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Thread: The Claim [Kara no Kyoukai]

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    nicht mitmachen Dullahan's Avatar
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    The Claim [Kara no Kyoukai]

    Araya Souren is dead, but it doesn't fundamentally change his situation. Never does.
    -----------------------------------------------------------------------
    The Claim
    In order to realise this district as it was from 1861 to 1864, we must conceive the Tai-pings coming down upon its peaceful villages and rich towns, moving flags, beating gongs, destroying images and temples, seizing valuables, occupying houses, dealing with all disobedience according to the exterminating decree of Heaven, and being a terror unto young women; but still not at first destroying the crops or many of the houses, or slaying many of the males. Then we have the Allies driving them back, firing into their masses of men with long-range rifles, and pounding at their stockades with heavy guns and shells. On the retirement of these we have the Rebels again advancing to the neighbourhood of Shanghai, but this time in an infuriated demoniac state, burning and destroying everything in order that there may be a waste round the starving city, and murdering or driving before them all the villagers. Lastly, the Ever-Victorious Army appears on the scene, not by any means always victorious, but very frequently so, and bringing European drill and officers, with heavy artillery, to bear on a settlement of the question. Let this be embellished (as the scene appeared to me in 1860) with views of rich fertile plains, where the crops are trampled down or consumed, a few narrow bridges of the willow-plate pattern, a dilapidated pagoda or two, broken blackened walls of village houses, the deserted streets of towns, innumerable swollen, blackened corpses lying on the slimy banks of the muddy streams, or rotting underneath the graceful bamboos, red flames at night flashing up against the deep dark sky...
    A History of the Chinese Campaign under Lt.-Col. C.G. Gordon and of the Suppression of the Tai-ping Rebellion (A. Wilson, 1868)



    Here to imagine.
    In the scenery of another day.
    Not seen in dreams, nor recollected.
    Arya-Alaya – could not recall this place.
    Nor could he see dreams, any more.
    (Notwithstanding.)
    Arya-Alaya is here, but not here.

    But guns are quiet now.
    Now quiet, steeped in thunder faraway.
    Faraway the steel horizon.
    Horizon cold-forges twilight.
    The twilight falls, a hammer.
    The anvil is desolated earth.

    But rain is falling now.
    Now falling, all across the eastern country.
    The dusk darkens, the pyres go out.
    Soil's unburnt shades decline.
    The vagrant wind is watching.

    But there is nothing that stirs in the dusk of this life.
    Not the flare of a lamp, nor the great ungovernable clouds.
    The forms of the world have fallen.
    Eye finds no eye.

    But this is now the coldness of mud.
    And insects in the sodden pools, breeding, rainfed.
    And the twilight is closing.

    Closing quickly, quietly now.
    Now quiet, steeped in thunder.

    Thunder, very close.



    (Not withstanding.)
    The mudstrewn path between two fields.
    (A corpse stands up.)
    Arya-Alaya is “here.”
    Now this, now here, this is worse.
    Still worse than worst-ward thought erstwhile.
    Worst what was and will be, is – what?
    (Gangrene black. Weeping sores.)
    This is not the hill of the nameless.
    Not the shaded path, the silence of birds.
    The ruin in the tall grass.
    This is worse.
    (And others like it.)
    (Thousands of them.)
    (A corpse stands up.)
    (And it begins to walk.)
    That he is here.
    Arya-Alaya. Syamon Sohren.
    Other names.
    You would not think a corpse to stand, but it does.
    (Every step, the mud resists.)
    (Cloying, frictive. Dragging to a halt.)
    (Just as long as the corpse walks.)
    (It is always coming to rest.)
    He is caught in the way.
    Rain disorders his appearance.
    He stands in the mud. Caught still, distracted.
    Imperfection of a stride.
    (The corpse walks a long way.)
    (Much longer than it seemed at first.)
    (The corpse crosses foulness.)
    (Foulness searches in the mire.)
    But he was walking. No doubt.
    For long years, no thought to it.
    Thus his impression. Eyes to his goal.
    He did not see, as such, not even beneath his feet.
    (The corpse tramples the bones of brother and sister dead.)
    (That is how it walks.)
    (To walk, no other way.)
    (Every step crushes something like itself.)
    His footing is sure. Now, still.
    But something tore him away.
    Eternity passed in an instant. It was enough.
    He cannot see it now.
    (Deeper to the mud, clasping, stuck.)
    (Rendered still.)
    (Deeper down it forces them into the rot from which it stood.)
    (Indeed it stood.)
    He had forgot this desolate road.
    And when the rain began.
    And what the thunder said.
    He was concerned only with himself.
    (It began to move.)
    (To further deface the faceless.)
    (To further erase the unnamed.)
    (That is its karma. Thus all the rest.)
    No thought to it, but nothing otherwise.
    No now living in the shallow mire.
    No end of living, no end of death.
    (But the dusk darkens.)
    (But rain is falling now.)
    Oh, but this is worse.



