GO has just killed so much of my enthusiasm for the series. Only at London, but I just really hate how shallow each of the campaigns and the characters in it have been so far. I also feel it's cheapened many of the pre-existing characters and events in my eyes too. Makes me just want to ignore that it exists so I can like Nasu's multiverse more.
London is where Shit Writing Street ends. Make it to Camelot and you're out of the slog.
FGO Supports
At the very least, in Camelot she wears armor and taken very seriously. Unlike her final Ascension.
Lancer Artoria and her tits are great, you guys are just mean.
unpopular opinion: FGO was never a serious story game.
ppl doesn't even care about FGO being carnival phantasm mobage and complaining about character joking at anywhere.
That sounds good then.
Not hating, just a little concerned after seeing my favorite girl change that much.
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The problem is that it does have serious story parts and establishes tons of stuff like new servant identities. I can laugh at a character I like feeling like a parody of themselves in Carnival Phantasm because its obvious from the start that its a parody. When GO has a serious story moment and then does the same thing as CP, it just makes me feel dissapointed. Also kills my imagination a bit because tons of cool servants or moments in history that you could imagine in the universe before just ended up being kinda lame, jokes, or super waifu-ish.
GO's story improves dramatically around America. Camelot's very good and emotional. Babylonia is also good but in a different way, more of an end-of-the-world kind of story. The Epic of Remnant chapters sit around America quality IMO, and while I haven't read any Lostbelts yet I like what I've heard about them a lot especially Russia.
Last edited by Reign; October 9th, 2019 at 10:52 PM.
Hmm, the jokey CP-like parts most often are reserved for events.
The main story itself is very serious for the most part, not counting fun characters being themselves.
I think Babylonia has a bit too much comedy-serious tonal whiplash to be honest. It's not like it's every other scene but sometimes when a comedy bit suddenly appears the shift is jarring.
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But it's very Nasu comedy, not like event story comedy.