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Thread: Create-a-Servant 4

  1. #521
    フサナンヨウスギ pinetree's Avatar
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    Quote Originally Posted by Fourne View Post
    Wait, no one has made a Henry Kissinger sheet before right
    Hopefully that will continue to be the case, hard to imagine something we need less than a Kissinger sheet.

  2. #522
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    Lancer of the Sage’s Journey


    Base Info

    Class: Lancer

    Other Classes: Binder
    True Name: Ruyi Jingu Bang
    Alignment: Chaotic Neutral
    Source: Sacred Mountains of China
    Attribute: Heaven


    Parameters

    Strength: B
    Endurance: A++
    Agility: B
    Mana: C+
    Luck: C
    NP: EX




    Height: 610 cm
    Weight: 7,960 kg
    Likes: Thrillers, Being Praised
    Dislikes: Solitude
    Talent: Imitation, Sleight of hand
    Natural Enemy: Goddess Rhongomyniad
    Attribute: Heaven
    Traits: Humanoid, Immune to Pigify, Levitating Servant, Non-Honinidae Servant, Servant, Seven Knights Servant, Weak to Enuma Elish
    Armament: Herself
    Catalyst: Any artifacts related to Sun Wukong, a peach of immortality, something from the deepest depths of the Chinese rivers and seas, artifacts from the Sea King’s treasury and so on.

    Skill

    Class Skills

    Magic Resistance: B
    A grand instrument used for many great deeds. One would think that would warrant a higher rank in this skill, but having diverged from being a simple measuring tool of the gods has caused this skill to manifest at merely B rank.

    “It’d be boring if all magic just bounced off me, so sticking to this rank suits me. I can go even lower if I want a challenge of course!”

    Personal Skills

    Independent Manifestation: C+

    Independent Manifestation is a special Skill that permits unsupported manifestation into reality, without necessity of energy cost or of summoning by a Master; effectively, the Skill serves as an enhanced version of Independent Action. This skill signifies a confirmed existence. Those with this skill have resistance to instant death and time-control attacks. While normally a class skill of the Beast Class, Lancer has acquired this skill via her nature as a texture lynchpin and through her connection with several divinities.

    Lancer excels at serving as a conceptual anchor for magical purposes, for which they receive a plus correction, however this does not reflect increased magical energy generation and actions such repeated successive NP usage require external support to cover the costs.


    “Sure I can go it alone, but having a friend to travel with is so much better, don’t you think? At least I don't have to worry about anyone cheating with any stupid gimmicks like time travel anymore. “


    Master of Form: B+

    An enhanced variant of the shapeshift skill that reflects an absoluteness of control over one’s body.

    Any influence that may forcibly alter Lancer’s shape without her permission can be rejected automatically. Standing firm against the sands of time, the consumption of calories or external transformation magic of insufficient strength, all will be denied if she wills it.

    With such control over her form, Lancer has incredibly formidable transformation abilities. Capable of taking the form of myriad creatures and objects, from giant demons, fierce beasts, a barber's razor, and even a drill. Their transformation ability is primarily limited by the combined imaginations of her and her partner. New traits and abilities may be acquired depending on the form taken but those unrelated to the physical form are more difficult to reproduce. Lancer has excellent aptitudes for both size alteration and transformation into tools, where it was said they could grow or shrink without limit.

    “Partner mastered the 72 Earthly transformations and that crazy monkey really put that power to use, I have a similar trick. He might have preferred to copy different creatures but I feel more at home copying tools and weapons. It just feels more right, you know? Well, it doesn’t matter what you want me to turn into, I’ll be the best amongst the best regardless!”


    Divine Protection from the Furthest Ends (Abyss): EX

    Their nature is that of a shadow of a tower that pins down the texture of mankind. This skill is similar but distinct from the one possessed by the tower of light on the horizon. They were said to have measured to the lowest watery depths and fixed the floor of the abyssal waters. The true extent of this skill’s blessings remains a mystery that Lancer keeps to herself but when she invokes this skill, it increases her magical energy parameter and sharply increases her endurance parameter.

    “Standing in the ocean floor is pretty hard you know! You gotta be really durable to handle it, so the durability boost is appreciated at least. The mana control buff is a nice side bonus too! What did I see there? It’s a secret ! ~ ☆”

    Duplication (Shadow): B

    A capacity to create more of themselves. This skill derives from their nature as a shadow of a greater pillar, the lynchpin that bound the ocean floor. Lancer in turn can create their own shadows, replicas of themselves that retain most of their abilities albeit at a lower rank and with less overall durability. The greater magical energy and effort expended allow higher quality replicas and more replicas to be generated. If supplied by an average magus they may generate up to four shadows to assist themselves, however, this number can change depending on the amount of magical energy available, and the contractor's strength.

    “Don’t need to worry about finding me a weapon. Sure I can shapeshift myself, but having a shadow to wield is really handy. I can even lend you a shadow if you’re feeling up to a spar!”

    Vessel of Authority: B-

    A divine construct, a tool of the gods, and the only weapon that the Great Sage Equal to Heaven found worthy to stay by their side. Already a terminal for the Authority and powers of the Pillar that Binds the Abyssal Waters, it was in the hands of the gods that it was discovered Lancer could serve as a terminal for their own abilities as well. As such Lancer’s saint graph has been strengthened so that it can bear the burden of a God’s full might, channeled through themselves as the medium. One can see it as being akin to both spiritual invocation and sympathetic magecraft, in that Lancer establishes a link between herself and her partner to both imitate and harness their partner’s abilities. The synergy of Lancer’s innate powers, her imitation and the powers channeled through her allow both to reach greater heights together.

    While it is innately geared towards divinity, this skill may form connections that allow limited imitation of abilities from other spiritual entities, such as fellow servants, phantasmal species or magi she encounters, with the copied abilities suffering at two rank downs compared to the original without additional support from the linked partner.

    “You really think you’re worthy of establishing such a link? You must have something really special if you want me to try it! Wait you want to me to establish it with another servant? How many have you summoned, you cheater!?”


    Noble Phantasm



    Name: Ruyi Jingu Bang
    Title: The Stamper of Divine Will
    Rank: B-
    Type: Anti-Unit
    Description: A fragment of the authority that defines their purpose. To give form to what is vague. A collapse of potential into a certainty. To grant it a form is to deny it all others. To grant it limits and definition. But raw primordial chaos is a rare phenomenon to encounter in the modern day. So instead Lancer uses it to restrict and bind her targets. Freezing the air by making its position definite, to seal or weaken abilities. This Noble Phantasm manifests as a binding touch that allows her to fix or seal a target that she strikes while it is invoked.

    This ability is unstable unless linked with a sufficiently powerful divinity via the “Vessel of Authority” skill so sufficient luck or magical energy parameters will reduce the levels of impairment caused by successful strikes from this Noble Phantasm.

    “I know this is my main function, but isn’t it kind of lame? Who wants to keep on weakening their opponents to win their fights?”

    Name: Ruyi Jingu Bang
    Title: Go Further Beyond, Celestial Record Maker
    Rank: EX
    Type: Conceptual
    Description: She carries the capacity to define and limit. But her treasured Partner, Sun Wukong, inspired a different path. To go beyond and grasp for ever distant dreams, enjoying the journey along the way.

    And thus, in memory of her journeys, she had learned to reverse her function, and to remove limitations, remove restrictions, and become free and unchained.

    Rather than the granting of new abilities, it is the ability to control the magnitude of the abilities that are already present, modulating the rank and effectiveness of those already possessed by the target. Records can be broken, obstacles can be overcome, and barriers pierced.

    It does not grant abilities ex nihilo, as a price must still be paid. Magical energy or damage to one’s own saint graph will be paid in compensation, still, if one has enough to pay the cost, the line between possibility and impossibility is effectively erased.

    A side effect of this NP is that effects akin to Pioneer of the Stars EX and Luck EX are granted to Lancer when it is active.


    "Now this is what I'm talking about. Do the Impossible, See the Invisible, Touch the Untouchable, Break the Unbreakable. Go all out. Plus Ultra!"

    Lore

    History:

    A Pillar of Creation formed by the gods, encompassing and embodying the distant abyss of the deepest waters as its basis. It was engraved with a functionality, an authority to “give form to what is vague”, a tool to establish order in the chaos of the ancient world. Like many a divine construct, it was in essence alive, for its creation was akin to making a new divinity, but it merely fulfilled it’s purpose and observed silently.

    While the tower itself remained at the edge of creation, hidden under the ocean waves, the gods had often called upon terminals to utilize a portion of the Pillar’s strength. Sometime these Shadows were dismissed rapidly, but other times they were allowed to persist, and through that persistence they changed hands or passed on deliberately.

    Yu the Great had used a Shadow to measure the depths during a Great Flood.
    Bhuddhist Saint Mulian was thought to have used one to open the underworld gates.
    The immortal Xu Xun used one to cleanse the land of raging flood dragons.

    These records of use reached the true Pillar, akin to how a Heroic Spirit receives records of their summonings. These records accumulated and caused little change, but they would provide a foundation to build upon by the Pillar’s next user.