    (This is what the thunder said.)
    I saw men struggling like fish in a pool that is running dry
    and I was weighed down by the horror of it
    I perceived a barb piercing as it were the heart of man
    but if the barb be extracted he is calmed and knows peace
    Man must wake up and put an end to apathy and laziness
    he must cast aside conceit
    He must renounce falsehood and sensual things
    and seeing only folly in pride
    he abstains from every form of violence
    Let him put no value on what is old
    nor be fascinated by what is new
    nor grieve for what is lost
    nor pine for the unattainable

    (Notwithstanding.)
    Araya
    Where are you going
    What are you looking for
    What could there possibly be on the horizon
    Having mentally surveyed the eight directions
    the rest I assure you is much the same
    Corpsed
    all of it
    There is nothing to find that is not here already
    and whatever is not here is nowhere else
    (He was a prince, once.)
    (Remember that.)
    But what is this
    Araya
    This "here"
    Look around
    Do not close your eyes
    The way you walk is mudstrewn
    and rain pours from the sky
    The foul stench of decay wanders hither and thither
    Insects burr and copulate
    The thunder sounds afar
    This body is wasted
    full of sickness
    and frail
    This heap of corruption breaks to pieces
    Life indeed ends in death
    in white bones
    like gourds thrown away in the autumn
    Indeed this is “world” and nothing otherwise
    But what is this
    Araya
    This perishing
    suffering
    hateful and impermanent
    this phenomenon of “world”
    What is this
    What is its nature
    It is perhaps thought
    that “world” is just the external sphere of objects
    External to what
    External to “self”
    But what is “self”
    Surely not an object among objects
    “World” does not contain it
    for you have distinguished already that “world” is external
    And if “world” is outside “self”
    then reason demands that “self” is likewise outside “world”
    What then is “self”
    It cannot be known to be this or that
    nor likened to them
    It is perhaps thought
    or indeed observed
    that you “have” thoughts
    or ideas
    or memories
    or impressions
    and that all these are properly attributes of “self”
    and that therefore “self” can be known by looking into them
    But how can this be
    To “have” an idea or a remembrance in this way
    to look into it as it were
    as if to know about one's “self” by so doing
    presupposes having the idea or remembrance before one's “self”
    as an object so to speak
    But how can “self” in its attributes be before “self”
    without being outside it
    opposed to it
    in other words no different from “world”
    To have “self” before “self” is infinite regress
    in which nothing definitively of “self” can be known whatever
    And yet
    only in this way
    can the coherent distinction of “self” and “world” be sustained
    Why this paradox
    Araya
    I will tell you
    There is nothing definitively to be known of the “self”
    because there is nothing in it
    This thought of “self” is just a distinction
    sheer
    pure
    distinction
    It is to mark a line
    drawn in void
    drawn of void
    and cut all in two
    and call the one side “world” out of habit
    and call the other side “self” out of habit
    The words themselves are metaphors for this originary “cut”
    But what is this
    Araya
    Upon what surface is this line drawn
    this originary defilement
    I will tell you
    The various metaphorical usage of “self” and “world” is employed
    solely
    on the basis of the transformation of mind
    All realities are innate in the mind
    If one seeks realities elsewhere
    it is like a person leaving his own father and seeking him elsewhere
    But what is the mind
    It is not to be thought that mind as you find it is originary mind
    On the contrary
    mind as you find it is defiled
    among other things by all these “cuts”
    The continuum of mental events is cut into pieces
    into “self” and “world”
    and thence subdivided into the six kinds of sense objects
    seen objects
    heard objects
    smelt objects
    tasted objects
    felt objects
    thought objects
    and thus further subdivided
    into the myriad things
    and the myriad myriad names-and-forms
    the rain
    and the mud
    and the dead
    and the living
    Now this is not originary mind
    Originary mind is pure
    clear
    bright
    luminous
    all-pervading
    awareness
    It is neither moving nor still
    neither produced nor extinguished
    neither coming nor going
    neither right nor wrong
    neither dwelling nor departing
    Its capacity is so great it is like the empty sky
    And indeed
    originary mind is like unto a great storehouse
