I was and am, sorry for any confusion, but he is the primary driving factor behind the creation of this story. I'm not sure how much of a say he has in the writing, but the basic concept is his for the most part.
I was and am, sorry for any confusion, but he is the primary driving factor behind the creation of this story. I'm not sure how much of a say he has in the writing, but the basic concept is his for the most part.
Originally Posted by Kirishima
I'm like 80% sure that came from an actual interview, so I think it is.
From what they said about the new class system, we have to do some tasks on the wiped blank earth and that's where the OCs will happen. Apparently the tab will be a transition to the map but with already available counterparts free quests for class system, but each trial will have to wait half a year and they will happen on some sub maps. In general, this is one chapter, which was divided into 4 parts with a large interval.
It looks like secretly a tsukihime collab kek
Your not a TYPE MOON fan if you don't even own a TM Merch or haven't fapped to a TM character.
I used to think the other writers were just generally not as good as Nasu (and that probably is the case), but I wonder if some of the earlier singularities/Lostbelts would've been stronger if they went a little crazier with it. Nasu is certainly willing to bend the lore around whatever would be interesting with his stories, and he doesn't seem bothered when other writers do the same as long as he can supervise it.
I've gotten a similar feeling doing fan servants sometimes. It feels very arrogant to give a servant crazy powerlevels or wild exceptions to the "rules" of TM. Like, who am I to make sweeping additions to the lore? Yet, that seems like the best way to write Fate!
It reminds me a lot of the Persona series from Atlus. When the original crew left after 2, the new staff from 3 onwards have treated everything* from 1 & 2 like the plague and refused to use them in anything original. With only the updated ports being the only time we've seen those characters since their debut. I never really understood it to be honest, even if it is a supposed cultural thing.
* With the sole exception of Igor, but prior to 3 he had all the "character" of a shopkeeper NPC to put it mildly.
"Here's a bangin lil' tune about takin' on The Man!"
(Check out my Super Special Awesome Servant Compendium here)
In this case I don't really think it's a cultural thing so much as it is P1 and P2 not being something that Atlus can make easy nostalgia bucks off of. At least the characters still get featured in merchandise...
Isn't Sakurai like, Nasu's #2 writer? Surprised to see someone describe her as ourside Nasu's circle.
Not part of TM and only came into the picture quite late all things considered (2013). Before F/GO, Sakurai had only done Protofrags.
Nasu's #2 writer is Meteo (yes, this isn't a joke), since they've basically worked together on all of the main-line TM releases (and CCC) since Hollow Ataraxia.
Huh. Learn something new every day.
Meanwhile, OKSG is there since Tsukihime (old) and took over Nasu's main FGO supervisor status while Nasu was writting Tsukihime (new).
I didn't know Meteo had anything to his name in TM besides Fire Girl and Requiem, damn. I'd definitely have said Sakurai too if I had to point out a #2, she always seems to Collab with him and help in different projects.
Well, only after having to be convinced to do some writing for the first time since Starlit Marmalade, but sure.
You Nakigo fans can't help yourselves, huh?!
Things Meteo is credited for since joining TM (italics are not Nasuverse but sold under the Type-Moon brand because Meteo wrote it):
- Writing an undisclosed amount of Hollow Ataraxia scenes. (2005)
- Managing communication between Nasu and the Hollow Ataraxia guest writers. (2005)
- Writing the canceled Girl's Work VN. (2008)
- Creating Astolfo, Fran, and David for the canceled Fate/Apocrypha MMO. (2010)
- Writing the canceled Girl's Work anime. (2010)
- Writing Shigatsu no Majo no Heya. (2011)
- Writing Fire Girl. (2012-2016)
- Writing Jinako's chapter in CCC and possibly also Jinako's dialogue wherever else she appears (2013)
- Writing Honoka's part in Type-Moon April Fool's 2013 (2013)
- Writing Zvezda. (2014)
- Writing an undisclosed amount of FGO main story chapters and events (2017+)
- Writing Fate/Requiem. (2018, 2020)
He also contributed a bunch to Alice in Mahoyo, apparently. I guess April's Witch made him the fairytale guy.
Oh, and Nasu revealed some of the scenes Meteo did for Hollow in its material book. Saber football is one, and least surprising of all... the play the main characters enact at the temple is by him. Apparently it was originally far longer.
April Witch is in the Nasuverse setting?
Probably not. I didn't mean it in that way.
Last edited by Petrikow; March 28th, 2023 at 05:17 PM.
Not confirmed or denied. After I finish Mahoyo, I'll read it again trying to interpret it as "April is Yumina" and see how well that holds up.
Ok, located Meteo's comment the Mahayo pamphlet explaining his contributions to the game:
Mahoyo has an obscene amount of food CGs and they're all traced from photos of real food. Meteo's job was to cook all that for the photos.
Look, just accept that in the eyes of some, all good stuff comes from Nasu and all the bad are from someone else
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