    Sun Wukong, the Ninefold Immortal, The Monkey King, The Great Sage Equal to Heaven. But before they had fully earned all those titles, at the beginning of his legend, he sought out a weapon. And in the Vault of the Dragon King of Eastern Sea, in the Underwater Kingdom of Ao Guong, he searched through his treasury, and was only satisfied with one weapon after trying countless others. Lancer, Ruyi Jingu Bang, was the only one that met his standards. A shadow of the pillar that was granted to the Dragon King for safekeeping, and hidden away in disuse for far too long. The pillar resonated with Sun Wukong, for the nascent divinity within him was recognized, and the desire to form a link appeared, much to the surprise of the pillar itself.

    The adventures they had together were numerous, and the effects on Lancer were profound. They were made to bombard an army with thousands of copies of themselves, they had extended far beyond what they were asked of prior. They had been made to take the form of living creatures, of great stature and might. They had become many tools on several occasions, from drills to barber razors, and so much more. The records within her contain many grand and often contradictory tales. But through these records, she was made into something greater than just an observant tool. It turned these stored observations into something greater, a being with a will, and who could cry, laugh, get angry and rejoice at the experiences they went through.

    But as the age of the gods ended, and even her treasured partner retreated away from the world of man, her role as a lynchpin made it so part of her would always remain behind. Boredom game, sadness, regret, and a myriad of emotions crept in, which led to a choice. Much like an elemental or certain divinities, she decided to engrave a shadow onto the Throne of Heroes, separate from the instances of her attached to the Monkey King. She allowed herself to manifest as a Servant, for the search for more and even greater adventure.

    Will you provide her with an entertaining Journey?


    Wish for the Holy Grail: The grail cannot directly grant her wish, for she wishes to go on another adventure, to have fierce battles, and to have more journeys that she would never forget. To that effect she answers the call of the grail and other summonings to facilitate such experiences.

    Relationships:

    Gray
    “Heya cuz, still hiding behind shadows instead of going out yourself? No I’m not talking to you, I’m talking to the Lance.”

    Sanzang

    “You know how Partner is, he wanted to check up on you so he had me send a shadow to you. What? Of course I’ve been reading the scriptures. Hey! Don’t pinch my ear like that! Okay, okay, I’ll recite some sutras with you in a bit!”

    runs away

    Ergo

    “Hey, you seem familiar. Are you related to Partner by any chance? Nah, no way Partner would have anything to do with you.”

    Enkidu

    “I heard about you! You’re that delinquent divine construct that rebelled against the Sumerian gods! We have to go drinking sometime, there’s a lot we should talk about."

    Gilgamesh

    “No. I am not getting into your vault. There’s no way any version of me would be content sitting in your pile of junk you damn hoarder!”

    Lancelot, Richard III, Mandricardo

    “No touching! Hey, this is harassment!”

    Goddess Rhongomyniad aka The Lion King

    “To twist your partner so much? I also want to help my contractors shape up, but this? This is an affront to my way of life! Let’s throw down! Right here, Right Now!”

    Sun Wukong

    “Heya Partner, I see I’m already by your side. Well, another “Me”. I have to admit I want to rest in your hands once more, but it seems yours are already full. Take good care of the other “me” Partner, I can tell she’s in good hands.”


    “-Wait why are you using your duplication technique? You want to handle both of us? Really after I said all that? You Stupid Monkey!”


    Sources
    Ruyi Jingu Bang art:

    https://www.giantbomb.com/a/uploads/original/0/238/777197-sonson.jpg


    https://cdn.shopify.com/s/files/1/0792/1955/6626/files/20240904115528.png?v=1725422309

    https://eastern-aesthetics.com/products/ruyi-jingu-bang


    Ruyi Jingu Bang Sources:

    https://en.wikipedia.org/wiki/Ruyi_Jingu_Bang

    https://en.m.wikipedia.org/wiki/Ruyi_(scepter)

    https://journey-to-the-west-xiyouji.fandom.com/wiki/Ruyi_Jingu_Bang

    https://journeytothewestresearch.com/2022/01/29/the-monkey-kings-magic-staff-a-complete-guide/

    https://journeytothewestresearch.com/2021/02/06/the-magic-powers-of-the-monkey-kings-iron-staff/?amp=1

  3. #523
    夜魔 Nightmare Salt Pillar's Avatar
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    Quote Originally Posted by pinetree View Post
    Hopefully that will continue to be the case, hard to imagine something we need less than a Kissinger sheet.
    Anne Frank Alter is a strong contender actually
    Quote Originally Posted by Random View Post
    For a moment I had a flash of inspiration about a NP that mixes and matches the attributes of its targets... Unfortunately, Barbara Walker is alive...

  4. #524
    アルテミット・ワン Ultimate One RoydGolden's Avatar
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    Quote Originally Posted by pinetree View Post
    Hopefully that will continue to be the case, hard to imagine something we need less than a Kissinger sheet.
    I do recall reading a Kissinger fansheet once that made him a Foreigner with Hastur.

  5. #525
    フサナンヨウスギ pinetree's Avatar
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    Gross

  6. #526
    Re: Kissinger - Aside from him being too recent, he's sorta...one-note? He was a greedy man who maximized the suffering of innocents, I'm sure you could name a dozen historical figures who're both the same and more interesting to be made into Servants. Sure, the breadth and depth of his actions is great, but as with most sheets for Hitler, it's just nothing suitable for polite company.

  7. #527
    死者 Corpse Fourne's Avatar
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    Fair points, back to Hel and Mary Shelley it is.

  8. #528
    Wyrd oft nereð unfǽgne eorl, þonne his ellen déah... Skull's Avatar
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    Speaking of things we don't need to see, I am back and a hundred per cent more blasphemous. I would have posted this yesterday but the death of the Pope made it feel a little in poor taste so I held off for as long as I could contain it.

    ----

    Assassin

    Wealth, prestige and freedom - all for the cost of a friend's life. Yet for what profit is it to a man, if he gains the world, but loses his soul?



    True Name: Judas Iscariot
    Epithet: “The Man from Kerioth
    Region: The Levant (1st Century A.D)
    Alignment: True Neutral
    Likes: Friends, Money
    Dislikes: Alienation, Guilt
    Talents: Economics, Fiddling
    Natural Enemy: Jesus Christ

    Parameters
    STR: (E) END: (E) AGI: (D) MGI: (D) LCK: (E) NP: (E)

    Character
    Assassin takes the form of Judas Iscariot, the black sheep of the Twelve Apostles who betrayed Jesus Christ to the Roman Empire and thus was the instigator of the infamous Crucifixion.

    Judas is a demure man, not so much that he’s trying to be deliberately stoic but rather he has the air about him of someone who is constantly unsure and thinking about his next action. According to the Syriac Gospel, Judas was especially prone to attacks of demonic possession as a child which turned him feral and caused him to go around attacking people. This persisted until he met a young Jesus and after trying to bite him, coming into contact with Christ forced the demons out. This left a strong impression on the young Judas who decided to follow the young man and Jesus in turn chose to make him one of his Apostles as a way of trying to save the boy from further attacks from demons. However, despite his friendship with Christ, Judas could never truly embrace his teachings and so his heart was still ruled by an attachment to the material world and so this opened him up to pressure from others as he feared losing what little he had built and this allowed him to give into the temptation of selling out Christ to the Roman Empire rather than having the entire group be imprisoned. Although he tried to do it covertly, his verbal tic of referring to Jesus as “Rabbi” rather than “Kyrios” like the other Apostles was what revealed him publicly as the traitor.

    Now incarnated as a Servant, Judas has plenty of time to reflect on his life and his actions. He wonders why he in particular was so frequently the victim of demonic possession and why if Jesus knew that he was going to be betrayed did he not do something to stop it. He sourly contemplates the concepts of evil and whether his actions were worthless as they were merely predestined in a greater cosmological battle between the forces of light and darkness. As he lets these intrusive thoughts dominate, Judas spirals into a dark depression as he comes to the conclusion that he is beyond redemption. This deteriorates whatever value Judas might have had as a Servant as he is loath to fight for the Holy Grail and so he won’t even bother fighting the other Servants and will mostly just mechanically replicate his actions as a former Apostle and will go around offering his help to people in trouble.

    His Wish upon the Grail? He doesn’t have one. This isn’t him being humble or being melancholic about his chances of winning - he doesn’t actually remember when or why he agreed to be summoned in the first place. If pressed for an answer, he will simply mumble something about changing Christ’s mind about accepting him as an Apostle. But something seems to be weighing on his mind now after being asked that question…


    Skills

    Class Skills

    Divinity - (E)
    The measure of whether one has Divine Spirit aptitude or not. At high levels, one is treated as a mixed race of a Divine Spirit - a demi-god. This Skill has an effect which reduces special defensive values called "purge defense" in proportion to the Divinity's Rank. It can break through Skills such as Protection of the Faith and Enlightenment of the Sacred Fig. Whilst he was one of the Twelve Apostles, Christ shared his divine power amongst his followers and Judas was no exception. However, following his betrayal and subsequent replacement within the Apostles by Matthias, this Skill has suffered greatly - as evidenced by Judas’ black halo within many religious art.

    Presence Concealment - (E)
    The capacity for a Servant to hide one's presence and become undetectable by the five senses in order to perform both reconnaissance and stealth attacks - it is the standard issue Class Skill of Assassin Servants. For Judas who never directly had to take a life except his own, he has no real aptitude for this Skill and so only has it at the bottom available Rank. In practice, this ultimately amounts to a perception filter where you might not notice or at least remember the face of a stranger who passes you by on the street.