    for it contains karmic seeds in great number
    the seeds or potential forms of all realities of any kind whatever
    But originary mind is not “aware” of these
    they repose within it like water in water
    Originary mind is thus unmanifest
    formless
    inconceivable
    and devoid of knowledge
    It may be understood as the true self
    the self in its suchness
    prior to and altogether beyond any vulgarly understood “self”
    In other words the original face
    which you had before your mother and father were born
    A question thus is posed
    How
    from the starting point of originary mind
    does it come to be that mind is as you find it
    We pose this question another way
    how
    painful and impermanent and insubstantial as it is
    does the phenomenon of “world” arise
    Araya
    I will tell you
    though the telling be metaphorical
    These words of mine are an “expedient means”
    necessarily
    as the condition of originary mind cannot be straightforwardly communicated
    in the terms which defiled mind takes for conventions
    Provisionally
    therefore
    we may say that within originary mind something “happens”
    Some among the seeds simply begin to “stir”
    they begin to move
    No direction
    just pure movement
    They manifest an originary “swerve”
    or “impulse”
    or “palpitation”
    or “decision”
    or “will”
    How can this be understoood
    Perhaps it is best to think of it as a “choice”
    which originary mind “makes”
    a groundless
    pure
    “decision”
    To ask after “why” this “decision” is “made” betrays a misunderstanding
    such a question cannot be formulated
    as it can apropos the conditioned and occasioned decisions
    that defiled mind makes constantly
    in the course of its involvements with “world”
    We are discussing the arising of “world” itself
    a “decision” such as it is that is unconditioned and unoccasioned
    because what could possibly condition it
    To ask after “why” originary mind makes this “choice”
    is to ask after the “why” of “world”
    the purpose or meaning or sense of “world”
    and this question is simply
    senseless
    Defiled mind cannot pose this question rightly
    and certainly cannot answer it
    because it is by definition “self” within “world”
    and the sense of “world” does not lie within “world”
    To the extent that the “why” is “known” at all
    it is known only by and knowable only to originary mind
    Therefore it is useless to us
    to you
    here
    now
    As a man in a burning building has the least concern for “why” the fire started
    defiled mind in general has more pressing concerns
    As for me
    I do not describe the “why” of “world”
    I am concerned only with the “how” of “world”
    and this
    Araya
    I will tell you
    Only allow it
    as I have said
    that some among the karmic seeds within originary mind “stir”
    and that in “stirring” they are diverted
    and that in being diverted they collect
    and that they congeal and clump together
    according to the originary “stirring”
    It is none other than this “stirring” which is the originary distinction
    the originary defilement
    A knot of distortion manifests
    A moment of opacity within transparency
    coalesces and becomes dense
    That is to say
    some among the seeds are no longer in originary mind like water in water
    thus originary mind cannot help but become “aware” of them
    It becomes “aware” of this opacity
    this clumping-together
    this distinction between what is opaque and what is not opaque
    Now it is not the case that by dint of this opacity
    the “awareness” of this opacity
    that originary mind is coming to “know” more than it did
    If a man develops a cataract on his eye
    we do not say that he has come to see something new
    but rather that his ability to see at all is impaired
    Likewise
    this “awareness” of the clumping-together is ignorance
    primordial ignorance
    It is originary mind becoming ignorant of what it is
    clear
    bright
    all-pervading
    Now the density of this stain or cataract upon originary mind
    this clumping-together
    the density deepens
    its opacity redoubles
    and distinguishes within itself a myriad subtle gradations
    This is first of all the distinctions between “here” and “there”
    “then” and “now”
    in other words the manifold extension of time and space
    Opacities within opacities in turn are further subdivided
    into the myriad myriad sense objects that constitute the perceptual field
    that are beheld as names and forms
    that are sensed
    that are craved
    that are clung to
    In a word
    “world”
    Meanwhile
    or rather we should say
    as part of one and the same movement
    originary mind in becoming “aware” of this originary stain or distinction
    and its subsequent developments and subdivisions
