dearly loved in his people. Or perhaps, he himself turned a blind eye on these dark designs, eternally wanting to believe that everyone is good-natured as he is. This is what forms his wish to the Holy Grail: not to go back and right the wrongs of his reign, but to change the hearts of those who so callously ended it.

Relationships
Master
Kalakaua approaches the Master as like a younger sibling. Of course, since he is the irresponsible sort, this would most likely result in a relationship where the young sibling has to parent the elder.

Incidentally, he will become sulky if he is ever treated like "a king". He can act like one when the situation calls for it, but it is something he very much doesn't want to become routine.

David​
"Huh, so King David ended up being like that... Somehow it makes me happy that my namesake is trying to be more responsible, hehe. Eh? 'You should try to be more like him, too'? Ahaha, I'm afraid this is as far as David Kalakaua can go, Master! Well, if we somehow manage to get the Grail, then maybe..."

Thomas Edison
"Oh, Mr. Edison! Your direct current inventions were most welcome at the rebuilt 'Iolani, so thanks for that, haha! That said, I'm quite curious about your Mystic Code. It's supposed to contain all the presidents of the United States, right? Then, mind if take a few shots at ya? There're a few crusty old men in there I've been itching to introduce my fists to..."

BB (Summer)
"Eh?! That young miss is supposed to be Lady Pele?! ...Well, if I'd just judged the cover I'd be shocked, but I heard about some of the things she did in that Honolul-ish place, so... I'd say that's Lady Pele, alright..."

Class Skills
Independent Navigation: B
Ability that allows for action even in the absence of the Master. It is possible for a Servant to continue their journey for two days without a Master. However, this is the ideal value achieved by maximally conserving mana and avoiding battle and Noble Phantasm usage.

Contact with Civilization: C
Skill that transform anything within the bearer's grasp into its best/most suitable form. A Skill that can be considered a friendly version of Civilization Erosion.

In Kalakaua's case, his specialty is incorporating various musico-cultural expressions into his own repertoire.

Personal Skills
Charisma of the Heavenly Four: B
The special charisma of the Heavenly Four, a set of Hawai'ian royal siblings whose contributions triggered the first Hawai'ian Renaissance. Comprised of Alluring Euphony, Charisma, and outstanding lyric composition skills.

In the case of the Merrie Monarch Kalakaua, the "personal charm" part of Charisma is one rank higher than displayed, while the "talent for national rule" portion is one rank lower.

Hula: B
The traditional dance form practiced in Hawai'i. As a form of non-verbal communication that conveys through symbols the complexities of spoken language, it serves as the ancient Hawai'ians' rough equivalent to writing. Messages transmitted through this art form bypass targets' mental interference effects of up to one rank lower than the skill, provided they can perceive the dance itself.

Kalakaua is not only well-versed in all forms of hula, but also in ku'ialua, the martial art that sprang from it.

Protection of the Hula God: A
Skill that denotes the divine protection of Laka, the patron god of hula and canoe-building. Students of the art of hula entrusted themselves to Laka in order to prevent the mistakes they make while practicing from bringing down misfortune. Nullifies mental interference effects equal to this Skill's rank or lower while performing hula, and provides the talent necessary to commandeer vessels recognized as ships.

Noble Phantasms
Halelewa Lana Ka'imiloa: Far-Seeker Clad in Majesty
Rank: C+
Type: Anti-Army Noble Phantasm
Range: 1-30
Max targets: 300 people

The first and only ship operated by the Royal Hawai'ian Navy. Although it is equipped with anti-personnel armaments as a sailing vessel, its true strength-- its very purpose-- lies in spreading King Kalakaua's influence. It naturally acts as a mobile platform upon which the King can perform his hula dances, and harbors within itself a group of shades that represent not only the original Ka'imiloa's crew, but also the Royal Hawai'ian Band that used the ship as their concert stage for nearly four decades. Whilst aided by their performance, Kalakaua's Charisma of the Heavenly Four skill receives up to two plus-corrections.

Mele Lani Hawai'i Pono'i: True Sons Bound by Loyalty
Rank: C
Type: Anti-Unit Noble Phantasm
Range: 1
Max targets: 1 person

The national anthem that Kalakaua composed, which continues to be a symbol of Hawai'ian pride even in the present day, the performance of which has become an exercise of Kalakaua's royal authority. While it is being performed either by himself or the Band aboard the Ka'imiloa, Kalakaua enters a mental state he refers to as "King mode" and receives a rank-up to his Hula Skill. At this rank, one's hula has reached the realm of pre-Western contact practitioners, allowing them to communicate with animals, plants, and even the gods themselves using dance.

Author's Notes

Art sources: 1, 2

A few clarifications and tidbits before I go. I went with an aged-up Hau FC in to basically continue the gag of Kamehameha Servants having Hala FCs. The initial image song might be familiar to people as the opening song to Lilo and Stitch (under the title He Mele no Lilo (A Song for Lilo)), but it was actually first composed by Kalakaua as He Mele Inoa O Kalakaua (A Name-Song for Kalakaua). Incidentally, Aloha 'Oe, the song that plays during Lilo and Stitch's most emotional parts, was written by Kalakaua's sister, Lili'uokalani.

Next up, I took some creative liberties with some of the skills. The link between hula and Hawaiian martial arts isn't clear, but there is anecdotal reference referring to Hawaiian chiefs picking warriors from the hula schools, so I just took that concept and ran away with it. The deity invoked by hula dancers for protection is actually the goddess Laka, who rules of hula and forest growth. I chose to establish the link with the god Laka instead since it fit better with the sailing motif in the rest of the profile.

Anyway, ciao.

[pinetree]

Nuke fears no challenge.

[BnEl15]

Feels like a good time for an Anna Pavlova alt, but I think that would better fit the rework contest rather than this one.

On the bright side, I found a certain dance culture that piqued my interest. Now if only I can find a single individual who really defined that culture...