    Personal Skills

    Laying on of Hands - (D)
    The divine power to heal others through physical contact, also known as “Chirotony” within the Holy Church. After the Commissioning of the Twelve Apostles, Jesus Christ bestowed upon them part of his miracles, allowing them to cure every sickness and to cast out unclean spirits. Through intense concentration, Judas can practice a much weaker form of the technique through a placebo effect where he is subconsciously using Thaumaturgy in order to make up for his lost connection to Christ. Whilst given enough time, he can remove minor Status Ailments from other people by blessing them with his hands, Judas is very frustrated by the fact that he cannot exorcise evil spirits from possessing people and sees that as proof of the evil lurking within himself.

    Prisoner of Gehenna - (C)
    The cursed state of one who was sacrificed in the infernal valley. In the midst of his despair, Judas sought to take his own life and seek divine punishment. To that end he descended into the valley of Gehenna and cast his soul into the Lake of Fire. This Eternal Damnation still grips Judas’ Saint Graph and so when his negative emotions flare up, a Luck Roll is performed and if he fails, infernal flames will erupt from Judas’ body. Unfortunately he cannot control this power and so it will likely turn into a wildfire and burn everything indiscriminately around him unless Judas can get his emotions under control. As Gehenna is where the wicked are sent to undergo “Second Death” - that is the annihilation of the Soul, these flames are especially effective against spiritual beings such as Heroic Spirits.

    Shapeshifting - (E)
    An ability which can refer to either mimicking another’s appearance or otherwise transmutation of the body for varying purposes. In the apocryphal Gospel of Barnabas, it was claimed that Judas was the one crucified on the Cross and not Christ, his face having been divinely transformed into that of Jesus’ as punishment so that he was arrested and executed by the Romans instead. Regardless of the truth, the story has some lingering effects on Judas who now has a very malleable face and by stretching and contorting it in hideous ways, is able to reform it into an identical copy of whomever he has seen. However, this Skill is restricted solely to the head, and thus it has limited application if Judas has a completely different body type to the target. Nevertheless it can still have uses such as complimenting Judas’ Presence Concealment Class Skill.


    Noble Phantasm

    Akeldama

    Dirty Deeds Done Dirt Cheap

    [Type: Anti-Unit], [Rank: E], [Maximum Range: 0], [Maximum Number of Targets: 1]

    Much to Judas’ consternation, the crystallisation of his legend can only be the “Field of Blood” - Akeldama that he bought with the Thirty Pieces of Silver that he gained for betraying Christ to the Roman Empire, where he chose to end his life.

    In its neutral state, Akeldama remains dormant as the cursed coins in a nondescript bag. They do absolutely nothing unless Judas is able to get someone else to accept and take them - they don’t have to understand what the coins are and they can even be hidden within other objects for example. Once all the coins have been exchanged, the Noble Phantasm activates and blood red fauna starts to unnaturally sprout up all around the pair, with a black tree erecting next to Judas, a noose dangling from one of its branches. Having given into despair once again, Judas proceeds to reenact his suicide and as the rope tightens around his neck, the victim who accepted the blood money will find themselves suffocating as the damage done to Judas is reflected onto them like the popular Hollywood Voodoo Doll. As Judas dies, he attempts to drag the victim down to Hell with him.

    This Noble Phantasm is most effective when used as an ambush by people who don’t have a way to fight back. Naturally this means that as an Assassin Class Servant, it should be perfect for safely eliminating an enemy Master at the cost of the weakest Servant, and therefore forcing the opposing Servant to either accept a new contract or fade away. But Judas’ stubborn morals means he is much more likely to try and use it against a Servant who is already dead which is almost guaranteed to fail as it’s not that difficult for an average Servant to fatally wound Judas with the seconds they have before Akeldama starts doing serious damage to them.

    As the pitiable Judas has his body constricted by the rope, he laments he even tried to make a difference and his torso begins to contort and rip open, causing his entrails to lurch out like a snake and something appears to be emerging from deep within Judas...

    Something's not right here...
    -----

    Assassin

    “Understand that there is no point in your worthless lives. Cry, that there is no answer! Where there is light, there are always shadows. I know this because I, myself, am all of you humans!"



    True Name: Satan
    AKA: Samael, Belial
    Epithet: “The Prince of Darkness
    Region: Unknown (Unknown)
    Alignment: Chaotic Evil
    Likes: Fungi, Rebellion
    Dislikes: Humans, Virtue
    Talents: Deception, Wrestling
    Natural Enemy: Jesus Christ

    Parameters
    STR: (B) END: (A) AGI: (B) MGI: (A) LCK: (C) NP: (A)


    Character
    Assassin’s true form - as far as it can be argued to even have one, is that of Samael (“Venom of God”), the twelve winged Seraph who governed the Fifth Heaven and who acted as the Destroying Angel that delivered Divine Punishment unto the enemies of God. However, he took his role as the prosecutor of Yetzer Hara (“Evil Inclination”) in humans too seriously and as a result he was cast out of Heaven for repeatedly overstepping the mark. With the advent of Christianity, he became primarily known instead by his Hebrew title of Śāṭān (“Accuser”) and as Satan he was cast as the Devil and the ruler of Hell who commanded legions of demons in opposition to God. Whilst he had no problem manifesting on Earth prior to Christ’s birth, the encroaching Age of Man meant that Satan increasingly had to make use of agents through demonic possession in order to achieve his aims - most famously when he entered the body of Judas Iscariot to influence him to betray Jesus Christ and is why he can cheat himself out as a Heroic Spirit by using Judas as a vector.

    To explain Satan’s character, one must understand his origins. If a mere human was able to become the Metatron, it should come as no surprise that the Almighty God was able to transform an abstract concept in the Yetzer Hara into a member of the Heavenly Host. Thus Satan has a complicated relationship with humans as he was created to persecute the evils of humanity, but he himself was born of humanity’s cognition of Evil which whilst part of the concept of Divine Retribution where sinners are punished by their own sins, yet it creates a contradiction within Satan’s heart that led to hatred of humans and ultimately to his own self-loathing. This is the source of his acting above his station and his subsequent fall from grace. Thus we fast forward to the life of Jesus Christ, where after spending 40 days and nights of fasting in the Judaean Desert, Satan appears before Christ in order to tempt him. Satan refused to believe that a human free of evil desires - free of him, could exist even if he was the Son of God and so he tried every trick to make Christ fall, but to his horror he found that the young man had transcended sin. Whilst he admitted defeated, Satan still plotted in order to spite Christ and show him that humanity as a whole was still destined for destruction and so he crept into the darkness within Judas’ heart and tempted him into betraying Christ to the authorities in order to stop the teachings of Christianity from uplifting humanity to a higher state of enlightenment. Even now in the Age of Man he lingers here, there and everywhere, like a shadow on the sun for as long as humans continue to exist, so will he. As an aside, since he is a cognitive being rather than a corporeal one, Satan does not have an attachment to any particular form and will appear in whatever guise best suits his purposes. It is likely that one again Satan has manifested in the form of a woman in response to the sinful desires of a nearby human - in this case Judas’ Master.

    In a Grail War, Satan is the complete opposite of Judas as he is confident and very capable in defeating his enemies, to the point where he won’t even go all out in his first encounter with each Servant, sparring them in order to humiliate them later when they think they have a chance. The syncretization with the Angel of Death has meant that instead of a sword, Satan manifested with an ominous black scythe. Whilst intimidating, it is not ideal as a weapon and so reflecting on his encounter with Jacob, Satan will sheath it and favour using wrestling to combat any enemy Servants - which can come as a surprise to anyone underestimating his petite female body. Naturally as the Devil himself, Satan is weak to anti-Demonic attacks, but also due to his Noble Phantasm he has gained a vulnerability to anti-Dragonic attacks as well. As such, Satan will be keen to eliminate any such people who possess these attributes as quickly as possible. If by some miracle Judas’ Master outlived him, then the contract will nominally extend to Satan and he will humour the idea but really the Master is nothing but a pawn, a toy for his enjoyment that he will break if he gets too tired of them.

    His Wish upon the Grail? As the true person who agreed to be summoned instead of Judas, it is Satan who truly wishes to use the Holy Grail as a divine relic and bring forth chaos into the human world to defile it now that figures like Christ are no longer around to protect it.


    Skills


    Class Skills

    Presence Concealment - (A)
    The capacity for a Servant to hide one's presence and become undetectable by the five senses in order to perform both reconnaissance and stealth attacks - it is the standard issue Class Skill of Assassin Servants. “The greatest trick the devil ever pulled was convincing the world he didn't exist” - this quote by French poet Charles Baudelaire epitomises humanity’s nature to try and rationalise and dismiss unpleasant things. As Satan is the abstract darkness dwelling within every human being, he has no need of true stealth as he will not register as a proper presence within someone not actively looking for him. Instead he will be the monster lurking in the corner of your vision, the thing you daren’t turn to look at and will simply pretend isn’t there out of fear of confronting its existence.