    becomes defiled mind
    In first distinguishing “world” out of the unmanifest storehouse of karmic seeds
    originary mind distinguishes itself as something otherwise
    namely as “self”
    We may say that “self” arises precisely in proportion to the gradations of opacity
    realised by the clumping-together of seeds
    the formative force of which is of course the originary “stirring” or “will”
    The deepening course of “self” as it arises
    as it distinguishes itself into the six ordinary kinds of sense awareness
    and thereby makes sensual contact
    and begins to crave
    and to cling
    this deepening of “self” finds expression in the four vexing passions
    delusions of “self”
    perception of “self”
    identity with “self”
    and love of “self”
    with which you
    Araya
    are no doubt familiar
    Now this process
    of mutually congealing “self” and “world”
    is called the “drawing-together” of karma
    By this the course of death and rebirth is determined prior
    albeit timelessly prior
    to any particular conditions of circumstances of life
    A certain “impelled” foregathering of karmic seeds reaches fruition
    and this produces the consciousness and experience of a particular life
    It forms the basis for a particular personal existence
    and likewise for “world” as it arises for that existence
    whether as a human
    a god
    a hell-being
    a particular birth and becoming and aging and death
    The seeds of karma which are accrued by actions
    meritorious and otherwise
    fruit and determine the circumstances of your existence
    the womb of your mother and the seed of your father
    your character and health and favour and disfavour
    But all this is supplementary
    It is a secondary development of the drawing-together of karma
    the originary defilement which produces “self” and “world” to begin with
    And here I must emphasise
    Araya
    that all this takes place outside of time and space
    Time and space as you understand them are affectations of “world”
    It is not the case that karma drew together “self” at some point in the past
    and set all this in motion long ago
    The originary defilement of mind
    the originary “stirring”
    this does not belong to the distant past
    On the contrary
    the originary “stirring” of the storehouse consciousness
    the originary “direction” or “impulse” imparted
    that is what this is
    here
    now
    precisely this
    this moment
    this birth
    and this becoming
    and this aging
    and this death
    Araya
    Thus have you heard
    What you call “world” habitually
    and what you call “self” habitually
    are mind only
    Mind and nothing otherwise
    These things are not other than originary mind
    which like clear water
    impelled by a certain “stirring”
    becomes opaque and turbid like a raging torrent
    Can there be any wonder that “world” and “self” alike dissatisfy
    that they are suffering
    malignant
    hateful and redundant
    To reach out for “world” as if to grasp it
    to change it
    to judge it
    or simply to gain knowledge of it
    All this is like reaching into a raging torrent
    trying to take in hand a droplet of water
    with a hand that is water itself
    Only frustration can result
    Thus have you heard
    Araya
    there is nothing to know of “world” or of “self”
    there is nothing to be grasped of these things
    there is nothing to be changed
    there is nothing to be judged
    there is nothing to be discovered
    there is in truth
    not
    one
    single
    thing
    There is the “stirring” of originary mind
    and that is all
    However far out into “world” you venture
    or however deep into “self” you discern
    there is nothing to be found that is not just the “stirring”
    or “impulse”
    or “mark”
    or “stain”
    that appears on the surface of originary mind
    ineffably and inconceivably
    and which
    were it to be wiped away
    would erase “self” and “world” without the slightest remainder
    Thus have you heard
    Araya
    You indeed received my teaching
    You were not to be numbered among the ignorant
    You took possession of this sermon
    on various occasions
    and understood well
    that “true wisdom” such as it is
    consists only in this
    that “world” and “self” are alike empty of character
    and represent the self-diremptive defilement of originary mind
    That all names and forms
    and all elements of “world”
    and all presentations of “self”
    and all the innumerable atoms of the thousandfold trichiliocosm
    are mind only
    That these compounded fabrications are marked by suffering
    decay
    and impermanence
    That the body is a false name
    drowning in the great ocean of birth
    sickness
    old age and death
    How can one who is wise not be happy
    when he gets rid of it