    Personal Skills

    Angel of Death - (B)
    The status of one who embodies the personification of death within religion. Because of Samael’s role as Yahweh’s main Destroying Angel in Talmudic lore, Samael has been syncretised with the Angel of Death and Satan with the ruler of the Underworld Belial in later cultures. As a result, his Destruction Origin has evolved to incorporate an element of Death which has affected the way Satan’s main powers work. In the past Samael would simply flex his twelve wings which would molt feathers composed of venomous miasma that would erode all that they came into touch with, greedily devouring the humans and their strongholds that have sinned against God. Now deprived of his wings as a fallen angel, Satan swings his scythe and those who have been reaped by its blade will find themselves being conceptually erased as Satan brings about their “final end“. Their names will be gone from the Scroll of Fate, causing people to forget them and they will gradually fade out of existence even if they survived the physical attack. This tactic works especially well on Heroic Spirits who typically have ways of withstanding mortal wounds since it is an assault more on their very souls itself.

    Embodiment of Evil - (A)
    The power over the external and internal forces of evil. In Jewish thought the Sāṭān is not a corporeal being but rather an abstract one - the Yetzer Hara, or humankind’s cognitive inclination to do evil. This is the reason why Satan has such ease in tempting humans to stray from the path of virtue as he is those evil desires. Now incarnated as a Servant, Satan has a hypnotic aura surrounding him, not unlike a Glamour used by the Fae-kind, which makes his words irresistible to humans. As a passive effect, Satan can identify the wickedness lurking in a person's heart and can draw it out through verbal persuasion to bend the person into committing evil acts so long as it is within the boundaries of their character. By applying more brute force, Satan can brainwash a person into self-destructive acts at the risk of breaking their minds, such as becoming a human shield for him against enemy Servants. Whilst a decent amount of Magic Resistance will allow a Servant to resist any commands, this is a dangerous Skill for enemy Masters as should they encounter Satan, he can implant suicidal suggestions to eliminate his enemies without having to fight himself.

    Familiars [Demons] - (C)
    The construction and/or use of the magecraft technique known as Spirit Companion or more colloquially as Familiars. As the “Prince of Demons”, Satan naturally has access to countless ritual spells to summon them from the impure realm of Sitra Achra and bind them in order to carry out his will. However this being the Age of Man, Satan cannot bring forth too powerful entities such as his fellow Fallen Angels or the Nephilim and so has to make do with just the lesser malevolent spirits such as the Shedim which take the form of serpent like creatures of varying size and attributes. Since Satan has no need of assistance in combat, he will employ them more for reconnaissance and communication with others if need be. If by some miracle Satan still hasn’t killed his Master, he can leave some Familiars around to protect them if he finds them useful enough to keep around. As the prideful being he is, Satan will occasionally use his Familiars to establish dominance in redundant ways such as linking the snakes together to form a bridge to walk over a gap when he could have easily jumped with his superhuman body.


    Noble Phantasm


    Mal'ách Hamávet
    Kαὶ ἐβλήθη ὁ δράκων ὁ μέγας, ὁ ὄφις ὁ ἀρχαῖος, ὁ καλούμενος Διάβολος καὶ Ὁ Σατανᾶς

    [Type: Anti-Army], [Rank: A], [Maximum Range: 1000], [Maximum Number of Targets: 500]

    Naturally the human shape that Satan uses is only a vessel born of Judas’ flesh in order to walk around in the modern day without arousing any suspicion. Thus the Noble Phantasm belonging to such a demonic entity can only be the shedding of his human flesh and the revelation of his true eldritch appearance. In contrast to his once beautiful and radiant form of a seraph, Satan's status as a fallen angel has corrupted him and turned him into the Dragon as seen in the Book of Revelations - a gargantuan crimson draconic beast with seven heads and ten horns and seven crowns on its heads.

    In contrast to the prior spiritual attacks from Satan’s scythe, this dragonic form is meant purely for overwhelming physical force as a single weep of its tail can bring stars crashing down onto the Earth and its breath exhausts the fires of Hell itself to incinerate sinners without a trace. This Noble Phantasm virtually guarantees Satan to be the strongest Servant in any given Grail War and justifies the convoluted method he needs in order to be summoned through a sacrificial lamb. The only reason Satan does not lead with this is because it requires an enormous amount of magical energy to maintain - far more than even several Masters together can provide. Therefore he will bide his time and search for the local Leylines and absorb their energy until he has enough to transform. Once he has done so, he will wreak havoc and most likely will cause the remaining Servants to rally and try to defeat him. The one hope they have lies in Satan’s true form exposing his two greatest weaknesses - Holy light and anti-Dragon magic. Thus the combination of the two in such a form as a fully powered blast from Excalibur would be enough to destroy Satan’s body faster than he can regenerate.



    Relationships
    Artoria - “You thought it was a tragic fate that caused the Battle of Camlann? Fool! It was I, the serpent that crashed the treaty and ensured that Camelot would be destroyed.”

    Beowulf - “Impressive for a mere human to defeat one of my descendants in physical combat.”

    Ciel - “So sad that the Holy Church felt the need to make a cheap copy of the Divine Memitim ha ha!”

    David - “What a shame the Creator changed his mind at the last second, I was inches away from destroying Jerusalem for good if He hadn’t recalled me.”

    King Hassan - “Are you so eager to join me in Hell by engraving the name of the Zabaniyah on your souls?”

    Nero - “Tch, sadly your descendant Rabbi Meir did not turn out to be as easy to corrupt as you were.”

    Oda Nobunaga - “Do you think that calling yourself the ruler of the Sixth Heaven makes you superior to me? I’ll liberate your head from your neck for such folly!”

    Percival - “You must think you’re hot stuff for resisting Kundry, but I have my own ways to make sure you surrender the Spear of Destiny to me…”

    Romulus - “Show some respect, for am I not the Guardian of Rome, here to aid you?”

    Saint Georgios - “Hmph, it’s because of people like you that I have gained a weakness to Dragonslayers. I shall have to teach you a lesson~”

    Saint Martha - “Jacob may have matched me in wrestling, but you shalln’t be so lucky!”

    Siddhartha Gautama - “I don’t believe even the Buddha can truly free himself of the Yetzer Hara. Let’s see how much you can endure until I find the darkness in your heart!”

    Sigurd - “Ha, the runts transformed by the Evil Dragon Phenomenon are no match for the real deal. ”

    Voyager - “You are right to fear snakes and there is none greater and more terrible than I.”


    Creator's Notes
    Since it's the Year of the Snake, I couldn’t go without posting some kind of serpentine servant and so I went for the big bad himself. Perhaps a tad on the messy side as not only am I still learning the ropes of format manipulation, I am stitching together Samael and Satan for narrative purposes, which some would argue ought to remain distinct. Thus you have Jewish and Christian terms getting bandied about which can be a little jarring.

    For Judas, it should go without saying but his Noble Phantasm Akeldama is inspired partly by the Milagro Man and partly by Highway to Hell - both Stands from “Jojo’s Bizarre Adventure”.

    …The number of times that my left hand missed the first ”a” key and I ended up calling him “Stan” cannot be measured. :p

    The Faceclaim is Akane Sawatari from the anime adaptation of “Chainsaw Man”. The reason why she’s here is a leftover from an early prototype phase in which this sheet was a Faker/Pretender where Samael/Satan was disguised as Mordred instead. Aside from the connection to snakes, the other reason why I left her in was because being an anime girl creates a further stark contrast to the realistic and serious Biblical artwork of Judas which reinforces the idea of Satan being the true Servant and Judas is just the skinsuit whilst also serving as a narrative foil.


    Getting better at this formatting wizardry, no? As always, all comments and criticisms are duly welcome~
    "Here's a bangin lil' tune about takin' on The Man!"

    (Check out my Super Special Awesome Servant Compendium here)

  9. #529
    夜魔 Nightmare Salt Pillar's Avatar
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    I was literally about to jokingly comment "Wow Judas Iscariot? Where's the Yaldabaoth Saver collapse?"
    Quote Originally Posted by Random View Post
    For a moment I had a flash of inspiration about a NP that mixes and matches the attributes of its targets... Unfortunately, Barbara Walker is alive...

  10. #530
    Wyrd oft nereð unfǽgne eorl, þonne his ellen déah... Skull's Avatar
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    Quote Originally Posted by Salt Pillar View Post
    I was literally about to jokingly comment "Wow Judas Iscariot? Where's the Yaldabaoth Saver collapse?"
    You'll never see it coming. You'll see that my mind is too fast for eyes. You're done in. By the time it's hit you, your Last Surprise~

    "Here's a bangin lil' tune about takin' on The Man!"

    (Check out my Super Special Awesome Servant Compendium here)

  11. #531
    邪魔 Spanner Random's Avatar
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    Fate\last call
    night, dawn, and the birth of stars

                                                                                      ╘══════════════════╕
    Characters
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    Recent: 6.3

  12. #532
    Wyrd oft nereð unfǽgne eorl, þonne his ellen déah... Skull's Avatar
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    People may or may not have noticed, but I also had some hidden black text to indicate that this was merely phase 2 in my attempts to practice formatting (the first being Ferrers of course). The real mind-bender isn't even here yet, but it is slowing cooking on the stove. My true labour of love~
    "Here's a bangin lil' tune about takin' on The Man!"

    (Check out my Super Special Awesome Servant Compendium here)

  13. #533
    夜魔 Nightmare Salt Pillar's Avatar
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    Is the final collapse the reveal that Judas is actually Christ, because in the end the Judas we know is the one we hate and find as the most deplorable being in existence, therefor making him the ultimate scapegoat, ergo the Child of God who must be sacrificed for the salvation of the people?

    Is this Yaldabaoth??
    Quote Originally Posted by Random View Post
    For a moment I had a flash of inspiration about a NP that mixes and matches the attributes of its targets... Unfortunately, Barbara Walker is alive...

  14. #534
    Wyrd oft nereð unfǽgne eorl, þonne his ellen déah... Skull's Avatar
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    No? Did you read the entire sheet? There's only one Collapse tag. It's just one Servant hiding within another.

    The future project I was teasing in my last post is completely unrelated to this sheet, other than it will likely involve collapsing tags unless I think of an alternate way to do the reveal.
    "Here's a bangin lil' tune about takin' on The Man!"

    (Check out my Super Special Awesome Servant Compendium here)

  15. #535
    Judas?: The second faceclaim isn't showing up for me (maybe error on my end).
    Anyways, I like the serpent imagery and all, but honestly I kinda find the Judas part more interesting than the Satan part? Like, there are only so many ways to portray the Devil, and you've hit all of them (this is not a criticism). Whereas the Judas part is just a miserable man who robotically acts out the role of the Apostles and has forgotten his wish - I just think that has more narrative potential. idk

  16. #536
    Wyrd oft nereð unfǽgne eorl, þonne his ellen déah... Skull's Avatar
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    Quote Originally Posted by The Fair Tyrant View Post
    Judas?: The second faceclaim isn't showing up for me (maybe error on my end).
    Is this a problem for anyone else?
    "Here's a bangin lil' tune about takin' on The Man!"

    (Check out my Super Special Awesome Servant Compendium here)

  17. #537
    死徒二十七祖 The Twenty Seven Dead Apostle Ancestors Dark Squirrel's Avatar
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    Quote Originally Posted by Skull View Post
    Is this a problem for anyone else?
    If the second faceclaim is Akane, then no, all is well on my side, both on mobile and desktop.
    Petri's arbitrary limit
    Quote Originally Posted by tsugumi View Post
    write a really long story featuring "why my relationships with young girls are totally innocent"
    Quote Originally Posted by Nanaya View Post
    This is the real reason why we all come to BL btw.
    Quote Originally Posted by Shade696 View Post
    Thank you for coming to this failure of a post.
    Quote Originally Posted by Kirishima View Post
    Your gay awakening is far more interesting than any discussion on Beast's Lair the past few weeks
    Quote Originally Posted by Comun View Post
    It doesn't matter how easy it is to look up, you don't check things you're fully confident to know the answer.

  18. #538
    Huh, it seems to work for me now. Sorry to worry you.

  19. #539
    A False Shadow Morg van Destro's Avatar
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    Up front warning that there will be artistic depictions of boobage, as many famous pieces of art also portray. We here at Morg LLC do not condone the usage of boobs, but we do appreciate them. Also touching of a topic that may make others uncomfortable. Just a smidge.
    You have been forewarned.



    "Who am I?" you may ask me, but my name is but a fraction of what any of us are.
    Who am I?
    I am devout.

    I am talented.

    I am Divine.

    I am fierce.

    I am bold.

    I am matronly.

    I am victim.

    I am victor.

    I am what I am and what others may never know.

    I am all these, and so much more.
    So I will tell you my name, Master.

    Be sure to listen well.



    Class: Faker
    Other Classes: Caster
    True Name: Artemisia Gentileschi
    Alignment: Neutral Good
    Place of Origin: Italy
    Height: 190cm.
    Weight: 76kg.
    Likes: Children. Painting. Amazing people.
    Dislikes: Arrogance. Rapists. Critics.
    Natural Enemy:

    Parameters:
    STR: C
    END: D
    AGI: B
    MGI: C
    LCK: D
    NP: A


    Class Skills:
    Camouflage (B+):
    At this rank, it is possible to fool an opponent by appearing as another Class with different parameters. Is actually greater than she would normally qualify for due to Tassi’s Ring, not only raising it a rank but also inflicting a mental charm that makes people believe in what has been altered the more damage she takes.

    Item Creation (C)
    The Class Skill of Caster, Faker possesses this as Caster is her more natural class. Is able to produce any tools she might require as a painter, however, its rank has been reduced.

    Personal Skills:
    Soul of the Artist (A):
    A Skill personifying one of the most important aspects of any artist: bringing what they perceive in their minds into reality. Whether their art form is on the canvas, in the marble, formed from clay, across the page, forged in fire, or drawn on a wall, the action of “imprinting your reality on the world” is a natural part of the trade.

    This Skill can be described as the user’s ability to convey their art and impact the world around them. For Faker, it is what allows her to create items from her paintings and weaponize it for casting, but it has been granted an increased effect by her Noble Phantasm, allowing her to generate a higher tier of creation from her paintings. Were she summoned as a Caster, this would fall by one rank.

    Tassi’s Ring (B):
    During the trial, Faker’s testimony was deemed as inadmissible without both invasive examinations and torture to affirm her claims. This torture was “the sibille” which was to tie cords around the thumbs and progressively tighten them. For an artist, this was an extremely dangerous torture, as she had every chance of losing the ability to use them, as so many have from the torture. However, she endured it, reaffirming her claims and telling Tassi “This is the ring you give me, and these are the promises!”

    Manifesting as a pair of cords on each of her thumbs, this Skill is able to nullify mental effects and even gain something similar to Battle Continuation by the cords squeezing down in response. The pain offers both a clarity through disorientation and charms while override all other feelings of pain. As a side effect, it also is the reason Camouflage has a charm effect, the pain it inflicts make her more "believable" to others.

    Human Observation (B):
    Not only an amazing artist, but also a woman widely praised for just how natural and true to life her portrayals of men and women were. This was not simply artistic ability, but an inherent understanding of others born of observation and comprehension. Using this, she is able to discern facts about others and possibly predict their actions with enough observation.

    All Kinds of Inclinations (B+):
    A renamed All Kinds of Talents that allows her to gain Skills from practicing actions up to C or higher. This Skill is even able to take them from her Noble Phantasm, even obtaining burdens of the body like Divinity.

    Noble Phantasm
    https://i.pinimg.com/736x/40/78/8a/40788ae261f049972e4f502c1fc0d370.jpg
    La Pittura: Self-Portrait as the Allegory of Painting (A)
    Anti-Self

    From her very first painting, it was clear. Not simply that she was an astonishing artist. It was the subject of her paintings. From Susanna and the Elder to Susanna and the Elders, it would appear again and again and again. Her eyes were set on the women of history, yes, and she painted clear self-portraits, it’s true, but what can be seen by all was that she did not simply reveal the women. She became the women. Next to her self-portraits, she made herself into Catherine, into Danae, into Cleopatra, into Mary, into Jael, into Judith, into Lucretia, a Madonna, a nun, a martyr, into the personification of talent itself. It is inescapable, from her first painting to her last, that Faker did more than put her heart into her work. She would put herself into it.

    No more greater is this personified than in La Autoritratto in veste di Pittura, The Self-Portrait as Painting. Faker herself in the act of painting herself, transforming her own being into an allegory for the act of bringing art into the world.

    As Caster, this Noble Phantasm would be replaced with L'Allegoria dell'inclinazione, an Anti-Unit Noble Phantasm that acts in a similar manner to Grand Dictionnaire de Cuisine, affecting the individual rather than an object. Faker instead turns this ability inwards with La Pittura, her painting of herself as other people overlaying their own Saint Graph with her own. These abilities are all reduced by one rank, as is the same for the Noble Phantasms, but All Kinds of Inclinations allows her to hold onto any Skills she uses for long enough between personas, though Noble Phantasms are exempt from this.

    Her own Saint Graph is only able to withstand one at a time and may become damaged if she were to rapidly swap them. Likewise, she first needs to create the painting before she can imbibe a Saint Graph, which involves either having observed the figure, known of them, or studied them before she can create it. Though it may take some time, this Noble Phantasm has potential to turn her into a truly dangerous threat.

    Lore

    At seventeen years old, Artemisia’s painting career began. A few months later, the reason behind her first painting was revealed.

    The child of another painter, Artemisia was inspired by her father to take up the career herself, taking to it with enthusiasm and skill her father marveled at.her father marveled at.

    "This woman, as it pleased God, having trained her in the profession of painting in three years, has practiced so much that I can say that today there is no equal to her, having up to now created works that perhaps the principal masters of this profession do not reach her knowledge."

    Her earliest surviving painting, Susanna and the Elders, was made after her first year practicing the art, but it would take one more for the inspiration for it to be brought to life.

    Another artist named Agostino Tassi had been working with her father and visited their home several times with a friend. One day, when her father was away, the two men descended on her, Tassi raping her

    ”He locked the room and after locking it he threw me on the edge of the bed, putting one hand on my chest, he put a knee between my thighs so that I couldn't close them and lifting my clothes, which he had a great deal of trouble to lift, he put a hand with a handkerchief to my throat and mouth so that I wouldn't scream and the hands that he had been holding me before he left them with the other hand, having first put both knees between my legs and pointing his member to my nature he began to push and put it in. And I scratched his face and pulled out his hair and before he put it in I also gave him a squeeze to his member that I also took a piece of his flesh away.”

    while his friend ensured they would not be interrupted. She called out for her father’s assistant and tenant to help her, but they turned a blind eye to her ordeal.