    That, indeed, is what the thunder said.
    Noble words, world-honoured, imperishable.
    And true. Certain and most true.
    No doubt.
    (Not withstanding.)
    Notwithstanding.
    (These too were once surely alive.)
    (No word for it, but nothing otherwise.)
    (The hill of the nameless. Still, worse. But they were alive.)
    (If that was life.)
    Arya-Alaya asks.
    If this, here.
    This is death.
    No doubt.
    (Down crooked here they'd plant the rice. Down crooked here they'd pick it.)
    (Grasping in bunches, husking, drying, storing, seeding.)
    (Nothing seen. No head was raised. Life was bent double.)
    (Crushed to the ground. Since long before. Now, still.)
    No doubt.
    The human being is just such a thing.
    Death or life is all of a piece.
    Makes no difference either way.
    (Whenever the bailiff came they were forbidden to look at him.)
    (So they looked at the soil, and lived. If that was life.)
    (Now these, these too were rainfed as the soil permitted.)
    (They starved likewise.)
    Arya-Alaya looks at his arm.
    A fetid, rotting stump.
    No matter.
    Nothing to feel of it. Nothing held.
    (Lesser and lowly life.)
    (What was close to the soil is closer now, closer, still.)
    (Whatever gave, the soil takes it all back.)
    Notwithstanding.
    (The mud does.)
    The dusk darkens.
    The last of the light has failed.
    Softly rain falls.
    Softly mud thickens.
    Wherever the corpse walks, it is all much the same.
    No doubt.
    (No sight of it, but nothing otherwise.)
    Black decay.
    Blindness.
    Gangrene-scent.
    And the sticking, cloying, coming-to-rest.
    The friction.
    The stillness which demands
    (which demands)
    precisely because
    (on the sheer surface)
    he is always moving.
    No, he did not stop.
    Never did he stop.
    If ever it was.
    An infinitesimal. Impossible.
    No.
    The stride was perfected.
    He was always
    (already)
    moving.
    Always that motion.
    Always.
    All that.
    All it is.
    (One foot.)
    The other.
    (One foot.)
    And the other.
    The mud is blackrot.
    Corpse-eater.
    Sarcophagus.
    Jealous of motion. Jealous of form.
    Dark, unseen, unlight, unlived.
    This slowing-down was all that he ever was.
    The rest was history.
    Was there but to make a home for it.
    For the patient quiescence.
    Thus: the maggot-eaten knowledge of a corpse.
    Thus Arya-Alaya.
    But.
    (Notwithstanding.)
    Notwithstanding.
    (That is what the thunder said.)
    But this is worse.
    This is worse.
    Worse than any noble word.
    Worse than the dark, and the scent of earth,
    (and the rain, the silence of birds,)
    and the nameless, the mound,
    (the ruin, the tall grass,)
    is the remainder.
    (Crushed. Strangled.)
    (The vocal cord is torn.)
    (The tongue is cut out.)
    Not withstanding. Withstand – nothing.
    Nothing could. No doubt.
    If he stopped even for a moment.
    All this will surely be annihilated.
    Without remainder.
    (Notwithstanding.)
    No reason to it, but nothing otherwise.
    No light to see. Mind finds no mind.
    Thought cannot find it. Cannot word it.
    No theory, nothing noble.
    There is just
    (not with strength)
    this persistent
    (not with standing)
    irreducible
    (on he walks)
    claim.
    (“I should have been happy.”)
    Notwithstanding.
    (“I was not.”)
    Last edited by Dullahan; February 18th, 2022 at 11:35 PM.
    かん
    ぎゅう
    じゅう
    とう