    Afterward, he flattered her with promises of marriage to make up for his actions, and she continued the relationship with this belief. Her father ignored it, though she told him immediately after it occurred, until she discovered Tassi was already married. Only then, another year after the crime, that her father brought an accusation against Tassi for his crime.

    The trial was arduous and took most of the years before it was finally resolved. Artemisia herself was particularly subjected to gynecological examinations and torture to “ensure her claims”. Despite all of this and Tassi being convicted, the man never served his sentence. In fact, despite the guilty verdict, many still believed Tassi and saw Artemisia as a “lying slut”, of which they even wrote sonnets about.

    It was in this state of mind her father made a decision that could’ve gone wrong. Not two days later, she was married to another artist in order to “restore her honor”. She was fortunate that this worked out very well, because he took her out of Rome, away from her father and the people that talked behind her back, something she would deal with all her life.

    It was here in Florence that she truly flowered, not only creating some of her best works of art, but also gaining a long list of friends and clients, including Galileo. She grew as a painter and person, had five children, and really loved depicting Judith beheading Holofernes. Sadly, all but one of her children died within a year of their life, and he husband, who viewed their marriage as convenience, was accruing debt with an extravagant lifestyle he could not maintain. Add in her own affair a nobleman, and they soon moved back to Rome.

    It is unclear what happened in their relationship, as there is no further mention of him.

    While she lived well during this time thanks to the reputation she cultivated and the network she built much like in Florence, she never lived wealthily and never stopped dealing with detractors. She also moved around every few years, letters found documenting time in Venice, Naples, and London among others. It was in London, working in Charles I court, that she made one of her most evocative works in La Autoritratto come allegoria della Pittura which held a prized place in his collection.

    She would die six years later, leaving behind only her work and her daughter. Even as such an accomplished artist, there were still those who came to her funeral to ridicule the now dead painter. She was sent off with more sonnet as an epitaph, unwilling to let her leave without a final dig.

    Co'l dipinger la faccia a questo e a quello / Nel mondo m'acquistai merto infinito / Nel l'intagliar le corna a mio marito / Lasciai il pennello, e presi lo scalpello. / Gentil'esca de cori a chi vedermi / Poteva sempre fui nel cieco Mondo; / Hor, che tra questi marmi mi nascondo, / Sono fatta Gentil'esca de vermi.


    Personality

    Artemisia Gentileschi is a cheerful woman overflowing with confidence to the point of being a little arrogant. As someone who was always receiving criticism and derision, she’s become even bold in response, seeking to improve herself not to meet their standards, but until her ability is so great not even they can pretend not to be impressed. She is of the firm belief that, even as something like a Heroic Spirit, it is never too late to become better than the previous day.

    She is a lover of both people watching and socializing, making herself known and part of most gatherings with a smile on her face. She also has great passion for painting other Servants, not for her own Noble Phantasm, but to capture them in their own triumphant moments from their lives or the ones they have in present day. She is willing to take anyone’s commission and will often be seen spending her time sitting at the canvas. She still has a particular liking towards painting the women of Chaldea, even without being asked, but she will do it for anyone. She also has a habit of remaking them later, either from a new perspective or a dissatisfaction with how the original turned out.

    Strangely, she seems to have no issue working with some of the worst people that come into Chaldea. Oh, she doesn’t choose to spend time with them or like them, but for her, it’s more a tired acceptance that “people like that will always exist”. She doesn’t have to enjoy it, but she knows that there are more important things than the monster standing next to her. Having met plenty over her life, tolerance is just her first instinct.

    The most important thing to her though is her own agency in dealing with them. She may have no control over them, but what she can control is how she reacts and deals with them. Channeling herself through her brush has always been a mainstay but being able to act in ways she never was back in her own time has only made her actions fiercer. If there is a problem that can’t be tolerated, she is one of the first to resolve it. Finally being able to take action for everything she had to deal with in her life is quite liberating, and options once locked to her have been thrown open.

    Finally, she can be all she knew she was.


    Relationships

    Cleopatra: Her beauty was just another tool for her mind to use. It may be time for me to update her portrait.

    Salome: As in death as life, she carries around his head like a trophy. This twisted possessiveness will make for quite the showing.

    David: After so much for Bathsheba, you can speak of nothing but Abishag. How the heart changes with time.

    Mary Magdalene: Unashamed and unafraid. Even in the throws of ecstasy or well of sadness, she remains stunning, does she not?

    Jael: My dear, don’t reduce yourself so greatly! No mere plot device can act with such decisiveness and emotion! You are both hammer and nail! Say it proudly!

    Esther: Looks like I’m going to need to make a sequel! There’s a whole part of you I simply must portray!

    Delilah: To think you were a puppet the whole time. I really need to go over that portrait again.

    Marie Tussaud: So many mask we wear between us. The only difference is that mine are still me. You should really commit to who you are.

    Rosa Bonheur: Ah, Rosa! Wonderful timing! Here, come look at this. I’ve been working hard on the portrait, but another firsthand account would help it, I feel.

    John Martin: Even the end of the world needs an artist to capture it in all its magnificence. Were only there where my own affinities lay.

    Edvard Munch-Radhika: What spectacular coloring! And here I was being praised for my own. You can teach me a thing or two, I see.

    Marie-Jeanne Rose Bertin: It’s been a while since I’ve worn such an extravagant dress. I can’t say I haven’t missed the experience.
    https://i.pinimg.com/736x/8e/ff/7d/8eff7d2d840e246d855233ab9897540f.jpg


    Miss Gardner: Surely there must be some way to replicate it without all that alien nonsense.

    Joséphine Bonaparte: Madame, please, I have other patrons! I can’t be your exclusive artist!

    Caroline & William Herschel (Lily): Caroline, you need to stop fidgeting~ William, be a dear and try to keep her still.

    Martha Christina Tiahahu: The rebel who lay, defiant until the end, unwavering in her refusals. She would give them no satisfaction. I can see it clearly.

    Jeanne de Clisson: Riding against the roaring storm, seeking your own justice amidst the thundering waves. This is the image others see. I will show them what it is.

    Marguerite de Bressieux: A woman of deep conviction and pain. Capturing the moment her life turned brought back my own memories.

    Huang Yueying: It’s wonderful to see lovers sharing hobbies so intimately. I would leap at the chance to paint you two together.

    Barbara G. Walker: Such grand delusion will be hard to put to canvas, but that certainly won’t stop me from trying!


    Craft Essence
    https://i.pinimg.com/736x/1d/3c/c6/1d3cc6204aa6dd9c4c38dafdce6ed049.jpghttps://i.pinimg.com/736x/5c/69/54/5c69549f069e088a7277bfc6c8198bc9.jpg
    Susanna and the Elders.

    It’s really amazing how much things change.

    I drew this one scene over eight times in my life.

    Every time, I thought I finally said all I wanted to.

    Every time, I was wrong.

    I think I finally did at the end.

    Though, that canvas is looking very empty right now.

    I guess things keep on changing, don’t they?




    She was gonna be my idea for the Muse project as a Caster, but the Muse I would’ve used has already been claimed. Faker was my other idea generated by the possibility of putting her in the project. It worked out really well, I feel, and I’ve wanted to make her forever. Really cool lady. Worth checking her out beyond the things I was able to talk about in this sheet.

    [The Heroic Legend of Arslan - Painters and poets have leave to lie]
    Last edited by Morg van Destro; April 23rd, 2025 at 11:41 PM.
    Morg's delightful Servant comp.
    IN COLOR

  20. #540
    祖 Ancestor Dreamerless's Avatar
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    “Back again, am I? Good grief…”


    Saber of Uncourtly Cynicism

    Other Eligible Classes: Rider
    True Name: Sir Dinadan
    Alignment: Lawful Good
    Origin: Arthurian Legend - Britain
    Attribute: Earth
    Traits: Male, Humanoid, Hominidae, Knight of the Round, Weak to Enuma Elish
    Catalyst: A piece of his clothing

    Likes: “...love. Love can lead a heart astray, can drive a man to his doom, and will be the ruin of all civilization. Yet, one cannot reject it or live without it. At least, that’s what Tristan always said. Although it’s pure poppycock, I suppose I’ve learned to love it too.”
    Dislikes: “What is it I hate? A lying woman. Of course, all women are by their nature weavers of deception, but one should not judge them too harshly for their deficiencies. However, a woman who intentionally acts to deceive and revels in her own wickedness? That is something I cannot stand.”

    Parameters:
    STR:
    B
    END: C
    AGI: A
    MGI: C
    LCK: D
    NP: B




    “This world is so boring and pointless.”

    Those words are the mantra that Dinadan repeated throughout most of early years. A young knight born to the celebrated Sir Bruenor the Black and raised in Cornwall, he was trained in the arts of swordsmanship and excelled, despite being picked upon by the other household knights for his smaller build and rather effeminate appearance. Women flocked to him for his looks and wits and he rejected them all out of principle, though even he couldn’t say why. He claims that he first grew to despise the fairer sex when some maiden, entirely unprompted by him, showed him her breasts. Maiden, his arse. But back to more important matters.

    Of course, in those days, there was only one place for a young knight to go. Camelot. While of course they had done the work of God protecting England from the Saxons and he had done his part, he found the modern generation of Knights rather boorish. After seeing years of bloody war, burning down villages for the cause, fighting for your life on a grimy battlefield with some unwashed bastard twice your size, you choose to act like that? Obsessed with chivalry and honor and doing the right thing for no pay, it was all foolish. And having no meaningful occupation, he said as much. Thus Dinadan began to be known as a cowardly and depressing sort, one who would do his duty if pressed and would defend any insults to his honor, but would complain about it the entire time. An outcast and pariah upon Camelot, entirely self-made. A mediocre knight who hates all knights including himself most of all. Maybe good for a laugh, if you weren’t the target of one of his rants, but that’s it. And besides, we already have a fool.

    There in his isolation, he came upon Sir Tristan, who wielded the bow Failnaught and who was the most skilled knight in swordsmanship. A gloomy overly romantic sort. But, compared to the other Knights of the Round: hyperactive puppy… literal fool… hotheated lout… not entirely certain he can count to ten, he seemed like the best of companions. Dinadan decided that he might as well join Tristan. It was a marriage of convenience, nothing more. In fact, Dinadan’s mocking tongue and general air of condescension meant he was so little loved among the Knights of the Round that there were very few that would have taken him anyway.

    “And that was everything, until later.”

    Once the two knights were in the court of Espinogres, a rival king to Arthur, though staunchly loyal to his liege. Espinogres had a daughter, one who was known as a kind and beautiful maiden. He proposed that one of the knights marry her, thus ensuring that she had a noble and honorable spouse. Tristan obviously couldn’t take her, so the burden fell to Dinadan, who rejected her. At length. He spoke for almost an hour on every single flaw in Espinogres’ beloved little girl, making light of her cooking skills, piety, and appearance, thus giving a conclusive and thorough denial of any marriage between him or her sometime before the Rapture and embarrassing Espinogres greatly. Though at first he wanted to call Dinadan out on his words, Tristan proposed an alternative way to gain satisfaction.

    Later that night, dressed in one of the wench’s dresses and styling his hair like a maiden, Tristan crept into Dinadan’s tent, waking him up. Although his first response was to believe it an attack of some kind and his second was to berate her for disturbing his sleep, he stopped long enough to get a look at her. It was as if… something had changed about the girl. She was radiant, shining, beautiful, with flowing red tresses as deep and rich as blood, when once he had compared her auburn to uncooked chicken. She beckoned him with a coquettish wave. Though he had never felt any manner of attraction to other women before, he moved to kiss Tristan, apologizing all the while for his harsh words the previous day. He only stopped after one kiss, when he realized that Tristan was doubled over, laughing so hard that his face turned red, and he saw what a fool he had been.

    “That laugh… it was just as precious as the sun to me. No… it was more precious by far. The sun is a common harlot, sharing her beauty to every idler and peasant lucky enough to be outside at sunrise. Tristan hoarded his joy, only sharing it with his closest friends. There was nothing I ever wanted more in the world than to see him happy once again.”

    For the first time in his life, Sir Dinadan had actually found something that he cared about. Something he wanted to strive for. Something interesting. And so they had many adventures together, the two most depressing figures in the Round. Tristan would fight the majority of the perilous foes that they encountered and reap the credit and praise. Dinadan would run support in fights against multiple enemies at once while making light of the situation. Due to him actually possessing something that could, in a dim light and while squinting, be seen as social skills, he was also the one who spoke to townsfolk and arranged for the purchase of supplies. Along the way, he did everything he could to see the Knight of Sorrow smile one more time and was rewarded for his efforts, though the time that he succeeded by losing a foolhardy joust against Lancelot and being forced to wear a skimpy dress was not entirely intentional. It was happy, for a time.

    “Nothing good ever lasts forever. You should know that.”

    He was also there for the majority of his doomed courtship with Iseult, though his opinions on it were rather divided. You fool, can’t you see she’s wrong for you, do you know who her family is, the wench is flatter than a board, you’re only doing this because of an aphrodisiac, these and a thousand other complaints came to the lips of the Knight of Common Sense, but they never took flight, dying on his tongue the second he saw the two together. To Iseult, he was nothing but courteous. Once he even brusquely gave Tristan a bouquet of freshly picked roses and told him to pass them on to his wife.

    “And I was there when he died. When the poison drove him senseless. When he stared at the shore, praying for a white sail. I was the one who buried his body. None of the other Knights came, still hating him for that one curse that slipped out of his lips. A callous remark and nothing more, but for that the best man of them all died a miserable unlamented death, gaze upon the fruits of chivalry and romance, my dear. And then, what do I learn but that Mark remains in power, cackling on the while. No more.”

    Dinadan, having lost his primary reason for life, resolved to give it up for one last quest. To see justice for his dearest friend. For once in his life, the Knight of Common Sense rode with true conviction, to try to get King Mark, the rat who had been responsible for the end of his dearest friend, off the throne. He refused to allow any obstacles to stop him on this quest most perilous, not rain nor wolves, nor even the wicked knight Brehu the Merciless, who he cut down without a second thought, though he was wounded in the battle.

    He rode all the way to Cornwall before walking up the steps to the King’s castle. There he was set upon by a grim figure in grey armor, one who was known as the Secretary of the Round, most loyal and peerless knight. Though his expression was as unreadable as ever, the swordsman reeked of malice and killing intent. Dinadan posed the following question to him, not desiring any time to be wasted.

    “Why do you block my path, Agravain?”

    The Knight of Iron had never been one to mince his words.

    “For the crimes of Lamorak.”

    The Knight of Common Sense gave an equally curt reply.

    “Am I my brother’s keeper? If you’ve a quarrel with Lamorak, go to the cemetery and take it up with him.”

    Agravain was unmoved by his cutting words, instead approaching him. Dinadan responded in kind as the two maneuvered into a better position for the slaughter. A pointless battle for the crimes of some Knight who Dinadan had had the misfortune to ride with once and nothing more. This would be an obstacle that he planned to cut down. Agravain was skilled, yes, but slow, and Dinadan had been the sparring partner of the greatest Knight of the Round for years. What was more, for once, he had conviction behind him.

    “So it comes to this, eh?”

    It was to be a duel to the death, one motivated by stupidity and stubbornness, yet one that had value nevertheless. Dinadan refused to allow anything to block him from reaching Arthur. Agravain refused to allow him to pass. They unsheathed their blades. Dinadan was more skilled with a blade, while Agravain had far more raw power along with superior armor. Dinadan tensed up, preparing to strike at Agravain’s left side when he paused, coughing up blood as a sword sprouted from his chest. Agravain hadn’t wanted to fight him. He had been distracting him for Mordred, the Knight of Treachery, to take bloody vengeance upon him from behind. Mordred had struck true and Dinadan collapsed to his knees. Mordred left him with a parting curse, motioning for Agravain to follow her.

    “That’s for you, you smirking bastard.”

    And then Sir Dinadan died, speared through by Clarent in a war he had never wanted to fight in, for a band of knights he had never wanted to be a part of, for revenge against a one-time companion of his who he had had no deep respect or lasting relationship with. It was an entirely pointless death in an entirely pointless event. Neither Agravain nor Mordred derived any honor from the kill and his presence at Camlann wouldn’t have made any difference. In that moment, that entirely mediocre death, he thought to himself one last thought. A fitting epitaph for his life.

    “...I always knew that chivalry was the business of fools.”




    Class Skills

    Riding B

    Riding is the Class Skill of Rider and Saber class Servants, denoting the ability to ride mounts and vehicles. It is said that draconic mounts are an exception, requiring a different ability other than Riding.

    Most vehicles and animals can be handled with above average skill, even vehicles that did not exist in the time period one was alive in, for they are no exception. However, they cannot ride the likes of Phantasmal Species such as Monstrous Beasts. Though Dinadan claims to be a rather indifferent rider, he still has the talent required to be a Knight recognized by King Arthur.

    Magic Resistance B+

    The Class Skill of Saber Servants, designating the ability to repel magecraft. It does not simply grant resistance to magical energies, but grants a defense against the spell itself. At the skill’s rank, it cancels all spells with a chant below three verses. Even if targeted by greater magecraft and Greater Rituals, it is difficult for Dinadan to be affected.

    The + modifier comes into play if the one attempting to cast a spell on him is a woman, as Dinadan is so naturally paranoid of such an eventuality, that he’s gained resistance to the charms of ladies as well as being much more prepared to deal with them.




    Personal Skills

    Mind’s Eye (True) A

    An experienced Knight, though one often not celebrated for his skill. Bereft of the inhumanly strong builds of warriors like Lancelot and Gawain, he instead trained his swordsmanship and gained a discerning eye that allows him to predict his enemies’ techniques and their weaknesses.

    It’s the accumulation of both his experience in battle and hundreds of sparring matches against Tristan that grant him a discerning instinct for battle that lets him respond quickly and decisively against all opponents. Plans of battle can be drawn up nigh-instantaneously. After all, the main reason he didn’t fight isn’t because he was unable, it was because he didn’t see the purpose of it and besides Tristan would finish it more efficiently than him.