    Expresses the exceeding size of one's library.
    Books are extremely many, loaded on an oxcart the ox will sweat.
    At home piled to the ridgepole of the house, from this meaning.
    Read out as 「Ushi ni ase shi, munagi ni mitsu.」
    Source: 柳宗元「其為書,處則充棟宇,出則汗牛馬。」— Tang Dynasty


  2. #2
    マリーの味方
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    I like this. I cannot say I have the intelligence to understand fully what I read but I do think you put a lot of your soul into this.

  3. #3
    nicht mitmachen Dullahan's Avatar
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    Thank you.
    かん
    ぎゅう
    じゅう
    とう

    Expresses the exceeding size of one's library.
    Books are extremely many, loaded on an oxcart the ox will sweat.
    At home piled to the ridgepole of the house, from this meaning.
    Read out as 「Ushi ni ase shi, munagi ni mitsu.」
    Source: 柳宗元「其為書,處則充棟宇,出則汗牛馬。」— Tang Dynasty


  4. #4
    闇色の六王権 The Dark Six SpoonyViking's Avatar
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    This is really good! I'm in awe of the artistry.

  5. #5
    nicht mitmachen Dullahan's Avatar
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    I have been asked [advised] by certain persons, who shall remain nameless, to clarify certain things about The Claim. However I don't want to. First because I am lazy and it was effort enough to kick the fucking thing out the door in a form I considered even semi-acceptable. Second because appending an 'explanation' to your own work looks a lot like cheating - like trying to pass a counterfeit bill. It provokes troubling questions, like: if you had something to say, why did you fail to say it in the thing itself? And questions of this form are legitimate. On the other hand, of course, I do consider The Claim a failure to say something - in some ways a contingent failure, contingent on the circumstances of production [skill issue detected, etc.], and in other ways a necessary failure in that it is trying to express something which really doesn't bear expression. What am I to do with that?

    What I will not do is "explain" "what" is "actually" "going on" in the story. This would be unwelcome, long-winded, and redundant. I offer instead a number of "keys" to interpreting The Claim which may be found more or less useful and/or productive.


    • The very long Bold text centre-aligned section is spoken by the Buddha. Entire paragraphs were outright stolen from his various discourses, and other scriptures - notably the Platform Sutra of the Sixth Patriarch - which I cannot be bothered to remember. It is an exposition of the vijñaptimātra [Consciousness-Only 唯識] theory professed by Yogācāra, which is one of the major divisions of Mahāyāna Buddhism, which is here thoroughly condensed and bastardised mainly in order to bring it in line with the doctrine of the 'origin' [起源] elaborated in Kara no Kyoukai. This bastardisation brings it closer to certain forms of transcendental idealism found in Western philosophy (to which, arguably, the Consciousness-Only theory is pretty close anyway) and specifically Schopenhauer's by way of his appropriation of the Kantian distinction of 'empirical' and 'intelligible character'. I don't want to expand on this here.
    • The Consciousness-Only school of Buddhist philosophy is meaningful to Type-Moon (aside from being used in the names of a few NPs in fate/grand order) primarily because this is where the term ālayavijñāna [阿頼耶識] comes from. What the Buddha refers to as 'originary mind' which is 'like unto a great storehouse' he is talking about the
      storehouse
      ālaya
      consciousness
      vijñāna.
    • What "takes place" in the story is, as directly stated, neither a dream nor a recollection. Araya, as I said in the introductory note, is dead. All this is completely literal. He has just died at the end of Paradox Spiral, as it happens. But what he is "seeing" is "real." It is in no sense fundamentally different from the "reality" he was seeing when he was alive. It is not incorrect to say that the "content" of this "experience" Araya is having is nothing other than "reality," simply expressed in a different way.
    • Araya and the Buddha are in agreement on the theory. Araya fully accepts the Consciousness-Only theory (with Nasu characteristics). This is the reason why, on the one hand, he affirms that "true wisdom" is "only within thyself" while, on the other hand, he spends all of his time searching for "true wisdom" by fucking around with other people's lives. It's not a contradiction. It makes perfect sense to say that "true wisdom" is out there to be found "in the world" just as much as it is "only within thyself" - provided that you affirm that "world" and "self" are both essentially the same thing. Namely, the self-determining articulation of karma.
    • Araya and the Buddha are in disagreement on the ethical valence they grant to the theory. The Buddha argues that, if the premises of [this particular highly stylised articulation of] Consciousness-Only idealism be accepted, the ethical value of so-called "reality", the so-called "world" and its "history", must evaluate to nil. Araya disagrees. We know he disagrees. That is his backstory, which he very patiently explains in Paradox Spiral. His entire project may be understood as an attempt to find what that value actually is. The Buddha maintains that this is a literally senseless project. The Buddha is, logically speaking, entirely correct.
    • "Notwithstanding."
    • The Buddha appears to Araya in much the same way he appears as Saver to Twice in EXTRA. Namely, he is there for Araya's salvation. Naturally. The Buddha saves; he doesn't do anything else. But if that be allowed, one question arises:
    • Is the Buddha being perfectly sincere when he "speaks" to Araya for the sake of the latter's salvation?
    • Your answer to this question determines everything else. Depending on whether you reply 'yes' or 'no' you will produce one of two, violently different, and in fact opposed, interpretations of Araya's character.
    • That's really all it does.
    かん
    ぎゅう
    じゅう
    とう

    Expresses the exceeding size of one's library.
    Books are extremely many, loaded on an oxcart the ox will sweat.
    At home piled to the ridgepole of the house, from this meaning.
    Read out as 「Ushi ni ase shi, munagi ni mitsu.」
    Source: 柳宗元「其為書,處則充棟宇,出則汗牛馬。」— Tang Dynasty


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