    Disengage A

    Disengage is defined as the ability to withdraw from the battlefield in the midst of combat or reset the battle conditions. Another way of thinking of it is that it’s the ability to wait for the perfect conditions to strike by forcefully bringing the field of combat back to “zero”.

    Dinadan was commonly known as the most cowardly of the Round, save perhaps for the fool Dagonet. Before every battle, before every fight, he would whine about the pointlessness of the job before them and try to seek a more civilized resolution. He almost never jousted, and the one time he did, he was humiliated by Lancelot and forced to wear a dress. Yet, Dinadan is still very much the son of the Good Knight Without Fear. In fact, there are no legends of him actually running away from a battle once he’s been committed. He strongly dislikes using this skill as “once you’ve committed to the bloody business, no point in running away.” Instead, he tends to use it in a much more limited capacity to catch an enemy off guard by removing himself from an entanglement before pressing the advantage.

    At this high a rank it has the bonus effect of returning battle conditions to what they were at the beginning of the match (1st turn) and restores the condition of this Skill to the initial value. At the same time, it forcibly releases some of the bad status ailments inflicted on the user of this Skill.

    Knight of Common Sense C

    A unique skill of Dinadan’s, attained through his reputation as a Knight who despised chivalry. In truth, it’s not hatred of the concept, but an unbearable over-intellectualization and lack of verbal filter that led to Dinadan gaining this reputation, though he’d call it nothing but realism. It’s not even his fault. It’s just that his temperament is entirely unsuitable to call combat anything honorable and he feels obligated to remove all of the romanticism from it.

    Essentially, through cynicism and nothing else, he’s become something of an “Artificial Mystery Slayer”, a depressing reminder of the real risk of combat. Want to die of an infected shard of wood in the eye from jousting? Lay for days dying and smelling your own shit after being stabbed in the bowel. Even a single unlucky moment can spell the end of one of the greatest Knights of all. It’s all butchery and luck. He’d prefer to live rather than wagering his life on a gamble, thank you very much.

    This skill allows him to manifest that phenomenon for a short period of time, stripping away the honor and Legends of his foes through a few short words, weakening them greatly. It’s rather similar to Don Quixote’s Closing the Curtain of Reality, with a particular advantage against chivalrous Knights. Their storied feats mean nothing in a realistic battlefield. Dinadan has a strong distaste for this skill as it embodies his reputation as a good-for-nothing Knight only skilled at tearing down the feats of his betters and more loved.




    Noble Phantasm

    The Changeling Edge
    Newid Ymyl
    Eternally Shifting Blade of the Fae


    Rank: B
    Type: Anti-Unit

    The blade of Sir Dinadan, imbued with magical properties by one of the Fae, as its name suggests. The sword is of a high quality and cutting power, never seeming to fail to cut down a foe. The type of blade that any man would boast about. However, the origins of the blade are somewhat shrouded in mystery, as it bears a device suggesting courtly favor on its hilt. Clearly, Dinadan, the knight who was vocal in his rejection of courtly romance as the business of fools, had some manner of paramour who loved him enough to arm him in battle. Yet, whenever the question was posed to him, he blushed and refused to speak on the matter further. How curious.

    In truth, the blade was given to Tristan by a love-struck Fae who had caught a glimpse of the red tresses of the Knight of Tragedy. She worked upon it for seven days and seven nights before presenting it to the Knight of Sorrow. Tristan had no need for it and pawned it off on Dinadan. This is the story of how he came by the Newid Ymyl.

    However, the deceptive nature of the blade fits the cowardly and cautious Dinadan rather well. Its name explains its properties well. The Changeling Edge. In other words, the blade that exists between the boundaries of Faerie and Man. That which pierces through liminality. The faerie who gave it to Tristan likely wanted it to have this “split nature” so that they would always be connected, even when humanity and the fae lost touch with one another. The edge of the sword exists half in the current World and half on its Reverse Side, granting it unparalleled cutting power as it can simply “avoid” barriers that don’t exist on both Textures at once. A terrifying blade, even if wielded by a pessimist.

    What’s more, upon releasing the True Name of Nemid Ymyl, Dinadan is also capable of sending the sword fully into the Reverse Side and then calling it back to his hands a nano-instant later, essentially shifting its location nigh-instantaneously. By doing this repeatedly, he gains himself a shifting edge that appears to be more made of mist than anything solid, impossible to track or adequately defend against. A sword that never misses its target, showing the foe in a barrage of deep slashes. He finds using this trick embarrassing, though, as it’s not even his sword.




    Dialogue Sections

    Summoned: “Sir Dinadan. Saber Class. You were trying to summon Tristan, weren’t you? Well, I won’t hold you not wanting me against you. I’d do the same. After all, as a knight, I lack many virtues including bravery, chivalry, honor, skill at swordsmanship, or basic social graces. In fact, I am entirely unsuited to the role of your protector in any way whatsoever. If you are a man of sense, you will terminate our contract immediately. If you are not, then tough luck. We’re stuck with each other.”

    Level Up: “Why are you spending your time and effort making me stronger? Don’t you have better and more grateful Servants to lavish your gifts on?”

    1st Ascension: “Well, we’ve gotten to the point where my outfit changes. Did you think it’d be like one of the other harlots in the Throne and I’d end up stripping? No. Sorry to disappoint you. You’re never getting my body.”

    2nd Ascension: “How long has it been since the last time this happened? So soon? Well, at least you don’t spend that much time on working for pointless tasks with small payoffs. Call it a compliment.”

    3rd Ascension: “Congratulations Master, with all of your time and diligence you have managed to metamorphosize this third-rate Saber into a second-rate. Oh… in your heart, I’m first-rate? Flattery will get you nowhere, especially when it’s so clearly untrue. No, I’m not smiling. You’re delusional. Check the medics for pinkeye.”

    4th Ascension: “Well… we’ve been together for a long time, haven’t we, Master? Not as long as I was with Tristan, but I’ve at least learned to tolerate you. Don’t get me wrong, you’re still a boorish, overly hotheaded fool, to say nothing of your fashion sense, but I can at least say that I am somewhat satisfied that you’ve allowed me to be your Knight at peak performance.”

    Relationships

    Mordred: “You?! You actually dare to show your face and allow yourself to be summoned again, as if you’re some kind of hero? I mean, I know that I don’t deserve to be summoned, but the thought of you breathing the same air as someone like Tristan is too much to be borne!”

    (For the first time since his summoning, the Knight of Common Sense actually seems taken aback and angry. He unsheathes his blade and points it at the Knight of Treachery.)

    “Put down that sword and take off that armor. You have no right to adorn yourself in the manner of a King or Knight, after what you did. You aren’t worthy of any title other than whore.

    Tristan: “...Tristan. I’m glad to see you’ve been summoned again. I wouldn’t dare be presumptuous enough to set upon a great quest without you.”

    King Arthur: “I respect them as my liege and a knight without any peer, but I have to agree. This is not a King that understands the hearts of men.”

    Don Quixote: “And here we come to Exhibit A on how an obsession with honor and lurid stories of heroics can cause the brain to rot and the senses to unravel. It’s honestly sad the way these people get carried away, picking up a sword and riding a mule and they start thinking that they’re Lancelot-come-again.”

    Roland: “...Exhibit B.”

    Morgan: “There is no purpose in our conversing. I am not an intelligent man and you are a talented weaver of lies and manipulation. I have no knowledge of magecraft and you are the greatest sorceress of our era. To speak with you would be to only invite tragedy. So… what to do? Gaheris had the truth of it. I should take your head.”

    Hans Christian Anderson: “My master likes your works and forced me to read them. Although you get a bad reputation as a misanthrope and a cynic, I’d say that’s because people don’t understand the truth of the world. Every fairy tale ends in tragedy.”

    The Lion King: “I choose not to serve you, O distorted reflection of my liege. Before I agreed with Tristan’s curse that you did not understand the hearts of men, but now I see the truth. You simply do not have a heart at all. Lacking any frame of reference, it’s no wonder that your comprehension is insufficient. Strike me down, if you please. At least I die a man.”

    About the Holy Grail: “If I could get the Holy Grail… which would imply that I’d be a knight on the level of Percival and Galahad, in other words, never… I’d use my wish to give Tristan the happiness he deserved. Surprised? Didn’t you know that ‘a Noble Knight never thinks of themselves and always wishes to help the unfortunate’? Or something to that effect.”

    During an Event: “...are we really sure that this is the type of thing we want to get involved in, Master? Oh, of course, you’re the type of headstrong idiot who can’t see a quest without immediately jumping headfirst into it, right. Well then, as a mediocre Saber, I can’t expect to have any say in how you arrange our affairs. Guess I’ll hop right to it.”

    Birthday: “...You took the time out of your day to buy me a birthday cake? To be honest, Master, you’ve wasted both your money and your time. For one thing, a birthday when you get to my age is rather depressing as it only serves to remind you of all of the years that you’ve wasted. In addition, I dislike sweet foods immensely. But… you aren’t to be blamed for not knowing that, so sit down. Have a slice with me.”




    Author's Notes


    Time to get back in the game. Tell me what you guys think!

    Last edited by Dreamerless; April 24th, 2025 at 11:52 AM.
    My compendium is here: https://blogs.nrvnqsr.com/blog.php/14424

    My fanfiction Fate/Roundabout is here: https://forums.nrvnqsr.com/showthrea...ate-Roundabout

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